前言
Introduction
第一部分：虞弘石槨與華化粟特美術
Part One: The Yu Hong Sarcophagus and Sinicized Sogdian Art
太原隋代虞弘墓石槨浮雕的初步考察………………………………………………張慶捷(3)
A Preliminary Study of Relief Carvings on the Stone Sarcophagus of Yu Hong at Taiyuan………………………………………………Zhang Qingjie (3)
隋檢校薩保虞弘墓石槨畫像石圖像程序試探………………………………………………薑伯勤(29)
The Pictorial Program of the relief Carvings on the Sui Dynasty Stone Sarcophagus of Yu Hong………………………………………………Jiang Boqin(29)
粟特祆教美術東傳過程中的轉化——從粟特到中國………………………………………………榮新江(51)
From Sogdian to China: The Transformation of Sogdian Zoroastrian Art during its Eastward Migration………………………………………………Rong Xinjiang(51)
青州北齊畫像石與入華粟特人美術………………………………………………鄭岩(73)
Northern Qi Pictorial Carvings from Qingzhou and Sinicized Sogdian Art: An Observation Inspired by the Yu Hong Sarcophagus and Other New Archaeological Finds………………………………………………Zheng Yan(73)
第二部分：墓葬反映的文化藝術的互動與交融
Part Two: Cultural and Artistic Interaction as Reflected in Burials
創造宇宙：漢唐時期中國北方墓葬中所見的文化交流………………………………………………羅森(113)
Creating Universes: Cultural Exchanges as Seen in Tombs in Northern China between the Han and Tang Periods………………………………………………Jessica Rawson(113)
從高句麗到甘肅和新疆：公元4至7世紀北亞洲的墓葬和祭祀空間………………………………………………夏南希(153)
From Koguryo to Gansu and Xinjiang: Funerary and Worship Space in North Asia 4th-7th Centuries………………………………………………Nancy S. Steinhardt(153)
三燕文化墓葬的類型與分期………………………………………………田立坤(205)
Typology and Periodization of Tombs of the Three Yan Culture………………………………………………Tian Likun(205)
東晉時期北方移民對南方墓葬影響的重新評估………………………………………………安然(231)
Northern Influence in Tombs in Southern China after 317 CE?——A Reevaluation………………………………………………Annette Kieser(231)
第三部分：遺址、石窟寺與裝飾圖像反映的文化藝術的互動與交融
Part Three: Cultural and Artistic Interaction as Reflected in Sites, Grottos, and Decorative Motifs
尼雅學研究的其實………………………………………………韓森(275)
交匯、融閤與變化——一以敦煌第249、285窟為中心………………………………………………馬世長(299)
北周拉梢寺藝術中的中亞主題………………………………………………羅傑偉(315)
中古時期中國裝飾藝術中的阿娜希塔女神及其有關象徵圖樣和紋樣………………………………………………卡雷茨基(341)
第四部分：繪畫題材反映的文化藝術的互動與交融
Part Four: Cultural and Artistic Interaction as Reflected in Painting Subjects
河西魏晉壁畫墓初論——河西與中原文化關係的一個視點………………………………………………鄭岩(387)
由墓室到墓道——南北朝墓葬所見之儀仗錶現與喪葬空間的變化………………………………………………趙永洪(427)
漢唐之間對傢庭倫理的描繪………………………………………………何重華(463)
第五部分：器物反映的文化藝術的互動與交融
Part Five: Cultural and Artistic Interaction as Reflected in Objects
從堆塑罐論六朝墓葬儀式的發展………………………………………………丁愛博(509)
Developments in Funerary Practices in the Six Dynasties Period: The Duisuguan堆塑罐 or "Figured jar" as a Case in Point………………………………………………Albert E. Dien(509)
中國古代的禽獸紋刀環及其對海東的影響………………………………………………孫機(547)
Ancient Chinese Sword Handles with Bird and Animal Ornament and Their Influence on Korea and Japan………………………………………………Sun Ji(547)
鮮卑金銀器研究………………………………………………齊東方(559)
A Study of Xianbei Gold and Silver Objects………………………………………………Qi Dongfang(559)
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