In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory.In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory.Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from high art to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
the postwar issue of forgetting and the monument of remembering.
评分本論文集由建築、城市與藝術品談物件如何具有使人遺忘──而非記憶的功能：分離、（利用）記憶與遺忘之間的張力、排除、打破舊習是四種可能形式。記憶與遺忘亦非對立，記憶基於遺忘方纔可能。遺忘在社會與個體層次亦不可混淆。西方傳統脈絡的遺忘與現代社會遺忘的溝壑。（Lowenthal之序與Tarnya Cooper一文很精彩，為討論而引用的holocaust或中世紀建築案例令人開眼界瞭）
评分the postwar issue of forgetting and the monument of remembering.
评分本論文集由建築、城市與藝術品談物件如何具有使人遺忘──而非記憶的功能：分離、（利用）記憶與遺忘之間的張力、排除、打破舊習是四種可能形式。記憶與遺忘亦非對立，記憶基於遺忘方纔可能。遺忘在社會與個體層次亦不可混淆。西方傳統脈絡的遺忘與現代社會遺忘的溝壑。（Lowenthal之序與Tarnya Cooper一文很精彩，為討論而引用的holocaust或中世紀建築案例令人開眼界瞭）
评分本論文集由建築、城市與藝術品談物件如何具有使人遺忘──而非記憶的功能：分離、（利用）記憶與遺忘之間的張力、排除、打破舊習是四種可能形式。記憶與遺忘亦非對立，記憶基於遺忘方纔可能。遺忘在社會與個體層次亦不可混淆。西方傳統脈絡的遺忘與現代社會遺忘的溝壑。（Lowenthal之序與Tarnya Cooper一文很精彩，為討論而引用的holocaust或中世紀建築案例令人開眼界瞭）
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