具體描述
How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
"Seeing comes before words. The child looks and recognizes before it can speak."
"But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."
John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has.
著者簡介
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.
圖書目錄
讀後感
最近重看了约翰·伯格的《观看之道》。这是一本关于影像与文化的书，书不厚，却能让你颠覆三观。 约翰·伯格1926年生于伦敦，是艺术批评家，同时也是画家和小说家，上世纪50年代曾经举办过个人画展，小说《G》还获得过英国布克奖。自1952年尾伦敦的左派杂志《New Statesman》...
評分其实文章很短，一会儿就可以看完。象workshop的讲稿，用来引发思考。 很好。 回答了我一直以来的疑惑：为什么那些画是名作？看起来其实没啥意思，当然技巧是完善的，但，多么无聊的画啊！ 这下放心了，正如作者所言，观看名画已经变成了因为有名而去看，并努力找出理由来说明它...
評分观看为何？ 对于进入机械复制时代之后的人类，这成为一个难以直面的问题。 工业革命带来的摄影技术进步，使得旧时代影像的绝对性与唯一性被彻底颠覆，艺术作品亦远离贵族垄断，走下神坛，逐渐被普罗大众频繁地通俗使用。早在19世纪，被称为“欧洲最后一位知识分子”...
評分此书购于数年前。反复阅读。受益匪浅。书中内容围绕着一个焦点image。它不是我们原始肉眼所见的影像，而是人为的创作摹拟。观看先于语言。看把物和人拉入共谋的关系，所有的image反映的都是一个主题：人是怎么在看。在看的过程中。不可避免的过滤掉了一些东西。最后呈现在我们...
評分第一部分 伯格主要探讨的是艺术与政治，并且在书的一开始就以超现实主义画家马格利特的画为例，说明言语和观看之间所构成的鸿沟。马格利特（Rene Magritte）认为作画不过是一种“思考”的艺术。在《马格利特.图像的哲学》一书中，刘云卿在文章的一开始便引用了路德维希.维特根...
用戶評價
John Berger. Ways of seeing (London: BBC and Penguim Books, 1972).
评分Intro to Design讀的第一本書 不知道是不是我讀不慣British English 有點難懂
评分美學課初遇，再是藝術史，再是實驗電影，三度重溫經典小冊子，我也終於徹頭徹尾成瞭左棍。（馬剋思主義乖巧比心~）
评分看什麼、看成什麼、在哪裏看、怎麼看，伯格企圖揭示觀看背後的社會關係、特彆是權力關係。1.復製品對原作在觀看方式上的顛覆，2.女性（身體）的surveyor和surveyed，nakedness和nude之間的差彆，被繪畫/審視客體化的女性，女性始終以暗含的男性目光審視自己，甚至無意識地取悅男性（想想正義聯盟中神奇女俠的超短裙）。3.西方文明的油畫傳統，從物到風景都成為財産、占有權的宣示，即便對自然的沉醉或者神話題材也是裝飾性的，substantiality and emptiness，4.廣告transform our lives by buying something more，envy誘導的快樂形成瞭glamour，對未來的白日夢式的允諾，補償瞭現代社會中人對自己無能與渴望能之間的鴻溝。
评分以為是純藝術的書沒想到是反思油畫文化和批判資本主義的…那3篇圖片論文沒看懂，然而文字部分寫得太好瞭，觀察入微且非常尖刻，在開罵之前的論述觀點獨到而且詳盡也是很令我長見識。寫的都是我特彆感興趣的話題：藝術品的解釋權壟斷；女性客體化；藝術和占有之間的關係；對消費主義的批判。
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