Introduction
         The Study of Painting and the Arts of the Book(pp. 1-16)
         David J. Roxburgh
         Materials and Methods
         The Introduction of Paper to the Islamic Lands and the Development of the Illustrated Manuscript(pp. 17-23)
         Color and Gold: The Decorated Papers Used in Manuscripts in Later Islamic Times(pp. 24-36)
         The Conception and Realization of Painting
         The Beginnings of the Illustrated Arabic Book: An Intersection between Art and Scholarship(pp. 37-52)
         The Age of Muhammadi(pp. 53-72)
         Abolala Soudavar
         Selling to the Court: Late-Sixteenth-Century Manuscript Production in Shiraz(pp. 73-96)
         Lâle Uluç
         Theories and Aesthetics of Painting
         The Theory and Practice of Portraiture in the Persian Tradition(pp. 97-108)
         Priscilla Soucek
         From the "Theory of the Two Qalams" to the "Seven Principles of Painting": Theory, Terminology, and Practice in Persian Classical Painting(pp. 109-118)
         Yves Porter
         Kamal al-Din Bihzad and Authorship in Persianate Painting(pp. 119-146)
         David J. Roxburgh
         Later Responses to Paintings and Books
         Additions to Illustrated Manuscripts in Ottoman Workshops(pp. 147-161)
         Zeren Tanindi
         From Translated Word to Translated Image: The Illustrated Şehnâme-i̇ Türkî Copies(pp. 162-176)
         Serpi̇l Baǧci̇
         A Mughal Code of Connoisseurship(pp. 177-202)
         John Seyller
      · · · · · ·     (
收起)