"Caligula" reveals some aspects of the existential notion of the absurd' by portraying an emperor so mighty and so desperate in his search for freedom that he inevitably destroys gods, men and himself. The dramatic impetus of "Cross Purpose", however, comes from the tension between consent to and refusal of man's absurdity; it is the tragedy of a man who returns home to his mother and sister without revealing his identity to them. By the time of "The Just" and "The Possessed", refusal and rebellion have taken over, and in these overtly political plays (the latter based on Dostoyevsky's "The Devils") Camus dramatizes action and revolt in the name of liberty.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有