The Typewriter Is Holy

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比尔·摩根

垮掉派研究作家,曾撰写了十余篇研究垮掉派的专著,其中包括有《我为自己庆祝:艾伦生活的点点滴滴》。他以编辑和整理咨询者的身份进入垮掉派核心圈子,并与他们交往了近40年,这些作者包括艾伦·金斯伯格、劳伦斯·费尔林西提、杰克·凯鲁亚克、加里·施耐德、威廉.博罗斯等。他是当今世界最了解垮掉一代作家的研究人员。

出版者:Free Press
作者:Bill Morgan
出品人:
页数:256
译者:
出版时间:2010-05-11
价格:USD 28.00
装帧:Hardcover
isbn号码:9781416592426
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In this highly entertaining work, Bill Morgan,a leading authority on the movement and a man who personally knew most of the Beats, narrates the history of these writers as primarily a social group of friends, tracing their origins together during the World War II years to the full blossoming of their notoriety in the late 1950s to their profound influence on the social upheaval of the 1960s. Indeed, it is impossible to comprehend the sixties without first grasping the importance of the social ripples set in motion by the Beats a decade earlier. This is a sweeping, indispensable story about the discontented free spirits of the Beat Movement. We watch their peripatetic lives, their sexual misadventures, their ambivalent response to fame. We are reminded above all that while their personal lives may have not have been holy, their typewriters and their lasting words very much were.

具体描述

读后感

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关于“垮掉的一代”的荒凉描述,我们已经见到了很多。我们再也无法摆脱它们那些关于自省,严肃,又奔跑着嚎叫的荒凉情节。没有人能逃脱“在路上”的命运,我们都是在荒原中行走的人——尽管这其中包含着戏谑、荒诞、颓废,但我们从未丧失过在每一场迷乱后的清醒与在某一瞬间对...  

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“垮掉”这个词对于我们早已不陌生,从“垮掉的一代”的滥用就可以看出来。但国内对垮掉的一代的挪用,也正好体现了大家对这个词汇的误读和误解。“垮掉派”阵营既有杰克·克鲁亚克和艾伦·金斯堡这样的知名作家,也有赫伯特·汉这样的瘾君子小偷。提及这样垮掉的一个群体,总...  

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“嚎叫”的方式有千千种,浪迹“在路上”的人代代有,但是垮掉一族的影响是时空交错的。“BeatGeneration”是第二次世界大战之后出现于美国的一群松散结合在一起的年轻诗人和作家的集合体。杰克·克鲁亚的《在路上》、艾伦·金斯堡的《嚎叫》和威廉·博罗斯的《裸体午餐》都是...  

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翻开当代文化史,“垮掉的一代”是难以忘却的一章。金斯堡、凯鲁亚克、卡萨蒂、博罗斯……他们用前所未有的方式留下了自己的声音:刺耳、孤独、嘹亮、暴戾且伤感。现代文明曾经故意忽略他们,可无论如何也无法成功,然而,就在无数人开始倾听时,他们却又在刹那间,纷纷凋零。 ...  

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看到《垮掉》,不禁让想到克鲁亚克的《在路上》,金斯堡的《嚎叫》。他们是玩世不恭的浪荡公子,他们笃信自由主义理念。他们文学创作理念是自发的,有时甚至非常混乱。《垮掉》真实地展现了他们自然又颓废却不失激情的生活,矛盾的心理在矛盾的现实中反复抗争着,所有的生活都...

用户评价

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The author's personal proximity to the "Beats" results in a rambling text that is encyclopedic in detail, but also seems to fall short on contextual analysis.

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The author's personal proximity to the "Beats" results in a rambling text that is encyclopedic in detail, but also seems to fall short on contextual analysis.

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The author's personal proximity to the "Beats" results in a rambling text that is encyclopedic in detail, but also seems to fall short on contextual analysis.

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The author's personal proximity to the "Beats" results in a rambling text that is encyclopedic in detail, but also seems to fall short on contextual analysis.

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More like the complete, uncensored history of bill morgan's lifelong crush on allen ginsberg

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