In The Will to Technology and the Culture of Nihilism, Arthur Kroker explores the future of the 21st century in the language of technological destiny. Presenting Martin Heidegger, Karl Marx, and Friedrich Nietzsche as prophets of technological nihilism, Kroker argues that every aspect of contemporary culture, society, and politics is coded by the dynamic unfolding of the 'will to technology.'Moving between cultural history, our digital present, and the biotic future, Kroker theorizes on the relationship between human bodies and posthuman technology, and more specifically, wonders if the body of work offered by thinkers like Heidegger, Marx, and Nietzsche is a part of our past or a harbinger of our technological future. Heidegger, Marx, and Nietzsche intensify our understanding of the contemporary cultural climate. Heidegger's vision posits an increasingly technical society before which we have become 'objectless objects'- driftworks in a 'culture of boredom.' In Marx, the disciplining of capital itself by the will to technology is a code of globalization, first announced as streamed capitalism. Nietzsche mediates between them, envisioning in the gathering shadows of technological society the emergent signs of a culture of nihilism. Like Marx, he insists on thinking of the question of technology in terms of its material signs.In The Will to Technology and the Culture of Nihilism, Kroker consistently enacts an invigorating and innovative vision, bringing together critical theory, art, and politics to reveal the philosophic apparatus of technoculture.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
技術消費瞭意義，人類活動陷入無趣和無意義黑洞；這是作者把馬剋思的異化、海德格爾的技術本質與尼采的虛無主義聯係到一起的綫索。
评分技術消費瞭意義，人類活動陷入無趣和無意義黑洞；這是作者把馬剋思的異化、海德格爾的技術本質與尼采的虛無主義聯係到一起的綫索。
评分廢話太多瞭。不敢苟同作者關於馬剋思的腦洞，labor theory of value不應該這麼簡單就被扔瞭。
评分廢話太多瞭。不敢苟同作者關於馬剋思的腦洞，labor theory of value不應該這麼簡單就被扔瞭。
评分技術消費瞭意義，人類活動陷入無趣和無意義黑洞；這是作者把馬剋思的異化、海德格爾的技術本質與尼采的虛無主義聯係到一起的綫索。
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