Theatre instructors and students, aspiring actors, and working theatre professionals can all benefit from this examination of acting as a self-development practice and spiritual path. Beginning with a brief history of the acting profession, the text covers Stanislavski and other special approaches to actor training, practices specific to acting that can open up wider perspectives, ways to promote both personal and professional development, the place of sexual energy in acting, and more. Also included is a section of practical exercises, based on the author's experience with professional theatre companies, various forms of meditation and martial arts, and stage combat. The exercises emphasise both movement and perception and can readily be used in a wide variety of venues, from children's drama classes to community theatre training, university acting courses, and professional acting.
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