Simone Weil described “decreation” as “undoing the creature in us”–an undoing of self. In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing.
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We possess nothing in this world other than the power to say "I." This is what we must yield up to God. (Simone Weil)
评分又來強行讀carson 睡眠闡釋跟最後的opera太太太太妙瞭…
评分又來強行讀carson 睡眠闡釋跟最後的opera太太太太妙瞭…
评分又來強行讀carson 睡眠闡釋跟最後的opera太太太太妙瞭…
评分又來強行讀carson 睡眠闡釋跟最後的opera太太太太妙瞭…
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