This is a magnificently illustrated volume that showcases the unique work of Francis Bacon - one of the 20th century's most celebrated artists. The centenary of Francis Bacon's birth is being celebrated with major exhibitions at the Tate Britain, The Prado Museum in Madrid, and The Metropolitan Museum in New York. Francis Bacon (1909-1992) was arguably one of the greatest artists of the twentieth-century. The violent intensity with which his paintings give expression to the existential angst of his fellow human beings is virtually without parallel in the history of art. His oeuvre undoubtedly includes some of the most extraordinary and powerful paintings in modern art. Published to coincide with the centenary of the artist's birth, this magnificently illustrated volume features more than 140 stunning reproductions of Bacon's work - including his series of portraits and self-portraits, the strangely beautiful yet terrifying variations of Velazquez's "Pope Innocent X", the painfully moving "Crucifixion", his enigmatic figure studies, and twelve gatefold's of the powerful triptychs - all of which were selected for inclusion in this monograph by the artist himself before his death in 1992.
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现代绘画导引到两个方向， 一类是抽象， 如蒙德里安与康丁斯基， 不过他们拒绝古典形象的方式是以减低感官感觉， 而使其成为单纯的视觉符码所以只与眼睛相关， 而波洛克的抽象表现主义则藉由手绘线条的流体与混乱质地与色彩，来融化各种形式的方式以超越再现。另一类是形象性的，如塞尚与梵高， 表现物体应该被呈现的形式， 这种感觉形象与感官感觉相关， 即对肉体的神经系统上产生作用的存在。培根的创新处是他走在两者之间， 他以“隔离”来切断感觉形象之间的关系以解放感觉形象， 因此感觉形象成为一个影像， 一个图像， 如此以避免感觉形象固有的再现性、 说明性与叙述性特质。
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评分东西就怕比，看过梵高之后，看培根又觉得有点意兴阑珊……培根后来走向了折衷主义和古典，我想是某种关于均衡的美学范式在左右他，但梵高的那种纯粹和大无畏，让人觉得彻头彻尾的可怕
评分变形得很漂亮/精致（而不是怪异/粗旷）
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