As recipient of the 1997 Pritzker Architecture Prize—the profession’s highest honor—Norwegian architect Sverre Fehn has had an impact not only in his home country but around the globe. His projects, often described as being instilled with a human quality, include the Norwegian Pavilion at the 1958 Brussels World Exhibition and the Nordic Pavilion at the 1962 Venice Biennale, the Hamar Bispegaard Museum in Hamar, the Glacier Museum in Fjaerland Fjord, and the Aukrust Museum in Alvdal.
Fehn has been strongly influenced by Scandinavia’s breathtaking landscape and light conditions. His design sensibility is characterized by a great respect for material and construction. As a professor of long standing at the Oslo School of Architecture and Design, he has distilled his complex creative process, passing his thoughts and philosophies to new generations of architects.
This study of Fehn’s work provides an intimate glimpse into the world of this great postwar modernist. Author Per Olaf Fjeld presents both biography and perceptive critique as he covers all of Fehn’s major projects, built and unbuilt, from world-renowned museums to lesser-known houses. Never-before-published comments by Fehn from lectures, interviews, and conversations with students as well as dynamic sketches are featured, opening a window into the mind of this poetic and personal architect.
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写论文时读的，将地平线那一章印象很深，但是也不知道自己理解的对不对。
评分一些同样的讨论的东西，campo口号式的话，会显得惨白。
评分大爱他！以前孤陋寡闻不晓得老人家，看了他的这本最后的书，被好多好多他的笔记像闪电般击中！他笔下的“the poetic side of man's comprehension of nature"好迷人~他的建筑so smart so charming~应该再去翻翻他的另一本书嗯
评分一些同样的讨论的东西，campo口号式的话，会显得惨白。
评分一些同样的讨论的东西，campo口号式的话，会显得惨白。
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