Talal Asad was born in Saudi Arabia and educated in Britain. He now teaches anthropology at the Graduate Center of the City University of New York.
In this volume, four leading thinkers of our times confront the paradoxes and dilemmas attending the supposed stand-off between Islam and liberal democratic values. Taking the controversial Danish cartoons of Mohammad as a point of departure, Talal Asad, Wendy Brown, Judith Butler, and Saba Mahmood inquire into the evaluative frameworks at stake in understanding the conflicts between blasphemy and free speech, between religious taboos and freedoms of thought and expression, and between secular and religious world views. Is the language of the law an adequate mechanism for the adjudication of such conflicts? What other modes of discourse are available for the navigation of such differences in multicultural and multi-religious societies? What is the role of critique in such an enterprise? These are among the pressing questions this volume addresses.
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一场从“日德兰邮报穆罕默德漫画事件”引发的纷扰谈起的圆桌会,非常棒~
评分Wendy Brown!
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评分核心论题是新教与现代西方世俗国家之间存在亲缘关系,二者的共谋使伊斯兰教显得不可理喻,例如Saba Mahmood指出新教强调主体/客体、能指/所指、形式/本质的二分,穆斯林却将宗教符号等同于神圣者的具身化,于是自诩普适的“新教世俗主义”视其为范畴谬误加以贬抑。
评分核心论题是新教与现代西方世俗国家之间存在亲缘关系,二者的共谋使伊斯兰教显得不可理喻,例如Saba Mahmood指出新教强调主体/客体、能指/所指、形式/本质的二分,穆斯林却将宗教符号等同于神圣者的具身化,于是自诩普适的“新教世俗主义”视其为范畴谬误加以贬抑。
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