卡洛斯·鲁依斯·萨丰(Carlos Ruiz Zafón)西班牙著名作家。1964年出生于巴塞罗那。气势恢弘的神圣家族大教堂、纵横交错的大街小巷、古老忧郁的巴萨城,以及温润浪漫的地中海,培育出良好的文字感觉。10岁即写出令观者夜不能寐的哥特式小说。
1993年,处女作《雾中王子》惊艳亮相,初露锋芒。此后,《午夜皇宫》、《九月之光》及《玛丽娜》陆续面世,大教堂、老建筑、迷蒙的老街、忧郁的海滩迅速引来万千读者,激情四溢的文笔、悬念迭生的情节、荡气回肠的氛围无不大放异彩,一举获得“世纪鬼才”之称。2001年,成名作《风之影》隆重出版,以飓风之势横扫西班牙,席卷欧洲,更以50多种文字令全球读者如痴如醉。
From master storyteller Carlos Ruiz Zafón, author of the international phenomenon The Shadow of the Wind , comes The Angel’s Game—a dazzling new page-turner about the perilous nature of obsession, in literature and in love.
“The whole of Barcelona stretched out at my feet and I wanted to believe that, when I opened those windows, its streets would whisper stories to me, secrets I could capture on paper and narrate to whomever cared to listen . . .”
In an abandoned mansion at the heart of Barcelona, a young man, David Martín, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books and spends his nights spinning baroque tales about the city’s underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner.
Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Close to despair, David receives a letter from a reclusive French editor, Andreas Corelli, who makes him the offer of a lifetime. He is to write a book unlike anything that has ever existed—a book with the power to change hearts and minds. In return, he will receive a fortune, and perhaps more. But as David begins the work, he realizes that there is a connection between his haunting book and the shadows that surround his home.
Once again, Zafón takes us into a dark, gothic universe first seen in the Shadow of the Wind and creates a breathtaking adventure of intrigue, romance, and tragedy. Through a dizzingly constructed labyrinth of secrets, the magic of books, passion, and friendship blend into a masterful story.
《柯克斯书评》对《天使游戏》的赞语提及了爱伦•坡、博尔赫斯、雷维特、斯蒂芬•金等大师名家,让人有理由对此书怀有期待。 对西班牙语写作者来说,博尔赫斯的影响自然是无所不在的,《天使游戏》中出现的书中之书、小说里的小说,都是博尔赫斯喜欢的戏法。继《风之影》之...
评分给两星,不是说这本书比《泡沫之夏》什么的还差。两星是相较于这个对这个作家的期望值及这本书的畅销程度而言的。 我再一次发现,畅销书封底满篇的溢美之词是不可信的。说什么将艾伦坡的黑暗和博尔赫斯的宏阔融为一炉。本来我也没信这么容易有人超越爱伦坡和博尔赫...
评分作为《风之影》的忠实拥戴者,它让我挺失望的。 仍然记得在读《风之影》时,内心的沉醉、欢喜以及相见恨晚,犹如刚刚发现一片新大陆的激动和感激。一页页翻过去的时候,内心也随着它的剧情、人物和书中的整个世界而起伏,为之揪心,为之感动,为之叹息。 结果呢...
评分给两星,不是说这本书比《泡沫之夏》什么的还差。两星是相较于这个对这个作家的期望值及这本书的畅销程度而言的。 我再一次发现,畅销书封底满篇的溢美之词是不可信的。说什么将艾伦坡的黑暗和博尔赫斯的宏阔融为一炉。本来我也没信这么容易有人超越爱伦坡和博尔赫...
三星半,除了结尾不能自圆其说,都还不错。
评分Dan Stevens是我听过的narrator中共鸣感觉最舒服的一个,层次丰富而又清澈柔和,情感表达就像微风吹过清碧的池水,在听者心头泛起一层又一层涟漪:) 对悬疑推理无感,之前Dan念的《无人生还》也只是随便听听。这小说虽也有不少悬疑和惊悚成分,比起阿加莎还是更偏人性一些,也更吸引我。 不得不说,一本有声书,Narrator和作者几乎是同等重要的。这小说语言挺好的,故事前半段比较揪心,后半段觉得有点扯了,硬伤明显,但有声演绎加分,也算是不错的弥补吧。 Dan has shed part of his soul on this reading and lent it a beautiful sheen. :)
评分Dan Stevens是我听过的narrator中共鸣感觉最舒服的一个,层次丰富而又清澈柔和,情感表达就像微风吹过清碧的池水,在听者心头泛起一层又一层涟漪:) 对悬疑推理无感,之前Dan念的《无人生还》也只是随便听听。这小说虽也有不少悬疑和惊悚成分,比起阿加莎还是更偏人性一些,也更吸引我。 不得不说,一本有声书,Narrator和作者几乎是同等重要的。这小说语言挺好的,故事前半段比较揪心,后半段觉得有点扯了,硬伤明显,但有声演绎加分,也算是不错的弥补吧。 Dan has shed part of his soul on this reading and lent it a beautiful sheen. :)
评分Dan Stevens是我听过的narrator中共鸣感觉最舒服的一个,层次丰富而又清澈柔和,情感表达就像微风吹过清碧的池水,在听者心头泛起一层又一层涟漪:) 对悬疑推理无感,之前Dan念的《无人生还》也只是随便听听。这小说虽也有不少悬疑和惊悚成分,比起阿加莎还是更偏人性一些,也更吸引我。 不得不说,一本有声书,Narrator和作者几乎是同等重要的。这小说语言挺好的,故事前半段比较揪心,后半段觉得有点扯了,硬伤明显,但有声演绎加分,也算是不错的弥补吧。 Dan has shed part of his soul on this reading and lent it a beautiful sheen. :)
评分Dan Stevens是我听过的narrator中共鸣感觉最舒服的一个,层次丰富而又清澈柔和,情感表达就像微风吹过清碧的池水,在听者心头泛起一层又一层涟漪:) 对悬疑推理无感,之前Dan念的《无人生还》也只是随便听听。这小说虽也有不少悬疑和惊悚成分,比起阿加莎还是更偏人性一些,也更吸引我。 不得不说,一本有声书,Narrator和作者几乎是同等重要的。这小说语言挺好的,故事前半段比较揪心,后半段觉得有点扯了,硬伤明显,但有声演绎加分,也算是不错的弥补吧。 Dan has shed part of his soul on this reading and lent it a beautiful sheen. :)
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