In 1979 the fanciful Italian artist and designer Bruno Munari donated part of his personal archive to the Center for the Study of Archives and Communication in Parma--a sort of encyclopedic collection of solutions for possible answers. From early drawings for his abstract paintings of the 1930s, to the "Negative-Positive" works, to graphic sketches for publishing projects, to original editions of his games, this volume collects projects from across Munari's career, many of them previously unpublished. From the Bauhaus to Piaget's psychological theories, Munari assimilated many visual and conceptual trends of the twentieth century, reproposing them in new, highly creative and playful ways. Featuring more than 500 images, this volume contains essays, an interview and a bibliography of the most important publications on Munari's works.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
最全的一本Munari草圖集瞭。兩位我最喜歡的意大利設計師，munari和castiglioni，都是到老瞭，還能保持那種兒童版的天真和不羈！這兩點，對大多數設計師來說過瞭30歲，甚至更早就已經失去瞭！
评分最全的一本Munari草圖集瞭。兩位我最喜歡的意大利設計師，munari和castiglioni，都是到老瞭，還能保持那種兒童版的天真和不羈！這兩點，對大多數設計師來說過瞭30歲，甚至更早就已經失去瞭！
评分最全的一本Munari草圖集瞭。兩位我最喜歡的意大利設計師，munari和castiglioni，都是到老瞭，還能保持那種兒童版的天真和不羈！這兩點，對大多數設計師來說過瞭30歲，甚至更早就已經失去瞭！
评分最全的一本Munari草圖集瞭。兩位我最喜歡的意大利設計師，munari和castiglioni，都是到老瞭，還能保持那種兒童版的天真和不羈！這兩點，對大多數設計師來說過瞭30歲，甚至更早就已經失去瞭！
评分最全的一本Munari草圖集瞭。兩位我最喜歡的意大利設計師，munari和castiglioni，都是到老瞭，還能保持那種兒童版的天真和不羈！這兩點，對大多數設計師來說過瞭30歲，甚至更早就已經失去瞭！
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