From Publishers Weekly A sense of optimism infuses this winning illustrated memoir, which begins as a black youth in the Mississippi Delta dreams of taking the train north to make his fortune. The trip and the station from which so many of his neighbors embark on the same odyssey take on mythic proportions, and Taulbert ( Once Upon a Time When We Were Colored ) makes the station's closing a metaphor for the disappearance of a romantic dream of the urban North. Although his narrative occasionally looks back to his childhood, it lavishes the most descriptive care on the 1960s, when Taulbert heads north to settle in St. Louis, gets his first job and then goes further north still, to join the Air Force and serve on a base in Maine. So much gives pleasure here: the rich sense of time, place and gracious living in a southern black community; the loving descriptions of quilting bees, creamy sweet potato pies and beautiful guest rooms; the unforgettable portraits of kith and kin. The sweetness of this young man, so beloved by his family, comes across wth a warmth that will endear him to readers as well. Copyright 1992 Reed Business Information, Inc. From Library Journal Rendering his rites of passage as a rural, Southern, black man-child caught in social upheaval, Taulbert continues the autobiography begun in Once upon a Time When We Were Colored ( LJ 7/89). In the same bittersweet tone, his cultural chronicle takes a 17-year-old from the Mississippi Delta in 1963 to St. Louis, where he dreams of a fully integrated environment and future. JFK's assassination, an escalating war in Vietnam, and unrest on America's campuses and streets fill Taulbert's changing world. But his writing focuses on self-identity and affirmation rooted in a network of family and friends in countryside and city; his memories flow with the steady strength and resilience of black kinship in an ageless community of alvalues and vision. Recommended as a complement to Dick Gregory's Nigger (1964) and Nicholas Lemann's The Promised Land ( LJ 2/15/91).- Thomas J. Davis, Univ. at Buffalo, N.Y.Copyright 1992 Reed Business Information, Inc. See all Editorial Reviews
评分
评分
评分
评分
说实话,我一开始有些担心它会落入俗套,毕竟类似的题材已经不少,但这一部显然找到了自己独特的发力点。它巧妙地避开了那些陈词滥调,转而深挖个体记忆的碎片化和不可靠性。整本书读起来像是在进行一场记忆的考古挖掘,你永远不知道下一个被挖出来的“文物”会揭示出怎样惊人的秘密。作者的文笔带着一种古典的韵味,却又在关键时刻爆发出现代小说特有的锐利感。节奏的掌控极富张力,高潮与低谷的衔接自然流畅,毫无斧凿之痕。我尤其欣赏作者对“时间”这一元素的处理,它不是线性的流淌,而是一种螺旋上升、不断重叠的状态,这让角色的命运充满了宿命论的美感。看完后,我甚至开始反思自己对过往事件的记忆是否也存在着类似的偏差和美化。这是一本能引发深度思考的书,绝非快消品。
评分我向来对那种构建宏大世界观但细节处理略显粗糙的作品敬而远之,但这一本,着实让我刮目相看。它的魅力在于那种返璞归真的叙事力量。作者似乎并不急于展示多么复杂的阴谋诡计,而是专注于展现个体在巨大变故面前的应激反应。读到中间部分,我几乎能闻到空气中弥漫的尘土和硝烟味,画面感强到令人眩晕。尤其值得称赞的是对环境的描写,那不仅仅是背景板,它本身就是角色的一部分,沉默地见证着一切的发生与消亡。那些关于坚守与牺牲的段落,不是空洞的口号,而是渗透在每一次呼吸、每一个眼神交流中的内在驱动力。我特别喜欢那种层层剥开真相,却发现真相比预想的更加残酷的叙事手法。它拒绝提供廉价的慰藉,逼迫着读者直面人性的幽暗角落。看完后,我立刻就想重读一遍,因为我相信,初读时必然错过了太多埋藏在字里行间的深意。
评分这本书带给我的阅读体验,可以用“酣畅淋漓”来形容,但这种酣畅并非来自简单的刺激,而是源于对故事情节推进逻辑的彻底信服。每一个伏笔的设置都精准无比,收回时恰到好处,让人忍不住拍案叫绝。人物之间的对话设计简直是教科书级别的范本,寥寥数语,便能勾勒出复杂的关系网和潜在的冲突。我仿佛全程都在跟随着主角一起奔跑、躲藏、抉择,那种身体上的疲惫感竟然都传递了过来。叙事视角在不同人物之间切换得非常自如,使得整个故事的全景图不断扩展,让我们得以窥见事件背后更广阔的图景。那些关于忠诚与背叛的哲学探讨,被巧妙地融入到日常的琐碎和重大的危机之中,丝毫没有说教感。这是一部结构严谨、情感饱满的力作,读完后,感觉自己的精神世界被进行了一次彻底的“大扫除”。
评分我通常对长篇作品的耐心有限,但这部作品的魔力在于它拥有让人沉溺其中的强大引力。作者的笔力之雄厚,体现在她能用最朴素的语言描绘出最震撼的场景。特别是对角色内心孤独感的描摹,简直入木三分,那种被世界遗弃的疏离感,我深有体会。故事情节的推进并非一蹴而就,而是像一条蜿蜒曲折的河流,看似平缓,实则暗流涌动,时不时地冒出惊人的漩涡。我特别喜欢作者对细节的捕捉,一些微小的物件、一次不经意的眼神接触,在后续的情节中都会产生巨大的回响,这显示出作者深厚的布局能力。它不是那种读完就忘的作品,它的主题和人物形象会像烙印一样留在读者的记忆里,时常在不经意间被重新提取出来审视。这是一次非常值得的、深刻的阅读旅程。
评分这部小说读完之后,我的内心久久不能平静,仿佛被卷入了一场漫长而又令人窒息的迷雾之中。故事的开篇极其抓人,作者用一种近乎冷峻的笔触,勾勒出一个充满宿命感的背景设定。那种灰暗、压抑的氛围,随着情节的推进,愈发浓烈。我尤其欣赏作者在人物心理刻画上的细腻,每一个角色的挣扎、每一个微小的选择,都显得那么真实可信。他们似乎都在时代的洪流中身不由己,却又在绝境中闪烁着人性微弱的光芒。那些关于信任与背叛的交织,如同锋利的冰锥,一次次刺痛读者的神经。叙事节奏的控制堪称一流,时而如疾风骤雨般将你推向高潮,时而又放缓下来,让你有时间去消化那些沉重的情感冲击。总而言之,这是一部需要沉下心来细细品味的佳作,它不仅仅是一个故事,更像是一次对人性和命运的深刻叩问。看完后,我忍不住合上书,望着窗外发呆了许久,那份挥之不去的怅然若失感,至今仍清晰可辨。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有