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出版者:Routledge

作者:Carlos Rojas

出品人:

页数:304

译者:

出版时间:2009-01-14

价格:USD 160.00

装帧:Hardcover

isbn号码:9780415468800

丛书系列:

图书标签:

文化研究
罗鹏
海外中国研究
流行文化
文化史
中国
popular
culture
中国流行文化
文化研究
大众文化
社会变迁
媒体传播
影视作品
文学创作
身份认同
消费文化
全球化

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具体描述

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another.

An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more familiar authors and works from provocative new angles.The essays include investigations into the cultural industries and contexts that produce the canonical and popular, the position of contemporary popular works at the interstices of nostalgia and amnesia, and also the ways in which cultural texts are inflected with gendered and erotic sensibilities while at the same time also functioning as objects of desire in its own right.

As the only volume of its kind to cover the entire span of the 20th century, and also to consider the interplay of popular and canonical literature in modern China with comparable rigor, Rethinking Chinese Popular Culture is an important resource for students and scholars of Chinese literature and culture.

作者简介

Carlos Rojas is Assistant Professor of Chinese Cultural Studies at Duke University.

Eileen Cheng-yin Chow is Associate Professor of Chinese Literary and Cultural Studies at Harvard University.

目录信息

Introduction: The Disease of Canonicity (Carlos Rojas)
Part One: Producing Popularity
Michel Hockx – Perverse Poems and Suspicious Salons: The Friday School in Modern Chinese Literature
Alexander Des Forges – The Formation of the "Professional Author" as a Figure in Early Twentieth Century Vernacular Fiction
Eileen Cheng-yin Chow – Serial Sightings: News, Novelties, and Zhang Henshui's An Unofficial History of the Old Capital
John Christopher Hamm – On the Literary Consecration of Jin Yong's Fiction.
Part Two: Canonical Reflections
Jianhua Chen – An Archaeology of Repressed Popularity: Zhou Shoujuan, Mao Dun, and Their 1920s Literary Polemics
Michael Berry – A Tale of Two Cities: Romance, Revenge, and Nostalgia in Two Fin-de-Siècle Novels by Ye Zhaoyan and Zhang Beihai
Ping-hui Liao – From Romancing the State to Romancing the Store: Further Elaborations on Some Motifs in Contemporary Taiwan Literature
Part Three: Nostalgia and Amnesia
DAI Jinhua – Rereading the Red Classics: "Bidding Farewell to Revolution" and Red Nostalgia
Weijie Song – The Reproduction of a Popular Hero: Tsui Hark’s Wong Fei-hong
Xiaojue Wang – Memory, Photographic Seduction and Allegorical Correspondence: Eileen Chang’s Mutual Reflections
Part Four: Gender and Desire
David Der-wei Wang – Popular Literature and National Representation: The Gender and Genre Politics of Begonia
Hsiao-hung Chang – Asking Jin Yong, 'What is sentiment?' – Gifts, Love Letters, and Material Evidence
Carlos Rojas – Authorial Afterlives and Apocrypha in 1990s Chinese Fiction
· · · · · · (收起)