Co-published in Association with the Victoria and Albert Museum, London This book is a timely and engaging introduction to the way that artists working in all media think about craft. Workmanship is key to today's visual arts, when high 'production values' are becoming increasingly commonplace. Yet craft's centrality to contemporary art has received little serious attention from critics and historians. Dispensing with cliched arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft's role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves. Thinking Through Craft will be essential reading for anyone interested in craft or the broader visual arts.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
在歐洲語境下，依托於維多利亞與艾伯特博物館的收藏與研究，Adamson對於“工藝”這一詞的源頭進行瞭透析而又多麵的辯證。與杭間老師的《手藝的思想》，柳宗悅的《工藝之道》一起閱讀，讓我更好地獲得瞭思考“工藝”一次的角度。
评分在歐洲語境下，依托於維多利亞與艾伯特博物館的收藏與研究，Adamson對於“工藝”這一詞的源頭進行瞭透析而又多麵的辯證。與杭間老師的《手藝的思想》，柳宗悅的《工藝之道》一起閱讀，讓我更好地獲得瞭思考“工藝”一次的角度。
评分在歐洲語境下，依托於維多利亞與艾伯特博物館的收藏與研究，Adamson對於“工藝”這一詞的源頭進行瞭透析而又多麵的辯證。與杭間老師的《手藝的思想》，柳宗悅的《工藝之道》一起閱讀，讓我更好地獲得瞭思考“工藝”一次的角度。
评分在歐洲語境下，依托於維多利亞與艾伯特博物館的收藏與研究，Adamson對於“工藝”這一詞的源頭進行瞭透析而又多麵的辯證。與杭間老師的《手藝的思想》，柳宗悅的《工藝之道》一起閱讀，讓我更好地獲得瞭思考“工藝”一次的角度。
评分在歐洲語境下，依托於維多利亞與艾伯特博物館的收藏與研究，Adamson對於“工藝”這一詞的源頭進行瞭透析而又多麵的辯證。與杭間老師的《手藝的思想》，柳宗悅的《工藝之道》一起閱讀，讓我更好地獲得瞭思考“工藝”一次的角度。
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