具體描述
The essays in this volume are revised versions of papers first presented at the conference, "The Making and Reception of Painting in the Pre-Modern Islamic World," held in May 1999 under the auspices of the Aga Khan Program for Islamic Architecture at Harvard University.
著者簡介
圖書目錄
Introduction
The Study of Painting and the Arts of the Book(pp. 1-16)
David J. Roxburgh
Materials and Methods
The Introduction of Paper to the Islamic Lands and the Development of the Illustrated Manuscript(pp. 17-23)
Color and Gold: The Decorated Papers Used in Manuscripts in Later Islamic Times(pp. 24-36)
The Conception and Realization of Painting
The Beginnings of the Illustrated Arabic Book: An Intersection between Art and Scholarship(pp. 37-52)
The Age of Muhammadi(pp. 53-72)
Abolala Soudavar
Selling to the Court: Late-Sixteenth-Century Manuscript Production in Shiraz(pp. 73-96)
Lâle Uluç
Theories and Aesthetics of Painting
The Theory and Practice of Portraiture in the Persian Tradition(pp. 97-108)
Priscilla Soucek
From the "Theory of the Two Qalams" to the "Seven Principles of Painting": Theory, Terminology, and Practice in Persian Classical Painting(pp. 109-118)
Yves Porter
Kamal al-Din Bihzad and Authorship in Persianate Painting(pp. 119-146)
David J. Roxburgh
Later Responses to Paintings and Books
Additions to Illustrated Manuscripts in Ottoman Workshops(pp. 147-161)
Zeren Tanindi
From Translated Word to Translated Image: The Illustrated Şehnâme-i̇ Türkî Copies(pp. 162-176)
Serpi̇l Baǧci̇
A Mughal Code of Connoisseurship(pp. 177-202)
John Seyller
· · · · · · (收起)
The Study of Painting and the Arts of the Book(pp. 1-16)
David J. Roxburgh
Materials and Methods
The Introduction of Paper to the Islamic Lands and the Development of the Illustrated Manuscript(pp. 17-23)
Color and Gold: The Decorated Papers Used in Manuscripts in Later Islamic Times(pp. 24-36)
The Conception and Realization of Painting
The Beginnings of the Illustrated Arabic Book: An Intersection between Art and Scholarship(pp. 37-52)
The Age of Muhammadi(pp. 53-72)
Abolala Soudavar
Selling to the Court: Late-Sixteenth-Century Manuscript Production in Shiraz(pp. 73-96)
Lâle Uluç
Theories and Aesthetics of Painting
The Theory and Practice of Portraiture in the Persian Tradition(pp. 97-108)
Priscilla Soucek
From the "Theory of the Two Qalams" to the "Seven Principles of Painting": Theory, Terminology, and Practice in Persian Classical Painting(pp. 109-118)
Yves Porter
Kamal al-Din Bihzad and Authorship in Persianate Painting(pp. 119-146)
David J. Roxburgh
Later Responses to Paintings and Books
Additions to Illustrated Manuscripts in Ottoman Workshops(pp. 147-161)
Zeren Tanindi
From Translated Word to Translated Image: The Illustrated Şehnâme-i̇ Türkî Copies(pp. 162-176)
Serpi̇l Baǧci̇
A Mughal Code of Connoisseurship(pp. 177-202)
John Seyller
· · · · · · (收起)
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