具體描述
In this collection of interconnected essays, Arthur C. Danto argues that Andy Warhol's Brillo Box of 1964 brought the established trajectory of Westen art to an end and gave rise to a pluralism which has changed the way art is made, perceived, and exhibited. Wonderfully illuminating and highly provocative, his essays explore how conceptions of art-and resulting historical narratives-differ according to culture. They also grapple with the most challenging issues in art today, including censorship and state support of artists.
著者簡介
圖書目錄
讀後感
From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...
評分From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...
評分From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...
評分From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...
評分From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...
用戶評價
確實比較深有幾章都看不太懂..感覺有哲學和藝術史底子的人理解會好些
评分寫的深刻入髓
评分確實比較深有幾章都看不太懂..感覺有哲學和藝術史底子的人理解會好些
评分推薦
评分確實比較深有幾章都看不太懂..感覺有哲學和藝術史底子的人理解會好些
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