Text in English and German. Peter Hubner began his career as an orthopaedic shoemaker and moved on to cabinet-making before studying architecture. In the 1960s he became a successful designer of prefabricated buildings and sanitary units. This expertise gained him a chair in building construction at the University of Stuttgart where, in collaboration with fellow professor Peter Sulzer, he undertook a series of experiments that changed the course of his architecture. It began with an elaboration of the Walter Segal building method, but culminated in a student hostel designed, built and lived-in by architectural students at Stuttgart Universitys Vaihingen campus. Using student labour and superfluous or recycled materials it was very cheap, but it also reflected the capabilities and aspirations of its owners in a surprising and potent way, imbuing them with confidence. Hubner was struck by the importance of building as a social process, and understood that the mechanised construction he had earlier been involved in had largely taken the soul out of it. As word about the Vaihingen project got about, Hubner received requests for more cheap self-help buildings and discovered a new professional role as facilitator and ringmaster. Unable to predict how these improvised buildings would turn out, he yielded up the aesthetic control of the designer-despot in favour of experiencing the pleasure of human relationships as a project unfolds. Most new buildings are received by their users with comparative indifference, but the self-help projects engender passionate commitment, and it continues long after they are finished. People identify with the spaces they helped to determine, and naturally appropriate them. As a producer of such anarchic work, it is perhaps surprising to discover that Hubner has also long been at the forefront of CAD, but this is a natural development of systematisation, for if computers can calculate all the variants and irregularities, we need no longer conform to Fords production line. Hubner uses three-dimensional programmes which connect design directly with production. His work also responds to ecological concerns, not only through the use of recycled and low-energy materials and in avoiding toxicity, but also in passive energy collection. All these issues are explored in the book.
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Peter Hubner,这个书名本身就有一种引人入胜的力量。我不是一个会轻易被华丽封面吸引的人,但我对那些名字本身就充满故事感和想象空间的书籍却情有独钟。当我第一次看到《Peter Hubner》这本书时,我的脑海里立刻涌现出无数关于这个名字的联想。我猜想,这可能是一部关于成长、关于迷失,或者是一个关于个体如何在时代洪流中寻找自我价值的故事。我希望它能够以一种深刻而细腻的笔触,描绘出主人公的内心世界,以及他所经历的种种挑战和蜕变。我期待这本书能带来一种沉浸式的阅读体验,让我仿佛置身于那个世界,与书中的人物一同呼吸,一同感受。我希望它能给我带来一些触动,一些启发,让我能够对生活有更深的理解和感悟。
评分这本书,名字叫 Peter Hubner,我最近才拿到手,还没来得及细细品读,但光是翻阅目录和序言,就隐隐觉得这是一本不寻常的作品。封面的设计简洁而有力,没有浮夸的图饰,只有沉静的字体,仿佛在邀请读者进入一个深邃的世界。我最开始是被它书名中那个略带神秘色彩的名字所吸引,Peter Hubner,听起来就像一个生活在某个遥远角落,拥有不为人知故事的人物,让我不禁联想翩翩。我猜想,这本书或许会像一位老友在壁炉旁娓娓道来的往事,又或许是一位智者在晨曦中点拨迷津的箴言。我对其中可能探讨的主题充满了好奇,是关于人性的探索,还是对社会现象的剖析?是历史的片段,还是哲学的思辨?总之,在尚未深入之前,它已经在我心中种下了无数的可能性,迫不及待地想要去一一揭晓。我希望它能给我带来心灵的触动,思想的启迪,甚至是一些意想不到的惊喜。
评分这本书,Peter Hubner,从书名来看,我就觉得它不是一本寻常的畅销书。我喜欢那些名字背后隐藏着深度和复杂性的作品,它们往往能引导读者进入一个更广阔的思考空间。我不太喜欢那种一眼就能看穿的书,我更偏爱那些需要读者主动去挖掘、去解读的作品。当我触摸到这本书的封面时,我有一种预感,它可能会是一场精神上的旅程,一段关于某个个体深刻经历的探索。我猜想,Peter Hubner这个名字,或许代表着一种精神,一种哲学,或者是一个象征。我期待它能以一种独特的方式,触及我内心深处的某些东西,让我产生共鸣,甚至引发我对于自身存在的思考。我希望它能给我带来一些意想不到的启发,让我走出固有的思维模式,去发现新的可能性。
评分《Peter Hubner》这本书,我是在一个偶然的机会下接触到的,当时只是被它的书名吸引,觉得这个名字带有一种独特的韵味。我对于那些名字本身就充满故事感和引人遐想的书籍,总是格外感兴趣。当我真正拿起它的时候,我感觉到一种踏实的重量,这让我对书的内容更加期待。我猜测,这可能是一本关于个人成长、自我探索,或者是一个关于如何在复杂世界中寻找自己定位的故事。我希望它能给我带来一些不同于寻常的视角,让我能够从新的角度去审视生活中的种种。我尤其期待作者能够以一种细腻而深刻的方式来描绘人物的内心世界,以及他们所经历的挣扎与蜕变。在阅读之前,我脑海中已经构筑了一个属于“Peter Hubner”的形象,而我迫不及待地想知道,书中呈现给我的,是否和我所设想的一样,或者更加出人意料。
评分拿到《Peter Hubner》这本书,第一眼就被它那种内敛的气质所打动。封面设计没有张扬的色彩,却有一种厚重感,仿佛诉说着故事的深度。我不是一个轻易被打动的人,但这本书的包装,以及它所散发出的那种“有故事”的氛围,让我产生了一种想要探究的冲动。我喜欢那些不直接告诉你答案,而是引导你去思考的书。我脑海中已经浮现出各种关于“Peter Hubner”的可能性:他可能是个默默无闻的英雄,也可能是一个被时代遗忘的灵魂;他的人生或许充满了传奇,也或许平淡却意味深长。我期待它能带来一种沉浸式的阅读体验,让我仿佛置身于故事的现场,感受角色的喜怒哀乐。我希望这本书能有别于那些快餐式的读物,它需要的是细细咀嚼,反复回味。我已经准备好,在这个秋天的午后,伴随着一杯热茶,去解锁Peter Hubner的秘密。
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