From Publishers Weekly In a stunningly assured debut, Smith has produced a crime thriller distinguished by an unflagging pace, authoritative use of detail and an appealing heroine. In vigorous, literate prose, Smith delivers characters of depth and dimension who inhabit the wildly diverse worlds of Southern California, each rendered with a cinematic eye. Her protagonist is Ana Grey, an ambitious, brash young FBI agent. With seven years in the L.A. field office and a recent "perfect bust" of a bank robber, Ana is ready to move up. A resentful superior stands in the way, however, and instead of getting transferred, Ana is assigned to a high-profile case involving a megawatt movie star of a certain age who has brought charges against a local doctor for addicting her to drugs. At the same time, Ana receives a phone call asking her to help the two young children of a recent street-shooting victim in Santa Monica--an immigrant from El Salvador who told friends that Ana was her cousin. Ana insists it's a hoax: abandoned as an infant by her father, a migrant worker from Mexico, she was raised by her mother, now deceased, and her beloved grandfather, a retired Santa Monica cop. Then Ana learns that the Salvadoran woman had worked for the physician charged in the drug case and finds herself tangled in events that lace together both personal and professional aspects of her life and trigger a troubling series of forgotten memories of her childhood. Moving through an array of settings--L.A.'s crowded Latino section, El Piojilla; the blue-collar Santa Monica neighborhood of her youth; the modern elegance of the "overbuilt upscale enclave" known as "north of Montana"--Ana grapples with more death, Hollywood politics, personal betrayal and her own seething desires. Wisely leaving some ends untied, Smith resolves the central themes of this seamless narrative in this smashing story. 200,000 first printing; Literary Guild selection; Random House AudioBook. Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From School Library Journal YA?Santa Monica, north of Montana Avenue, is "the land of the newly rich," a place where FBI agent Ana Grey definitely feels out of place. It is to these households that she must go when she is assigned to investigate a drug case involving a handsome doctor and a has-been film star. And it is to the working-class household of her own childhood, just a few blocks to the south, that she must go to solve a mystery concerning her family. Both stories intersect when a poor, young Hispanic woman who claimed to be a relative of Ana's long-dead father is brutally murdered. In addition, there is the problem of the dead woman's two young children left in the care of a neighbor who cannot afford to keep them for very long. Two other threads enliven this tale: one centers on Ana's career struggles as a female agent proving herself to her male bosses and the guys in the "bullpen." The other is her coming to terms with a growing romantic attraction to her partner, Mike Donnato. Ana Grey is an interesting addition to the growing ranks of independent-minded fictional female detectives. YAs who enjoy rich characterization and unexpected plot twists will appreciate the complications in her life. At the end of the novel enough threads are left hanging to make a sequel most welcome.?Carolyn E. Gecan, Thomas Jefferson Sci-Tech, Fairfax County, VACopyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
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这家伙,最近读完一本叫《迷失的旋律》的书,简直是心头的一根刺,挥之不去。作者对细节的打磨,简直到了变态的地步。故事背景设定在一个偏远、几乎被世界遗忘的小镇上,那里的空气里都弥漫着一股陈腐的、潮湿的木头味和未说出口的秘密。我能清晰地想象出那些摇摇欲坠的木制建筑,在阴冷的日光下投射出扭曲的影子。书中对主人公内心挣扎的刻画尤其深刻,他那种被命运的铁链牢牢锁住,却又在微小的希望中不断自我欺骗的状态,让我看得手心直冒汗。那种深入骨髓的孤独感,不是简单的“一个人”可以概括的,那是一种被整个世界系统性遗弃的感觉。尤其是那段关于老式留声机卡住的情节,那种机械的、重复的、无法摆脱的噪音,简直就是角色精神状态的完美隐喻。我甚至觉得,作者是不是真的在那样的环境里生活过?不然怎么能把那种压抑到令人窒息的氛围营造得如此真实,真实到我读完后,需要走到街上大口呼吸几口现代都市的尾气才能找回自己的神经。情节推进得极其缓慢,但每一个停顿、每一个沉默,都像是一把手术刀,精准地切入人物最脆弱的神经末梢,让你无处可逃。
评分天呐,我刚刚合上《时间的碎屑》,感觉我的脑子像是被扔进了一个万花筒,所有的逻辑和时间线都被彻底打乱,但奇妙的是,一切又都以一种诡异的方式重新组合起来。这本书的叙事结构简直是叛逆到了极点,它根本不屑于遵循传统的线性叙事逻辑。章节之间像是跳跃的音符,毫无预兆地从一个世纪跳到另一个世纪,从一个角色的梦境瞬间切换到另一个角色的日记残篇。一开始读起来非常痛苦,我甚至准备放弃,觉得作者是不是喝多了在写。但当坚持到第三部分的时候,我突然明白了,这并非混乱,而是一种更高维度的秩序。那些看似随机的碎片,其实都在指向一个终极的、关于“记忆的不可靠性”的哲学命题。作者使用了大量的意识流手法,文字像水银泻地一样,流动、碰撞、融合,充满了意象的爆炸。最让我印象深刻的是对“蓝色”这个颜色的反复运用,在不同的历史时期,同一个颜色承载了截然不同的情感重量,从初恋的狂喜到战争的绝望,色彩的隐喻力量强大到让人头皮发麻。这本书不是用来“读”的,它是用来“体验”的,它挑战了我们对阅读本身的基本假设。
评分说实话,我很少看到一本小说能将学术研究的严谨性与惊悚小说的节奏感结合得如此完美,这本书,我指的是《尘封的契约》,简直是教科书级别的示范。它围绕着一个古老的家族秘密展开,但它没有落入俗套地去描绘鬼怪或者诅咒,而是将焦点放在了法律文件、家族财产继承权以及中世纪教会的官僚主义上。作者对18世纪欧洲法律体系的考据,达到了令人发指的程度,那些冗长的拉丁文法律条款和复杂的血缘关系图,被巧妙地编织进了故事的核心冲突里。每一次当主角以为找到了突破口时,总会冒出一个新的、更晦涩的法律条文来阻碍他。这种“智力上的追逐游戏”的紧张感,比任何飞车追逐都来得刺激。我一边阅读,一边忍不住打开了搜索引擎,去查证那些引用的历史案例和法律术语,结果发现,大部分都是真实存在的!这种将虚构故事建立在如此坚实的历史基石上的写作方式,赋予了故事一种无可辩驳的重量感。它让你思考,在宏大的历史叙事下,那些被尘封的文字文件,是否才是真正掌握权力的人。
评分我必须承认,《裂隙之墙》这本书让我感到一种强烈的、近乎生理上的不适感,但就是这种不适,让我欲罢不能。这是一部极度风格化的作品,它的世界观建立在一个完全颠倒的逻辑之上——在这里,逻辑本身就是一种需要被规避的危险。故事设定在一个充斥着悖论和自我矛盾的城市里,建筑物的视角会随着观看者的情绪而改变,人们的记忆会随着他们交流的内容而重写。作者的叙事技巧就像是在玩一场复杂的文字魔术,他不断地用一个设定来否定前一个设定,让你永远找不到一个可以安放信任的支点。读这本书的过程中,我常常需要停下来,揉揉眼睛,确认我刚刚读到的内容是否真的存在。它探讨的是身份的流变性,以及在后现代社会中,‘真实’这一概念是如何被权力话语和媒体重塑的。书中的人物对话充满了潜台词和断裂感,你永远不知道他们是真的在说话,还是在重复某种社会脚本。这本书的阅读体验非常私人化,它不提供答案,只提供迷宫,而且是一个不断自我折叠的迷宫。我强烈推荐给那些厌倦了传统故事套路的读者,准备好让你的大脑经历一次彻底的洗礼吧。
评分《群星的低语》这本书,完全是献给那些对宇宙尺度和人类渺小感有执着迷恋的人。这不是一本轻松愉快的读物,它像是一块沉甸甸的陨石砸在了你的认知上。作者的笔触极其宏大,跨越了数百万光年,时间尺度从宇宙大爆炸的余晖一直延伸到遥远的未来文明的消亡。但最巧妙的是,在这样磅礴的背景下,作者依然没有忘记描写个体情感的细微之处。例如,在一个星际飞船上,一位工程师面对着一个无法修复的系统故障,他感到的不是恐惧,而是一种近乎宗教般的敬畏和接受,因为他意识到,自己所面对的失败,不过是宇宙熵增定律下的一次微不足道的体现。这本书的语言有一种诗意的、近乎宗教布道般的庄严感,句子很长,充满了复杂的从句和精准的天文名词,读起来需要极大的专注力。但当你沉浸其中时,你会感到自己的心胸和视野被强行拉伸,仿佛真的能触摸到那些遥不可及的星云和黑洞的边缘。读完后,我对着夜空坐了很久,感觉地球上的所有烦恼都变得像灰尘一样微不足道。
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