During the 1990s illegally imported compact discs, known as dakou CDs, flooded into China, opening up the music world to Chinese youth and inspiring them to experiment with new sounds and new lifestyles. Quickly, dakou became the label for a new generation of Chinese, a vibrant generation no longer tied to the Maoist past. Based on fifteen years of fieldwork in Beijing, Shanghai, and Hong Kong, China with a Cut surveys the music that emerged in 1990s China and makes a case for its involvement in the rise of China as a cultural and economic global power.
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閱讀這本書給我帶來瞭許多樂趣,基本上是外國人研究中國搖滾樂和青年文化最好的一本。
评分haha
评分忠言逆耳利於行!
评分草草的在一周之內讀瞭一遍,看著那一堆熟悉的名字,還真是讓我體會到瞭祖國的溫暖,研究瞭15年的中國文化,老高現在也可以算是中國通瞭
评分二導的書,urban youth culture(這裏指80後),搖滾小世界,打口的一代, “more playful & less rebellious”。社會中的binary,中國的特殊性,pop culture對於經濟文化的影響,cencorship & mythology
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