Debate about the separation of law and morality has ancient roots and is still vigorously discussed today. Mostly, the debate has been conducted as a technical problem in jurisprudence or legal philosophy. As a technical, philosophical problem, the arguments are rigorous and tend to be narrow. Creon's Ghost enters the debate from a different angle by discussing the general responses to the problem by pairing stories from the humanities with various contemporary jurisprudential accounts. For example, Chapter 1 pairs Antigone with H. L. A. Hart to illuminate the legal positivist position on how law should be considered separate and apart from morality. Antigone, from which play is taken the text's principal interlocutor-Creon-Tomain develops his themes through the history of the humanities, all the while offering significant connections within the realm of legal scholarship. The major "schools" of jurisprudence are treated at some length-legal positivism, natural law theory, legal realism, legal pragmatism, critical legal studies, et al. The author also presents arguments on why and how law is and should be connected with morality, presenting concepts from Plato's Republic together with Ronald Dworkin to illustrate the claim that law has and should have a moral unity. Creon's Ghost demonstrates that the humanities can both illuminate our understanding of legal discussions and that they can be read alongside jurisprudential texts, thus enriching our understanding of and appreciation for both the humanities and the law.
Joseph Tomain is Dean Emeritus and the Wilbert & Helen Ziegler Professor of Law at the University of Cincinnati College of Law. As the founder of the Justice Institute for the Legal Profession, Prof. Tomain has conducted innumerable seminars in law and the humanities as a part of post-J.D. education to lawyers, judges, and law teachers. The Justice Institute offers an annual seminar under the auspices of the Ohio State Supreme Court and provides programming in law and the humanities to various professional organizations throughout the country including: the Conference of Chief Justices which is comprised of the Chief Justices of the various state Supreme Courts; the American Judicature Society; the Ohio State Bar Association; the Tennessee Bar Association and to law firms and other bar associations.
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这本书的气质非常独特,它不像市面上大多数的小说那样,以强烈的戏剧冲突或快节奏的情节吸引读者。《Creon's Ghost》更像是一杯醇厚的红酒,需要你慢慢品味,才能体会到它丰富的层次和悠长的回甘。作者的文字冷静而客观,但字里行间又流淌着一种难以言说的情感张力。我发现自己经常会在阅读时,不由自主地放慢速度,去感受那种弥漫在文字间的氛围。书中的人物塑造也是如此,他们并非脸谱化的英雄或反派,而是充满了人性的复杂性和矛盾性,让我看到了他们身上真实而鲜活的一面。我喜欢这种对人性深度的挖掘,它让我看到了这个世界更真实、也更微妙的一面。这本书并不提供简单的答案,而是引导你去思考,去感受,去质疑。
评分说实话,《Creon's Ghost》的文字非常有“气场”。它不是那种哗众取宠的语言,而是带着一种沉淀后的力量,字斟句酌,却又能在不经意间击中内心最柔软的地方。读这本书,就像是在和一个久经世事的智者进行一场深度的对话,他的每一句话都充满了智慧和对人性的洞察。我发现自己常常会在阅读时停下来,反复咀嚼某个词语的含义,或者思考某个比喻的深层寓意。书中的节奏处理也非常得当,有时是急促的连珠炮,让人喘不过气来;有时又是舒缓的慢板,让你沉浸在细致的描写中。这种起伏跌宕的节奏,使得阅读过程充满了动态感,仿佛你正亲身经历着书中所描绘的一切。我特别喜欢作者在描绘人物情感时的细腻和精准,那些难以言说的情绪,通过作者的笔触,变得鲜活而立体,让我感同身受。
评分《Creon's Ghost》带给我一种前所未有的阅读冲击,它彻底颠覆了我对传统叙事模式的认知。作者的叙事视角异常独特,时而如同一个旁观者冷眼审视,时而又仿佛钻进了角色的内心深处,捕捉那些最细微的情绪波动。这种多层次的叙述方式,让故事的肌理显得异常丰富和复杂,每一次翻页都可能带来新的惊喜或困惑。我尤其欣赏作者对人物内心世界的刻画,那些纠结、矛盾、挣扎,被描绘得如此真实且富有张力。我仿佛能看到他们眼中的迷茫,听到他们心中的呐喊。这本书不是让你在舒适区里轻松阅读的,它会不断挑战你的理解边界,让你在逻辑的缝隙中寻找真相。有时,我会感觉自己像是置身于一个迷宫,每一次的选择都可能将我引向不同的方向,而最终的出口却显得模糊不清。这种不确定性,反而激发了我更强烈的求知欲,让我想要去揭开所有层层叠叠的面纱。
评分刚翻开《Creon's Ghost》,就被一种扑面而来的疏离感攫住了。它不像那些直白地铺陈情节的作品,而是像一幅褪色的古老壁画,需要你耐心地去辨认每一处斑驳的痕迹,去揣摩那些沉默的意象。作者的笔触是如此的克制,仿佛每一个词语都经过了千锤百炼,被赋予了沉甸甸的重量。我常常会停下来,反复咀嚼一个句子,试图从中解读出更深层的含义。这种阅读体验,与其说是快节奏的“追更”,不如说是一种缓慢的沉思。书中的氛围营造得极为成功,那种游荡在理性与非理性边缘的模糊地带,既吸引人又让人感到一丝不安。我喜欢这种不明确性,它迫使我主动参与到叙事的构建中,而不是被动地接受。每一个人物,每一个场景,似乎都隐藏着一个待解的谜团,让我的思绪在字里行间不断地探索和联想。我甚至开始怀疑,我们所看到的现实,是否也如同这书中所描绘的那样,只是冰山一角,背后隐藏着无数未知的力量和秘密。这种对未知的好奇心,驱动着我不断地向前翻页,渴望抓住那稍纵即逝的线索。
评分《Creon's Ghost》给我的感觉,就像是一幅充满了象征意义的画作,你需要细心去解读其中的每一个符号,去感受隐藏在画面背后的故事。作者的叙事方式非常具有实验性,它不拘泥于线性的时间顺序,而是将不同的片段、不同的视角巧妙地穿插在一起,形成一种独特的叙事结构。这种结构,初读时可能会让人感到些许困惑,但随着阅读的深入,你会逐渐体会到它所带来的深邃和魅力。我喜欢这种“解谜”式的阅读体验,它不仅仅是阅读故事,更是一种智力上的挑战和精神上的探索。书中的每一个细节,似乎都蕴含着特殊的意义,等待着你去发掘。我常常会反复回读某个章节,试图找出那些我可能忽略的关键信息。这种探索的过程,让我感到自己与作者和书中的角色之间产生了一种奇妙的连接。
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