What do we mean when we call a work of art 'beautiful'? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, Cezanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?
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Stimulating and highly accessible, full of elegant writing and paragraphs on art and beauty, manifest of the intensity and multitude of thoughts stimulated by art, society and history.
评分4.2。這個係列原版的插圖質量還不錯。塞尚的貢獻大約等於喬姆斯基語言的深層結構，當然還沒有理論化。這個神秘的麵紗一旦揭開繪畫就基本上game over瞭，所以語言還是復雜得多。
评分4.2。這個係列原版的插圖質量還不錯。塞尚的貢獻大約等於喬姆斯基語言的深層結構，當然還沒有理論化。這個神秘的麵紗一旦揭開繪畫就基本上game over瞭，所以語言還是復雜得多。
评分4.2。這個係列原版的插圖質量還不錯。塞尚的貢獻大約等於喬姆斯基語言的深層結構，當然還沒有理論化。這個神秘的麵紗一旦揭開繪畫就基本上game over瞭，所以語言還是復雜得多。
评分Stimulating and highly accessible, full of elegant writing and paragraphs on art and beauty, manifest of the intensity and multitude of thoughts stimulated by art, society and history.
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