Benjamin's famous "Work of Art" essay sets out his boldest thoughts - on media and on culture in general - in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin's explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.This book contains the second, and most daring, of the four versions of the "Work of Art" essay - the one that addresses the utopian developments of the modern media. The collection tracks Benjamin's observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin's best-known work alongside fascinating, little-known essays - some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin's media theory can be fully appreciated.
本雅明被称为媒体哲学的先驱。他把现代定义为机械复制的时代,并称其最大特点是“光晕”的没落,随着“光晕”的没落,在欣赏艺术品时大众的视觉印象开始占据主导地位。本雅明认为随着社会以及经济水平的不同艺术也在发生着变化,所以在它看来传统美学在现今没有太大的用处...
评分 评分此書結集班雅明寫於70年前30年代關於各類媒體的批判性文章,主題包括兒童文學、繪畫、攝影、電影、出版、電訊、廣播等等。當中對「現代社會」特質的洞察可謂後無來者。 任何對於藝術的命途、工業世代的文化生產感興趣的讀者都該擁有一冊這結集。
从14年开始,我数次遭遇本雅明《艺术作品在它的机械复制性年代》,读到今天才终于开窍懂了一点。十分惭愧,十分幸福。
评分重新认识了本雅明
评分N久以前就看完了 现在回想一下觉得没读透
评分机械复制凿开包裹在各种艺术形式之外名为光韵(Aura)的壳,在更均衡的感知水平下爆发整个体系的熵增。
评分研究艺术史,电影和媒介研究的盆友,想看Benjamin在这些领域的文章,买了这一本几乎就够了,翻译啥的也是没话说。当然也不排除铁粉要去买Arcades Project和全集。
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