"A haunting memoir - an absence that becomes in the telling an unforgettable presence. I am undone by this book." (Elizabeth Forsythe Hailey, author of "A Woman of Independent Means"). "Janet Sternburg has found the perfect metaphor for the tragedy of pain and loss, the ultimate inevitabilities of life." (Bill Moyers, broadcast journalist and editor of "Healing and the Mind"). "Sharply yet gently probing, Janet Sternburg in "Phantom Limb" investigates loss, and how memory is joy and pain. This is a moving, compassionate, beautifully written book." (Alicia Ostriker, author of "The Crack in Everything"). "["Phantom Limb"] has the delicacy and grace of haiku, conveying great depth of feeling and sensibility with a few sure, strong strokes." (Anita Desai, author of "Baumgartner's Bombay"). "A story shared by increasing numbers of American adults for whom the dying of aged parents is a compelled experience of growth and the renewal of filial love. Tough and delicate, heartbreaking and matter of fact - "Phantom Limb" is an unusual chronicle of a new kind of coming of age." (Honor Moore, author of "Darling"). "Phantom Limb" is a memoir for those who have experienced the final difficult years of a parent's life. Janet Sternburg's mother lost her leg, yet continued to feel the limb as though it were still present. Setting out to learn more about this mysterious condition, Sternburg encounters new ideas about the relationship of mind to body. She also finds a sense of freedom and depth of caring that continues after her parents have died. Sternburg suggests that we all have phantom limbs - someone no longer with us who remains a part of us. She writes about this paradox with such warmth and transformative imagination that the loss itself becomes luminous. At once a deeply moving chronicle of discovering love through adversity, an inquiry into what contemporary neurology has to teach us, and a meditation on the inexplicable suffering life sometimes brings, "Phantom Limb" links us all in the struggle to make peace with physical and emotional ghosts of the past. Janet Sternburg is a widely published poet and essayist whose books include two volumes of "The Writer on Her Work". She is also a visual artist whose work appears in private and museum collections and is on the faculty of the California Institute for the Arts.
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这本书的语言风格带着一种令人耳目一新的古典韵味,遣词造句考究,大量使用了精妙的比喻和意象,构建了一个既疏离又充满魔幻色彩的世界观。它不像当下很多追求快节奏的文学作品,而是更倾向于缓慢而深沉地铺陈,营造出一种近乎诗意的氛围。阅读的过程像是在攀登一座需要耐心和体力的山峰,每爬升一步,视野都会变得开阔一些,发现新的风景。我发现自己常常停下来,仅仅是为了重读某一个句子,去体会作者如何将抽象的情感凝练成具象的画面。虽然整体的氛围略显沉郁,但正是在这种压抑的底色之上,偶尔闪现的希望和救赎的微光才显得格外珍贵和震撼人心。它要求读者全身心地投入,去感受文字的重量和纹理。
评分从纯粹的文学技艺层面来看,这本书的想象力是无边无际的,它成功地构建了一个拥有自己内在逻辑的、复杂而自洽的“次生世界”。这个世界里的设定新奇而怪诞,充满了令人惊叹的细节,无论是物理法则的微小变动,还是社会习俗的奇异演变,都体现了作者对构建细节的执着。很多场景的描绘,画面感极强,仿佛直接被拉入了那个奇特的维度。我特别喜欢作者处理“界限”的方式——那些现实与非现实、已知与未知之间的模糊地带,被处理得既神秘又合乎情理。阅读它,就像进行了一场高强度的智力冒险,挑战着你对“可能”的认知极限,让人重新燃起了对文学能够拓展人类经验边界的信心。
评分这本书的叙事节奏简直让人欲罢不能,仿佛被一股无形的力量拉扯着,不由自主地想要探寻下一个转折点。作者对于人物心理的刻画入木三分,那些细微的情绪波动、难以言说的挣扎,都被描摹得淋漓尽致。我尤其欣赏它在处理复杂人性方面的坦诚与深刻,没有简单的黑白分明,每个人物都游走在道德的灰色地带,行为动机复杂交织,让人在阅读过程中不断地审视自我。那些充满张力的对话,如同精密的仪器,精准地揭示了角色之间的权力动态和隐藏的欲望。读完之后,那种意犹未尽的感觉萦绕心头很久,总觉得故事的表象之下还潜藏着更深层次的哲学思考,迫使我反复咀嚼其中的隐喻和象征意义。它不仅仅是一个故事,更像是一面镜子,照出了现代社会中个体在结构性压力下的真实困境。
评分这本书的社会批判力度是惊人的,它毫不留情地揭露了某种体制或社会结构对个体精神的蚕食。作者似乎拥有洞察人群深层焦虑的“X光眼”,将那些被光鲜外表掩盖的腐朽和虚伪毫不留情地暴露出来。更难得的是,它并没有止步于控诉,而是深入挖掘了这种腐败是如何在日常生活中潜移默化地影响每一个普通人的选择和价值观的。读完之后,我感到一种强烈的被冒犯感和强烈的共鸣感交织在一起,它迫使你走出舒适区,重新审视自己所处的环境,以及自己是否已经不自觉地接受了那些不合理的设定。这是一部具有现实穿透力和持久回响的作品,绝非昙花一现的消遣读物。
评分我必须承认,这本书的结构处理极其大胆且不落俗套。作者采用了非线性的叙事手法,在时间轴上进行跳跃和交叉剪辑,起初确实让人感到有些迷惘,仿佛手里拿着一堆被打乱的拼图碎片。然而,正是这种挑战读者理解力的叙事方式,最终汇聚成一幅宏大而完整的图景。这种叙事策略完美地呼应了书中关于记忆碎片化和真相难以还原的主题。每一次看似突兀的场景切换,实际上都是一次精心设计的暗示,引导读者去主动构建因果链条。这种主动参与式的阅读体验是极其令人满足的,当最终的碎片严丝合缝地嵌合在一起时,带来的智力上的愉悦感是无与伦比的。
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