John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.
How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
"Seeing comes before words. The child looks and recognizes before it can speak."
"But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."
John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has.
此书购于数年前。反复阅读。受益匪浅。书中内容围绕着一个焦点image。它不是我们原始肉眼所见的影像,而是人为的创作摹拟。观看先于语言。看把物和人拉入共谋的关系,所有的image反映的都是一个主题:人是怎么在看。在看的过程中。不可避免的过滤掉了一些东西。最后呈现在我们...
評分枯燥的閱讀報告。10/2013 【Reading Report: Ways of Seeing】 First made as a four-part TV programme narrated by John Berger himself, Ways of Seeing was published in 1972, and remained a vastly influential work in both fields of cultural studies and visual a...
評分枯燥的閱讀報告。10/2013 【Reading Report: Ways of Seeing】 First made as a four-part TV programme narrated by John Berger himself, Ways of Seeing was published in 1972, and remained a vastly influential work in both fields of cultural studies and visual a...
評分观看为何? 对于进入机械复制时代之后的人类,这成为一个难以直面的问题。 工业革命带来的摄影技术进步,使得旧时代影像的绝对性与唯一性被彻底颠覆,艺术作品亦远离贵族垄断,走下神坛,逐渐被普罗大众频繁地通俗使用。早在19世纪,被称为“欧洲最后一位知识分子”...
評分观看为何? 对于进入机械复制时代之后的人类,这成为一个难以直面的问题。 工业革命带来的摄影技术进步,使得旧时代影像的绝对性与唯一性被彻底颠覆,艺术作品亦远离贵族垄断,走下神坛,逐渐被普罗大众频繁地通俗使用。早在19世纪,被称为“欧洲最后一位知识分子”...
這本書主要解析我們觀看的方式,涉及藝術與政治、女性作為觀看的對象、油畫自身的矛盾以及廣告與資本主義白日夢。書中對觀看之道的獨特分析,或許惹惱那些手握闡釋權力的人。然而反對單一的闡釋,消解文化壟斷與專製的權威,正是本書誕生的那個時代一批知識分子所肩負的理想。
评分非常有名的小冊子,讀過中文版,無意間發現當當上居然有賣原版的。嗬嗬。。。急著再看john berger當年的這本的“名著”
评分看什麼、看成什麼、在哪裏看、怎麼看,伯格企圖揭示觀看背後的社會關係、特彆是權力關係。1.復製品對原作在觀看方式上的顛覆,2.女性(身體)的surveyor和surveyed,nakedness和nude之間的差彆,被繪畫/審視客體化的女性,女性始終以暗含的男性目光審視自己,甚至無意識地取悅男性(想想正義聯盟中神奇女俠的超短裙)。3.西方文明的油畫傳統,從物到風景都成為財産、占有權的宣示,即便對自然的沉醉或者神話題材也是裝飾性的,substantiality and emptiness,4.廣告transform our lives by buying something more,envy誘導的快樂形成瞭glamour,對未來的白日夢式的允諾,補償瞭現代社會中人對自己無能與渴望能之間的鴻溝。
评分非常有名的小冊子,讀過中文版,無意間發現當當上居然有賣原版的。嗬嗬。。。急著再看john berger當年的這本的“名著”
评分非常有名的小冊子,讀過中文版,無意間發現當當上居然有賣原版的。嗬嗬。。。急著再看john berger當年的這本的“名著”
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