How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
"Seeing comes before words. The child looks and recognizes before it can speak."
"But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."
John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has.
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.
三周以前,去人艺看话剧。演出结束后,到大厅旁边的戏剧书店闲逛,无意中发现了这本小册子一样的书,翻了几页,就被深深吸引住了。 这本书英文名称为《Ways of Seeing》,作者John Berger是英国的艺术史家、小说家和画家。书的封底这样介绍:“这本谈论艺术与社会关系的小册子...
评分读这样一本关于艺术的书,更多的不是对书本身的评价了,而是转向了对艺术的看法,怎样读艺术,怎样看待艺术,以及我们怎么样欣赏艺术。所以,写下的这些东西已经不是书评了,而是应该叫做艺术随笔,如果可以这样说的话。 应该有两种看画的方式,一种是在客观的了解作品的创作背...
评分本来就写在短评里,结果发现好像豆瓣图书的短评无法像电影短评那样直接浏览,所以转在这里再发一下。 原书5星,译本至多3星。这不仅因为原书行文的简洁有力没有在译作中体现出来,更重要的是原书所构建的新的看待艺术的眼光译本没有能清楚明白的传递出来,也就是说这本书最重...
评分英语里有一句话,“Seeing is believing。”我们生活在充斥着大量视觉信息(包括广告、网络上的各种图片之类)的社会,在看的时候或许从未思考这些视觉对象所含有的信息,而只是将它们当做一种事实片段简单掠过。而在逛博物馆和艺术馆的时候,我们也不乏看见很多走马观花的...
评分英语里有一句话,“Seeing is believing。”我们生活在充斥着大量视觉信息(包括广告、网络上的各种图片之类)的社会,在看的时候或许从未思考这些视觉对象所含有的信息,而只是将它们当做一种事实片段简单掠过。而在逛博物馆和艺术馆的时候,我们也不乏看见很多走马观花的...
看什么、看成什么、在哪里看、怎么看,伯格企图揭示观看背后的社会关系、特别是权力关系。1.复制品对原作在观看方式上的颠覆,2.女性(身体)的surveyor和surveyed,nakedness和nude之间的差别,被绘画/审视客体化的女性,女性始终以暗含的男性目光审视自己,甚至无意识地取悦男性(想想正义联盟中神奇女侠的超短裙)。3.西方文明的油画传统,从物到风景都成为财产、占有权的宣示,即便对自然的沉醉或者神话题材也是装饰性的,substantiality and emptiness,4.广告transform our lives by buying something more,envy诱导的快乐形成了glamour,对未来的白日梦式的允诺,补偿了现代社会中人对自己无能与渴望能之间的鸿沟。
评分我觉得这本书的BBC纪录片更好看°°
评分非常有名的小册子,读过中文版,无意间发现当当上居然有卖原版的。呵呵。。。急着再看john berger当年的这本的“名著”
评分Intro to Design读的第一本书 不知道是不是我读不惯British English 有点难懂
评分看什么、看成什么、在哪里看、怎么看,伯格企图揭示观看背后的社会关系、特别是权力关系。1.复制品对原作在观看方式上的颠覆,2.女性(身体)的surveyor和surveyed,nakedness和nude之间的差别,被绘画/审视客体化的女性,女性始终以暗含的男性目光审视自己,甚至无意识地取悦男性(想想正义联盟中神奇女侠的超短裙)。3.西方文明的油画传统,从物到风景都成为财产、占有权的宣示,即便对自然的沉醉或者神话题材也是装饰性的,substantiality and emptiness,4.广告transform our lives by buying something more,envy诱导的快乐形成了glamour,对未来的白日梦式的允诺,补偿了现代社会中人对自己无能与渴望能之间的鸿沟。
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