圖書標籤: 藝術史 藝術 青銅器 海外中國研究 中國 貝格利 考古 入
发表于2024-11-04
Ancient Sichuan pdf epub mobi txt 電子書 下載 2024
This extraordinary catalogue accompanies a major traveling exhibition of 128 works of bronze, jade, and clay dating from the thirteenth century B.C. to the second century A.D. The majority of these stunningly sophisticated works of art--among the most unusual and spectacular produced anywhere in the ancient world--all come from a startling archaeological discovery made just fourteen years ago at the previously unknown site of Sanxingdui in Sichuan province. The discovery of this Bronze Age civilization fundamentally changes our understanding of Chinese history. Representing fifteen hundred years of cultural production, these striking objects are extraordinarily varied, ranging from a monumental standing figure and an almost life-size bronze horse to ritual vessels, masks, and bronze heads of fantastic-looking supernatural beings, finely honed jade knives and ritual blades, and marvelous clay statuettes. Most have never before been seen in the United States. The exhibition and catalogue represent a unique international effort to continue the study of ancient Sichuan. Under the leadership of Robert Bagley, an international team of scholars contributes eight essays on the archaeological discoveries at Sanxingdui, the art historical importance of these objects, and the new history of ancient China they tell. Contributors are Michle Pirazzoli-t'Serstevens, Jessica Rawson, Lothar von Falkenhausen, Alain Thote, Jenny F. So, Michael Nylan, and the Seattle Art Museum's Curator of Chinese Art, Jay Xu. In addition to the essays, there are individual entries for each object, nearly all of which have been newly photographed for this publication. Ancient Sichuan contributes to a revolutionary change in perceptions of ancient Chinese civilization, providing an unprecedented opportunity to explore the art, material culture, and spiritual life of ancient China. EXHIBITION SCHEDULE: Seattle Art Museum, Seattle May-August 2001 Kimbell Museum of Art, Fort Worth September 2001-January 2002 Metropolitan Museum of Art, New York March-June 2002 Royal Ontario Museum, Toronto August-November 2002
个人猜测,勿要当真。 三星堆青铜器上的钻孔和焚烧迹象,显然是原始人类物我不分信仰的延续。 摩尔的《古代社会》中曾提及某原始民族将面具等同于自身的迹象,他们在使用完面具时,必须在面具上钻孔,以使面具失效。 这恐怕也是三星堆2个Pit中焚烧和钻孔的意义所在。 此外...
評分个人猜测,勿要当真。 三星堆青铜器上的钻孔和焚烧迹象,显然是原始人类物我不分信仰的延续。 摩尔的《古代社会》中曾提及某原始民族将面具等同于自身的迹象,他们在使用完面具时,必须在面具上钻孔,以使面具失效。 这恐怕也是三星堆2个Pit中焚烧和钻孔的意义所在。 此外...
評分个人猜测,勿要当真。 三星堆青铜器上的钻孔和焚烧迹象,显然是原始人类物我不分信仰的延续。 摩尔的《古代社会》中曾提及某原始民族将面具等同于自身的迹象,他们在使用完面具时,必须在面具上钻孔,以使面具失效。 这恐怕也是三星堆2个Pit中焚烧和钻孔的意义所在。 此外...
評分个人猜测,勿要当真。 三星堆青铜器上的钻孔和焚烧迹象,显然是原始人类物我不分信仰的延续。 摩尔的《古代社会》中曾提及某原始民族将面具等同于自身的迹象,他们在使用完面具时,必须在面具上钻孔,以使面具失效。 这恐怕也是三星堆2个Pit中焚烧和钻孔的意义所在。 此外...
評分个人猜测,勿要当真。 三星堆青铜器上的钻孔和焚烧迹象,显然是原始人类物我不分信仰的延续。 摩尔的《古代社会》中曾提及某原始民族将面具等同于自身的迹象,他们在使用完面具时,必须在面具上钻孔,以使面具失效。 这恐怕也是三星堆2个Pit中焚烧和钻孔的意义所在。 此外...
Ancient Sichuan pdf epub mobi txt 電子書 下載 2024