In Between delves into that career, charting the course of his artistic development from the 1950s into the 1980s with over 200 exceptional images in black and white and color. This monograph reassembles many of the original editorial layouts as they were published in magazines such as French Vogue, British Vogue, and Harper’s Bazaar, offering a new and illuminating critical context in the process. Guy Bourdin tailored his compositions to the constraints of the printed page both conceptually and graphically, and the mirror motif so central in his work finds its formal counterpart in the doubleness of the magazine spread. Layout and design become powerful metaphors for the photographic medium, engaging the eye and with it, the mind.
In Between was conceived and edited by Shelly Verthime, whose unflagging devotion and research have resulted in an unparalleled familiarity with the photographer’s oeuvre. It is the second publication in Steidldangin’s Guy Bourdin library. A Message For You, published in 2006, explored the author’s collaboration with model/muse Nicolle Meyer in the form of an exquisite, two-volume coffret. With In Between, Steidldangin offers a roll-up-your-sleeves guide to his visual vocabulary.
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现在市面上的时尚、少女、情境摄影，在我看来都在只是不停模仿这本影集。
评分大师是不是有些恋童？
评分amazing.
评分太精彩了 紅色高跟鞋 深綠色的草 深藍色泳池 黑色的絲襪
评分Guy Bourdin的确很有创意，尤其看了很多现代时尚创意摄影，发现很多都收他的启发
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