Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells us the terrible and transfixing story of how he came to be a success in life - having nothing but his own wits to help him along. Born in a village in the dark heart of India, Balram gets a break when he is hired as a driver for a wealthy man, two Pomeranians (Puddles and Cuddles), and the rich man's (very unlucky) son.

Through Balram's eyes, we see India as we've never seen it before: the cockroaches and the call centers, the prostitutes and the worshippers, the water buffalo and, trapped in so many kinds of cages that escape is (almost) impossible, the white tiger. And with a charisma as undeniable as it is unexpected, he teaches us that religion doesn't create morality and money doesn't solve every problem - but decency can still be found in a corrupt world, and you can get what you want out of life if you eavesdrop on the right conversations.

DESCRIPTION

Balram Halwai is the White Tiger - the smartest boy in his village. His family is too poor for him to afford for him to finish school and he has to work in a teashop, breaking coals and wiping tables. But Balram gets his break when a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. As he drives his master to shopping malls and call centres, Balram becomes increasingly aware of immense wealth and opportunity all around him, while knowing that he will never be able to gain access to that world. As Balram broods over his situation, he realizes that there is only one way he can become part of this glamorous new India - by murdering his master."The White Tiger" presents a raw and unromanticised India, both thrilling and shocking - from the desperate, almost lawless villages along the Ganges, to the booming Wild South of Bangalore and its technology and outsourcing centres. The first-person confession of a murderer, "The White Tiger" is as compelling for its subject matter as for the voice of its narrator - amoral, cynical, unrepentant, yet deeply endearing.

Review

"'In the grand illusions of a 'rising' India, Aravind Adiga has found a subject Gogol might have envied. With remorselessly and delightfully mordant wit The White Tiger anatomizes the fantastic cravings of the rich; it evokes, too, with starting accuracy and tenderness, the no less desperate struggles of the deprived.' Pankaj Mishra"

What makes an entrepreneur in today's India? Bribes and murder, says this fiercely satirical first novel. Balram Halwai is a thriving young entrepreneur in Bangalore, India's high-tech capital. China's Premier is set to visit, and the novel's frame is a series of Balram's letters to the Premier, in which he tells his life story. Balram sees India as two countries: the Light and the Darkness. Like the huddled masses, he was born in the Darkness, in a village where his father, a rickshaw puller, died of tuberculosis. But Balram is smart, as a school inspector notices, and he is given the moniker White Tiger. Soon after, he's pulled out of school to work in a tea shop, then manages to get hired as a driver by the Stork, one of the village's powerful landlords. Balram is on his way, to Delhi in fact, where the Stork's son, Mr. Ashok, lives with his Westernized wife, Pinky Madam. Ashok is a gentleman, a decent employer, though Balram will eventually cut his throat (an early revelation). His business (coal trading) involves bribing government officials with huge sums of money, the sight of which proves irresistible to Balram and seals Ashok's fate. Adiga, who was born in India in 1974, writes forcefully about a corrupt culture; unfortunately, his commentary on all things Indian comes at the expense of narrative suspense and character development. Thus he writes persuasively about the so-called Rooster Coop, which traps family-oriented Indians into submissiveness, but fails to describe the stages by which Balram evolves from solicitous servant into cold-blooded killer. Adiga's pacing is off too, as Balram too quickly reinvents himself in Bangalore, where every cop can be bought. An undisciplined debut, but one with plenty of vitality. (Kirkus Reviews) --This text refers to the Hardcover edition.

Andrew Holgate, Sunday Times

`Unlike almost any other Indian novel you might have read in recent years, this page-turner offers a completely bald, angry, unadorned portrait of the county as seen from the bottom of the heap; there's not a sniff of saffron or a swirl of sari anywhere... The Indian tourist board won't be pleased, but you'll read it in a trice and find yourself gripped.' --This text refers to the Hardcover edition.

Review Excerpts

"A brutal view of India's class struggles is cunningly presented in Adiga's debut.... It's the perfect antidote to lyrical India." ---Publishers Weekly Starred Review

"Balram's evolution from likable village boy to cold-blooded killer is fascinating and believable." ---Library Journal Starred Review

"An amazing and angry novel about injustice and power." ---USA Today

"Adiga's training as a journalist lends the immediacy of breaking news to his writing, but it is his richly detailed storytelling that will captivate his audience." ---San Francisco Chronicle

"John Lee delivers an absolutely stunning performance, reading with a realistic and unforced East Indian dialect. He brings the story to life, reading with passion and respect for Adiga's prose." ---Publishers Weekly Starred Audio Review

"Narrator John Lee reads with an accurate East Indian accent that will astound listeners searching for his normally stern British tone.... Lee is the quintessential narrator." ---AudioFile

阿拉文德·阿迪加一九七四年齣生於印度海港城市馬德拉斯，後移居澳大利亞。畢業後曾任《時代周刊》駐印度通訊記者，並為《金融時報》、《獨立報》、《星期日泰晤士報》等英國媒體撰稿。現居孟買。《白老虎》是其處女作。