 
			 
				Human, All Too Human (1878) is often considered the start of Friedrich Nietzsche’s mature period. A complex work that explores many themes to which Nietzsche later returned, it marks a significant departure from his previous thinking. Here Nietzsche breaks with his early allegiance to Schopenhauer and Wagner, and establishes the overall framework of his later philosophy. In contrast to his previous disdain for science, now Nietzsche views science as key to undercutting traditional metaphysics. This he sees as a crucial step in the emergence of free spirits who will be the avant-garde of culture.
In summing up the crucial change of perspective expressed in Human, All Too Human, Nietzsche used the following words in his later work Ecce Homo:
"Human, All Too Human is a memorial of a crisis…. [W]ith this book I liberated myself from that in my nature which did not belong to me. Idealism does not belong to me…realities were altogether lacking in my knowledge, and the ‘idealities’ were worth damn all! A downright burning thirst seized hold of me: thenceforward I pursued in fact nothing other than physiology, medicine, and natural science."
This is an essential work for anyone who wishes to understand Nietzsche’s incisive critique of such diverse aspects of Western culture and values as the idea of good and evil, the roles of women and children in society, and the concept of power and the state.
弗裏德裏希·尼采(Friedrich Nietzsche, 1844-1900),19世紀德國哲學傢,唯意誌論和生命哲學主要代錶之一,被認為是世界最偉大的思想傢之一。
早年在波恩大學和萊比锡大學學習,獲博士學位。不到25歲就被聘為瑞士巴塞爾大學的古典語文學副教授,並在一年以後成為正教授。一生著述頗豐,如《悲劇的誕生》、《查拉圖斯特拉如是說》、《善惡的彼岸》、《強力意誌》等,對20世紀的思想界産生重大影響。1889年初,在意大利的都靈街頭摔倒,就此精神錯亂,於11年後在德國的魏瑪去世。
我看的是魏育青和其他两位译者译的版本,感觉译笔非常老到,读起来很舒服。像魏先生这么优秀的德语文学译者,为什么译作这么少呢?网上查到的他的著作,大部分是有关德语教学的。可惜啊,一个优秀的翻译家却不得不忙于教学,使得功在千秋的翻译反倒成了业余的打工了。
評分以前听《西方哲学史》的课程,老师反复的跟我们提到评价一本书好与不好的原则:那就是在整本书的系统中,前后的逻辑是否一致。 尼采《悲剧诞生于音乐精神》之后的所有书,彻底的颠覆了他教给我的这一观念。 如果说《人性的,太人性的》是对《悲剧的诞生》的颠覆的话,那在这本...
評分人们感觉他(天才)的痛苦很夸张…… ----------------------------- 人们总是说,诗人、艺术家(或曰文人)总喜欢夸大自身的痛苦。 却不曾听说,有人认为别人夸大了自身的幸福和快乐。 我们无法体会看似风平浪静的诗人内心的狂躁与激越,于是,总认为他们喜欢夸张自己受到...
評分以前听《西方哲学史》的课程,老师反复的跟我们提到评价一本书好与不好的原则:那就是在整本书的系统中,前后的逻辑是否一致。 尼采《悲剧诞生于音乐精神》之后的所有书,彻底的颠覆了他教给我的这一观念。 如果说《人性的,太人性的》是对《悲剧的诞生》的颠覆的话,那在这本...
評分小的时候,一直很不理解为什么“天才和疯子只有一步之遥”,长大过后,我说我愿意变成那个和“疯子”只有一步之遥的人,却有人告诉我,你这么想了,说明你不是了。真正的这样的人,是不会这么说的。 哦。 直到有一天,看到了尼采的那句“我生活在不属于我的时代,所以...
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