In Between delves into that career, charting the course of his artistic development from the 1950s into the 1980s with over 200 exceptional images in black and white and color. This monograph reassembles many of the original editorial layouts as they were published in magazines such as French Vogue, British Vogue, and Harper’s Bazaar, offering a new and illuminating critical context in the process. Guy Bourdin tailored his compositions to the constraints of the printed page both conceptually and graphically, and the mirror motif so central in his work finds its formal counterpart in the doubleness of the magazine spread. Layout and design become powerful metaphors for the photographic medium, engaging the eye and with it, the mind.
In Between was conceived and edited by Shelly Verthime, whose unflagging devotion and research have resulted in an unparalleled familiarity with the photographer’s oeuvre. It is the second publication in Steidldangin’s Guy Bourdin library. A Message For You, published in 2006, explored the author’s collaboration with model/muse Nicolle Meyer in the form of an exquisite, two-volume coffret. With In Between, Steidldangin offers a roll-up-your-sleeves guide to his visual vocabulary.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
現在市麵上的時尚、少女、情境攝影，在我看來都在隻是不停模仿這本影集。
评分烈焰紅唇，紙醉金迷，有人看得到華美，有人嗅得到腐爛
评分一直被模仿，從未被超越，用於Guy Bourdin的作品很貼切。超現實是為商業服務的藝術錶現形式，形而上的唯藝術論忽略瞭本質。Steidldangin的齣品，從排版到用紙及其嚴謹。
评分大師是不是有些戀童？
评分A thousand lips
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