Do Travel Writers Go to Hell?

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出版者:Three Rivers Press
作者:Thomas Kohnstamm
出品人:
页数:288
译者:
出版时间:April 22, 2008
价格:13.95 USD
装帧:paperback
isbn号码:9780307394651
丛书系列:
图书标签:
  • travel
  • 旅行文学
  • 写作技巧
  • 幽默
  • 反思
  • 旅行见闻
  • 文化观察
  • 道德伦理
  • 个人经历
  • 非虚构写作
  • 旅行写作
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具体描述

Review

After pursuing an advanced degree in Latin American studies, Kohnstamm reluctantly took a position as a researcher at a large Wall Street firm. The restless author quickly tired of the corporate drudgery and, after some hesitation, accepted an assignment to update Lonely Planet's guidebook on Brazil. The resulting book (a "chronicle [of] events that took me from bourgeoisie working stiff with a repressed travel habit to a full-time mercenary travel hack, with all the good, bad, and surreal shit that it entails") is a wonderfully picaresque journey through the vibrant Brazilian landscape. Following a marathon bender through the streets of Manhattan with his friend, "the Doctor" (one of the book's many parallels to the work of Hunter S. Thompson), Kohnstamm departed for Rio de Janeiro with little more than his laptop and a few changes of clothes. He awoke the first morning in bed with Inga, a Lufthansa stewardess who proved to be one of many female companions bedded by Kohnstamm, who comes off here as quite the Casanova. Amidst the hard partying and endless nights, however, the author began to realize the difficulty of gathering adequate information about the countless locales he must visit. With his paltry funds dwindling, he reached out to previous Lonely Planet scribes, most of whom were far from reassuring: "Remember that if you are in your room at night writing, you aren't doing enough bar research." Along the way he befriended numerous memorable characters: Nils, a baggage handler from Copenhagen and singer for a grunge band, Synthetic Jesus; Inara, a Brazilian beauty who shares an apartment with the author for a couple of weeks (and who turns out to be a prostitute of sorts); Otto, formerly of the Israeli Defense Force; Mr. Yay, so named for his prodigious coke habit; and Bobby, from whom the author buys Ecstasy tablets in an effort to make some quick cash. Readers will relish the countless stories of the author's misadventures, but Kohnstamm brings more than just anecdotes: He offers a solid understanding of the mechanics of the travel-writing industry and a unique ability to illuminate that world to readers.

Notable for its spirited prose and insightful exploration of the less-romantic side of travel writing. Kohnstamm is one to watch.

Kirkus Reviews (starred review)

Product Description

For those who think that travel guidebooks are the gospel truth.

The waitress suggests that I come back after she closes down the restaurant, around midnight. We end up having sex in a chair and then on one of the tables in the back corner. I pen a note in my Moleskine that I will later recount in the guidebook review, saying that the restaurant “is a pleasant surprise . . . and the table service is friendly.” –Thomas Kohnstamm, professional travel writer and author of numerous Lonely Planet guidebooks

WANTED: Travel Writer for Brazil

QUALIFICATIONS REQUIRED

Decisiveness: the ability to desert your entire previous life–including well-salaried office job, attractive girlfriend, and basic sanity for less than minimum wage

Attention to detail: the skill to research northeastern Brazil, including transportation, restaurants, hotels, culture, customs, and language, while juggling sleep deprivation, nonstop nightlife, and excessive alcohol consumption

Creativity: the imagination to write about places you never actually visit

Resourcefulness: utilizing persuasion, seduction, and threats, when necessary, to secure a place to stay for the evening once your pitiable advance has been (mis)spent

Resilience: determination to overcome setbacks such as bankruptcy, disillusionment, and an ill-fated one-night stand with an Austrian flight attendant

As Kohnstamm comes to personal terms with each of these job requirements, he unveils the underside of the travel industry and its often-harrowing effect on writers, travelers, and the destinations themselves. Moreover, he invites us into his world of compromising and scandalous situations in one of the most exciting countries as he races against an impossible deadline.

迷失在文字的炼狱:一个作家的灵魂拷问 书名:《迷失在文字的炼狱》 作者:[虚构作者姓名,例如:阿历克斯·里德] 出版社:[虚构出版社名称,例如:鹰眼文学社] 出版日期:[虚构日期,例如:2024年秋季] --- 卷首语:笔尖下的道德困境与存在主义的阴影 《迷失在文字的炼狱》并非一本关于旅游或地狱的直白叙事,它是一部深刻剖析现代写作行业内部的道德灰色地带、职业倦怠与作者自我价值迷失的内心史诗。本书以一种近乎残酷的诚实,揭示了那些被光鲜亮丽的出版界外衣所掩盖的、关于“真相”、“报酬”与“艺术”之间永恒冲突的深刻拷问。这不是一本教人如何写作的指南,而是一份关于“为什么要写作”的沉重宣言。 本书的主人公,化名为伊莱贾·文斯,是一位在文坛摸爬滚打二十余载的资深自由撰稿人。他曾为最负盛名的杂志撰写过震撼人心的深度报道,也曾为晦涩难懂的学术期刊贡献过犀利的评论。然而,在那些被印在昂贵纸张上的光辉时刻背后,伊莱贾正面临着一场精神上的彻底崩溃。他开始怀疑自己所做的一切——那些为了追求“点击量”而过度渲染的戏剧性叙事,那些为了迎合赞助商而进行微妙修饰的客观报道,以及那些为了维持生计而不得不写出的、他本人深恶痛绝的平庸之作。 第一部:光环的褪色与职业的异化 全书伊始,伊莱贾正处于他职业生涯的“顶峰”——一份为一家全球性生活方式杂志撰写的“奢华逃离”系列文章。然而,这个系列带给他的不是满足感,而是胃部持续的绞痛。他被安排前往一个被过度美化的度假胜地,任务是描绘出一种“无需努力便可获得的完美生活”。他发现自己正在系统地美化和粉饰那些背后充斥着剥削和环境破坏的现实。 “我们不再是记录者,我们是推销员,推销的商品,是我们自己的良知。” 本书细腻地描绘了这种“异化写作”的过程。伊莱贾的内心挣扎体现在他对每一个词汇的反复权衡上:一个形容词是否过于夸张?一个被忽略的事实是否会破坏故事的“流畅性”?他与他的编辑,一个精明、高效,但缺乏同理心的角色——维罗妮卡·斯通之间充满张力的对话,构成了本书前期主要的冲突点。维罗妮卡代表着市场的铁律:内容必须是可消费的、即时的、令人愉悦的,而“深度”和“痛苦”往往是滞销品。 伊莱贾试图通过回归他早期的非营利性、关注社会底层疾苦的报道来“净化”自己。他前往一座饱受工业污染困扰的南方小镇,希望挖掘出被主流媒体遗漏的真相。然而,即便是这次“回归本源”的努力,也受到了新的考验——当地社区对媒体的极度不信任感,以及他自身作为“外来者”的道德优越感所带来的无力感。他发现,即使带着最纯粹的意图,文字的力量也常常被权力结构所消解,或者,更糟的是,被用作政治工具。 第二部:数据的囚笼与创造力的死亡 随着数字媒体的崛起,写作的本质发生了更根本的变化。《迷失在文字的炼狱》深入探讨了“算法统治”下的创意生态。伊莱贾被迫学习如何为搜索引擎优化而写作,如何将复杂的思想压缩成易于分享的“碎片”,以及如何利用情感煽动的标题来吸引短暂的注意力。 “我的文章不再是与读者进行心灵对话,而是与冰冷的字节进行一场永无止境的拉锯战。” 书中详细记录了伊莱贾尝试创作长篇、需要长期投入的非虚构作品所遭遇的挫折。他的资助申请被拒,因为评审团认为该主题“缺乏立即的、病毒式传播的潜力”。他开始在深夜里,通过匿名论坛与一群同样感到被时代抛弃的作家进行秘密交流。这些交流揭示了一个更广泛的现象:年轻一代的作家正在放弃对文学严肃性的追求,转而投向更安全、回报更快的“内容农场”工作。 伊莱贾在这一阶段进行了一次极端的自我审视:他是否正在为“存在”而写作,而非为“意义”而写作?为了逃避这种空虚感,他开始涉足科幻小说的创作——一个完全虚构的世界,在那里,他可以构建自己理想中的道德法则。然而,即便是虚构,他也无法摆脱现实的阴影。他的科幻人物最终也带着对媒体操纵和商业化侵蚀的深刻焦虑。 第三部:救赎的界限与最后的独白 本书的后半部分转向了对“救赎”可能性的探索。伊莱贾逐渐意识到,指望外部世界(市场、读者、编辑)来认可或修正他的写作困境是徒劳的。真正的战场在他自己的内心。 他开始了一项极端的个人项目:“零受众写作”。他决定写一篇完全不为任何人阅读的文本,不考虑市场、不考虑发表、不考虑赞助。这篇文本是对他二十年职业生涯的忏悔录,也是对那些他曾为追求名利而背弃的真理的最终致敬。 然而,这个过程充满了悖论。当他不再为别人写作时,他发现自己对“表达”的渴望反而更加强烈。他意识到,写作本身的行为,无论其载体如何,都带有某种近乎宗教性的责任感——对自我清晰度的责任。 故事的高潮并非一次盛大的胜利,而是一次平静的接受。伊莱贾最终选择了退出主流的、高压的写作圈子。他没有成为一个隐士,也没有彻底放弃文字。他转而投入到本地的社区教育工作中,教授那些真正想学习讲故事而非“生产内容”的年轻人。 《迷失在文字的炼狱》的结尾,伊莱贾分享了他对未来写作的看法:真正的写作,其价值不在于它被多少人阅读,而在于它在作者本人心中引发的震动。那些关于地狱的想象,或许并非来自于外部的审判,而是源于我们对自己创作出平庸或虚假内容的自我谴责。这本书像一面阴冷的镜子,映照出所有试图在商业洪流中保持真诚的文字工作者的集体焦虑与不朽的抗争。 --- 本书适合谁阅读? 任何从事内容创作、新闻报道或出版行业的人士。 对现代媒体伦理、职业倦怠和作者身份认同感到困惑的读者。 寻求深度探讨“艺术与商业”冲突的文学爱好者。 核心主题: 职业伦理的腐蚀、数字时代的写作困境、真诚的代价、以及在市场压力下对创造性自我的坚守。

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