序言:西方的直接電影與中國的紀實主義...........................................................王遲(1)
Preface:Western Direct Cinema and Chinese Jishiism
上編
Part One
理論視野:反思直接電影
Theoretical Perspectives:Rethinking Direct Cinema
“這種主客觀之爭全都是鬍扯”——關於直接電影的另一種修辭.............Brian Winston(3)
“T his ObjectiveSubjective Stuff Is a Lot of Bullshit”:An Alternative Rhetoric of Direct Cinema
直接電影之外——安東尼奧與 70 年代新紀錄片.............................Thomas Waugh(13)
Beyond Verite:Emile de Antonio and the New Documentary of the Seventies
紀錄片、現實主義和女性電影 ....................................................... Eileen McGarry(34)
Documentary, Realism and Women’s Cinema
直接電影中作為一種風格的現實主義
——對影片《黨內初選》的批判性考察 ................................................Jeanne Hall(49)
Realism as a Style in Cinema Verite:A Critical Analysis of Primary
紀實不是真實.................................................................................................鍾大年(80)
Jishiism Is Not the Truth
素材的含義與直接電影霸權..............................................................................王遲(92)
The Meaning of Film Material and the Hegemony of Direct Cinema
關於非虛構的真實 .........................................................................Michael Renov(106)
The Truth About NonFiction
現實主義、哲學和紀錄片...................................................................... Ian Aitken(120)
Realism, Philosophy and the Documentary Film
下 編
Part Two
個案研究:弗雷德裏剋·懷斯曼
Case Studies:Frederick Wiseman
懷斯曼的紀錄片——理論與結構......................................................... Bill Nichols(141)
Frederick Wiseman’s Documentaries:Theory and Structure
持攝影機的懷斯曼 .........................................................................Barry K. Grant(167)
The Man with a Movie Camera
懷斯曼 IDFA 談自己 50 年的創作方法 .............................................Damon Wise (209)
Wiseman’s Talking about His Fifty Years Filmmaking Methods at IDFA
尼剋·弗特采訪懷斯曼
——《動物園》、影片創作和社會變革............................................... Nick Forte (214)
Nick Forte’s Interview with Wiseman:Discusses Zoo, Filmmaking and Social Change
羅伊·列文采訪懷斯曼 ...................................................................... G. Roy Levin(217)
G. Roy Levin’s Interview with Wiseman
“謎中謎之謎”——懷斯曼與公共電視 ...............................................Brian Winston(234)
“A Riddle Wrapped in a Mystery Inside an Enigma”: Wiseman and Public Television
論“懷斯曼神話”
——對中國 90 年代紀錄片史的重識 ..............................................................王遲(260)
On “Wiseman Myth”:A Restoration of the Nineties Chinese Documentary History
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