Two Volume Set Original Line Drawings by Helen Barchilon Redman The Underside of History, now available in a revised, two-volume edition, offers a new generation of scholars and students an alternative to the traditional courtesans/queens/mothers/and mistresses view of women in history. This classic in feminist literature provides an account of women's creativity in every age from pre-history to the present, and attempts to view women's roles in the context of the total time span of human experience. In clear and elegant prose, the author takes us on a breathtaking tour through time: we move through the hundred-thousand-year wanderings of the Paleolithic into the great transition from hunting and gathering to herding and planting; from life inside city walls to the great primary civilizations of the Middle East and Asia, as well as the feudal civilizations on its fringes; and from the sweep of culture generated by the Greco-Romanic-Islamic empires to "European Enlightenment" and, finally, to the last two centuries and the gradual industrialization-urbanization of the planet. New to this volume is a look at the 20th century women's movement--including a chapter on Third World women--as well as a provocative epilogue entitled "Creating Futures for the 21st Century." When we look at the imbalances regarding women in the social record, we are not simply gleaning information about the status of women: we are getting clues about general imbalances within society at large. For this reason, students, professionals, and practitioners alike will find The Underside of History to be an invigorating intellectual exercise and an essential addition to their libraries. "It is a classic, in all meanings of the word. This book contains a lot of important information and shows us how to re-vision history and historical data. It won't 'scare' men or newcomers to women's studies." --Elizabeth Moen, University of Colorado, Boulder "Its presentation of this 'forgotten' history is irreplaceable. This book is a treasure house of detail and stories which should not be lost. In addition, it is extremely well written." --Joanna Macy "For anyone teaching gender courses at college or in other education centers, this book is most useful since each chapter gives a complete overview of the question and is followed by a very thorough bibliography which proves very useful." --Andree Michel, Ministere de l'Education Nationale, Centre National De La Recherche Scientifique, Paris "No other book that I know of covers so much. This book ranges from prehistory right up to the present. . . .It therefore becomes not only a text, but a useful reference work as well." --Carol Farley Kessler, Pennsylvania State University, Delaware
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我必须承认,这本书的阅读体验是具有挑战性的,它要求读者保持高度的专注力。它并非那种可以轻松翻阅,读完便束之高阁的书籍。相反,它像一个密室,你必须小心翼翼地解读每一个线索才能找到出口。作者构建了一个极其复杂的因果网络,他不仅关注“发生了什么”,更深入探究“为什么在那个时刻,只能是这样发生”。书中对权力与知识关系的反思尤其尖锐,指出在任何时代,知识的生产和传播都与当时的权力结构深度绑定,这对于我们今天如何审视信息时代的“真相”提供了极富启发性的历史借鉴。我个人认为,这本书最强大的地方在于其对“持续性”的揭示——即某些看似已经解决的历史遗留问题,其实是以更隐蔽的形式,在当代社会中继续发挥作用。它迫使我们正视历史并非一条清晰的单行道,而是一个充满回流和循环的复杂系统。
评分这本《历史的另一面》无疑是一部令人耳目一新的作品,它以一种近乎解剖学的精确度,将我们习以为常的历史叙事层层剥开,展露出那些被宏大叙事所遮蔽的、支离破碎的真实图景。作者的笔触如同手术刀般犀利,直指那些被主流史学有意无意忽略的角落——那些底层人民的挣扎、被遗忘的抗争、以及权力运作中那些不光彩的细节。阅读的过程,就像是戴上了一副特殊的眼镜,突然间,那些原本平淡无奇的历史场景变得立体而复杂起来。我尤其欣赏作者对于史料的挖掘深度,许多引用的文献和口述资料,即便是资深的历史爱好者也鲜有耳闻,这体现了作者非凡的耐力和批判性思维。书中对特定历史时期社会心理的刻画尤为精妙,它没有简单地将古人脸谱化,而是深入探究了他们在特定道德、经济和社会压力下的复杂抉择,让人不禁反思我们自己所处的时代,是否也同样存在着我们尚未察觉的“阴暗面”。这本书的价值不在于颠覆既有结论,而在于提供了一种看待历史的全新透镜,它要求读者放慢脚步,去聆听那些微弱却真实的回响。
评分初读此书,我以为它会是一部沉闷的学术论著,但很快,那种深入骨髓的叙事张力就将我牢牢吸引。它叙述的节奏把握得极好,时而如急流般向前推进,聚焦于重大的社会变迁和冲突点;时而又放慢下来,像慢镜头回放一样捕捉那些稍纵即逝的情感瞬间。书中的人物群像塑造得极其鲜活,他们不是教科书上的符号,而是有血有肉、充满矛盾的个体。比如,书中对某一特定时期知识分子群体在理想与生存之间的摇摆描摹,那种内心的撕扯感,透过文字仿佛能触碰到,让人感同身受,甚至带着一丝寒意。这种细腻入微的心理描写,使得那些看似遥远的历史事件,忽然间拥有了可以被当代人理解的情感共鸣。此外,作者在语言运用上的老道成熟也令人称道,他能将晦涩的社会学理论,用散文般的流畅笔触表达出来,既保持了学术的严谨性,又兼顾了大众读者的可读性,实属难得。读完之后,我发现自己对于“进步”这个词汇的理解,产生了一种深刻的动摇和重构。
评分如果用一个词来形容这本书的风格,我会选择“穿透力”。它没有华丽辞藻的堆砌,语言克制而有力,每一个句子都像是经过反复掂量才放置到位。作者似乎不太关心读者的感受,而是专注于将他所看到的历史图景精准无误地呈现在眼前,这种近乎苛刻的诚实,正是其魅力所在。在阅读过程中,我不断地被提醒,我们所珍视的“常识”和“传统”,很多时候都是特定历史阶段下,权力博弈的暂时性结果。书中对几个关键历史节点的重新解读,完全颠覆了我过去在学校里学到的刻板印象,让我意识到历史的“塑造”过程远比“记录”过程更为关键。这本书更像是一份对我们集体记忆的“病理报告”,它指出了病灶,虽然过程可能令人不适,但对于理解我们如何走到今天,却是至关重要的。它更适合那些对历史有深度怀疑精神,并渴望了解“历史是如何被构建”的读者。
评分这本书给我的整体感觉是,它像一本经过精心打磨的“反纪念碑”雕塑。它没有歌颂任何既定的英雄或伟业,相反,它专注于那些被历史洪流冲刷掉的“残渣”和“碎片”。作者显然对宏大叙事抱有一种近乎本能的反感,他热衷于在历史的夹缝中寻找那些被压抑的声音和被误读的动机。我特别欣赏他处理“失败者”叙事的方式,不是简单的同情,而是对其失败的结构性原因进行冷静的分析,揭示了成功与失败之间,往往只隔着一线偶然性的事实。这种冷静到近乎冷酷的分析视角,要求读者必须放下预设立场,去直面历史的复杂和非线性。在论证过程中,作者展现了惊人的跨学科视野,频繁地引入社会学、人类学甚至心理学的理论模型来佐证自己的观点,使得论证链条异常坚固,难以被轻易反驳。对于那些习惯了简单二元对立的读者来说,这本书可能需要一些时间适应,因为它强迫你接受一个充满灰色地带的世界观。
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