This is an expanded edition of Pier Paolo Pasolini's long out-of-print Heretical Empiricism. It includes a new Introduction by Ben Lawton that discusses the relevance of the book on the 30th anniversary of the author's death. It also features the first approved translation of "Repu- diation of the 'Trilogy of Life'," one of Pasolini's most con- troversial final essays.While Pasolini is best known in the U.S. as a revolutionary film director, in Italy he was even better known as poet, novelist, playwright, political gadfly, and scholar of the semiotics of film. "New Academic Publishing should be commended for making this expanded version of Pier Paolo Pasolini's Hermetic Empiricism once again available to the English-speaking public, especially in the light of the fact that the important essay, "Repudiation of the Trilology of Life," has been added to its contents. Thirty years after Pasolini's violent death on 2 November 1975, the appearance of this excellent translation and edition of his major writings on Italian film, literature, and language is most welcome. No figure has emerged in Italy since the writer/director's death that has aroused such passionate opinions from all sides of the political and cultural spectrum. The translations by Ben Lawton and Louise Barnett render Pasolini's sometimes complex prose accurately with ample explanatory notes to guide the reader without a firm grasp of the original essays in Italian. This book represents an important work to have in every library devoted to cultural criticism, cinema, and literary theory." -- Peter Bondanella, Distinguished Professor of Comparative Literature and Italian, Indiana University "One of the greatest cultural figuresof postwar Europe, Pier Paolo Pasolini (1922-1975), who is already widely known as a revolutionary filmmaker, was an equally important writer and poet. Pasolini's numerous works are published in some 50 volumes, which include poetry, novels, critical and theoretical essays, verse tragedies, screenplays, political journalism, and translations. With this successful and complete translation of Empirismo eretico (a collection of Pasolini's interventions on language, literature, and film written between 1964 and 1971), editors Barnett and Lawton have made a wide sample of Pasolini's most significant theoretical work available to the English-speaking reader. Essays on the screenplay, on the commercial and the art cinema, and on film semiotics make the collection of special interest to American film scholars and students. This volume is further enriched by an excellent introduction, carefully edited notes, a useful biographical glossary, and a thorough index. Given the contemporary interest in studying film, together with other cultural forms, within a broad social and historical context, Pasolini's "extravagantly interdisciplinary" writings beckon as a promising source of insight. A potentially seminal text that could contribute to the further evolution of interdisciplinary humanistic studies, Heretical Empiricism is highly recommended for university and college libraries." -- J. Welle, University of Notre Dame, CHOICE (1989)
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这本书的标题本身就充满了挑衅的意味,很容易让人联想到一些关于知识、真理和权威的根本性问题。我带着一种复杂的心情翻开了它,一方面是好奇心驱使,想看看作者如何解构那些我们习以为常的认知框架;另一方面,也有些许不安,生怕它带来的不是新的洞见,而仅仅是故作高深的晦涩难懂。开篇的几章,作者的笔触显得尤为犀利,他没有急于抛出惊人的论断,而是选择了一种近乎考古学家的细致,去挖掘那些被主流叙事所掩盖的、关于“经验”本身的源头和演变。尤其在论述感官输入如何被意识形态塑形的部分,那种抽丝剥茧的逻辑力量,让人不得不停下来反复咀嚼。我想,这本书的核心魅力,或许不在于它给出了一个终极答案,而在于它成功地构建了一个质疑的框架,迫使读者重新审视自己获取知识的路径。那种挑战既有的知识体系的勇气,是这本书最令人赞叹的地方,它就像一把手术刀,精准地切开了那些看似坚不可摧的哲学堡垒,留下的空间,足够我们进行一场深刻的自我反思和重新定位。
评分我非常欣赏作者处理那些敏感议题时的克制与精准。在探讨“经验的局限性”时,很多人很容易滑入虚无主义的泥潭,但这本书却提供了一条出路——它并非旨在摧毁一切价值,而是旨在净化我们对价值来源的认识。它鼓励我们去拥抱不确定性,将其视为创新的温床,而非停滞的借口。书中对理性主义和经验主义长期对峙的梳理尤为精彩,作者没有简单地偏袒任何一方,而是揭示了二者相互依存的悖论。那种冷静的、近乎超然的分析视角,让人感到作者站在了一个非常高的制高点审视人类心智的困境。这种冷静本身就带有一种强大的力量,它没有煽动情绪,而是通过无可辩驳的逻辑推演,引导读者自发地走向更深刻的理解。这本书无疑是一部需要反复研读的“慢阅读”经典。
评分这本书最让我感到震撼的地方,在于它对“知识的成本”进行了彻底的清算。作者没有像许多批判性著作那样仅仅停留在揭露表层问题,而是深入挖掘了构建任何一套知识体系所必须付出的“认知折扣”——我们为了获得清晰和可操作性,到底牺牲了多少真相的完整性?这种提问方式极具穿透力。书中对几个关键历史转折点上,主流学说如何排挤掉那些边缘化但同样有效的观察方法的论述,简直是教科书级别的分析,让人不寒而栗地看到真理是如何被“集体共识”所驯化的过程。这种对知识权力结构的深层解剖,使人读后难以回到从前那种轻易相信权威的舒适状态。它带给读者的,不仅仅是知识的增量,更是一种永久性的思维模式的转变,让你开始对所有被奉为圭臬的“常识”保持一种健康的、充满探究精神的怀疑态度。
评分这本书的叙事结构非常独特,它不是线性的推进,更像是多维度的网状结构,不同的章节看似独立,却又通过某种潜在线索相互呼应,形成一个巨大的认知迷宫。我花了很长时间才适应这种叙事节奏,它要求读者放弃对“因果链条”的执着,转而接受一种更接近于混沌理论的复杂性。作者在对具体案例的分析上,展现出了惊人的博学和敏锐的洞察力,他能够从看似毫不相关的历史事件、艺术作品乃至科学实验中,提炼出共同的结构性缺陷。这种宏观视野的构建,使得本书超越了一般的理论探讨,而上升到了一种对人类认知局限性的深刻描摹。读完之后,我感到世界似乎被重新“着色”了,原先那些非黑即白的判断开始变得模糊而富有层次,这是一种令人敬畏的智力体验,它让我意识到,我们所依赖的“确定性”是多么脆弱和人为建构的产物。
评分我必须承认,阅读过程中的体验是相当颠簸的,这不完全是一本能让你感到舒适的书。它的语言风格时而像是古典哲学家严谨的论证,时而又跳跃到后现代理论家那种充满隐喻和破碎感的表达。这使得理解的门槛颇高,很多段落需要我结合上下文反复揣摩,甚至需要查阅一些背景知识才能勉强跟上作者的思维轨迹。然而,一旦那些晦涩的表达在脑海中“连接”起来时,所带来的豁然开朗感又是极其强烈的。它不像那些畅销的科普读物那样提供即时的满足感,它要求的是一种长期的智力投入。我印象最深的是其中关于“观察者效应”在形而上学层面的延伸讨论,作者巧妙地将量子力学的概念引入到日常的社会认知分析中,这种跨学科的融合,既大胆又富有启发性,让人看到了传统学科边界的虚妄。这本书更像是一个思维的健身房,你需要付出汗水和努力,才能真正享受到它提供的智力上的“肌肉增长”。
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