Using key texts by the German architect and theorist Gottfried Semper, Mari Hvattum offers a reinterpretation of historicism, viewed as a philosophical outlook as well as an architectural problem. Hvattum focuses on Semper's two major concerns: an understanding of the ontological significance of art and architecture, and their rendering as objects of scientific investigation and prediction. She uses Semper's thought as a means to address the inherent problems of historicist thought and its continued influence on modern architectural discourse.
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编排挺好的,对Semper的理论分层剥离,同样的条理逻辑也可以用在Rossi身上,Poesis和Historicism的混杂产物。但写作上实在是让我想到自己博论的絮絮叨叨,反复罗织引用,怕也是作者的博论
评分编排挺好的,对Semper的理论分层剥离,同样的条理逻辑也可以用在Rossi身上,Poesis和Historicism的混杂产物。但写作上实在是让我想到自己博论的絮絮叨叨,反复罗织引用,怕也是作者的博论
评分编排挺好的,对Semper的理论分层剥离,同样的条理逻辑也可以用在Rossi身上,Poesis和Historicism的混杂产物。但写作上实在是让我想到自己博论的絮絮叨叨,反复罗织引用,怕也是作者的博论
评分编排挺好的,对Semper的理论分层剥离,同样的条理逻辑也可以用在Rossi身上,Poesis和Historicism的混杂产物。但写作上实在是让我想到自己博论的絮絮叨叨,反复罗织引用,怕也是作者的博论
评分编排挺好的,对Semper的理论分层剥离,同样的条理逻辑也可以用在Rossi身上,Poesis和Historicism的混杂产物。但写作上实在是让我想到自己博论的絮絮叨叨,反复罗织引用,怕也是作者的博论
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