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Despite the fact that this translated version by the famous translator and his wife has won Bi Feiyu an international title, such a qualified piece is still not without flaws. Luckily enough, some genius rearrangement and creation based on thorough understanding of the original work has helped demonstrate the very essence of an ambitious writer.

讀兩個版本有不同的感受，很多在中文語境裏不覺得荒誕的情節，到瞭英文語境反而體現齣來瞭。譯本在保留原著文學性這一方麵還是做得不錯，可讀性較高。

Despite the fact that this translated version by the famous translator and his wife has won Bi Feiyu an international title, such a qualified piece is still not without flaws. Luckily enough, some genius rearrangement and creation based on thorough understanding of the original work has helped demonstrate the very essence of an ambitious writer.

Despite the fact that this translated version by the famous translator and his wife has won Bi Feiyu an international title, such a qualified piece is still not without flaws. Luckily enough, some genius rearrangement and creation based on thorough understanding of the original work has helped demonstrate the very essence of an ambitious writer.

Despite the fact that this translated version by the famous translator and his wife has won Bi Feiyu an international title, such a qualified piece is still not without flaws. Luckily enough, some genius rearrangement and creation based on thorough understanding of the original work has helped demonstrate the very essence of an ambitious writer.

显然，在男人的想象中，女人对权力的攫取，所依靠的只有身体。而也正因为如此，男人才更显弱势。在第一部《玉米》中，玉米父亲王连方利用权力睡遍村里的女人，而后还是女人致使其失去了权力，显示了某种吊诡的意味。 玉米之所以成为玉米，是因为有敌人的存在。她的敌人包括玉秀...  

玉米在读者面前一亮相就已经是半个大人了。她不仅为母亲的生产打下手，而且因为家里终于有了男孩而非常振奋，从而脸颊发出“难以掩饰的光”，但令人不寒而栗的是，这个十四岁的少女已经懂得把脸上的光“用力地收住”。小说的开头更写到，“出了月子施桂芳便把小八子丢给了大女...