As this book demonstrates, horses and humans have had a long and complicated relationship. Indeed, the introduction foregrounds the interdependence of humans and horses. While horses have aided many human endeavors including communication and trade, humans have also enabled domestic equids to flourish as a species. Rather than a study concerning the interactions of humans and horses, this book emphasizes the horse itself and focuses on the development and characteristics of the animal throughout the ancient world. Willekes’ approach is to examine the conformation of the horse and the effect this conformation had on the function and use of each type of horse in the ancient world. Often, the horse is treated as a homogeneous animal, unchanging across time and space. This book shows how the horse adapted to different environments and how these adaptations were used by the ancient peoples of these regions.
“Methodology” outlines the focus on the work, which, through an analysis of artistic, literary, and archaeological evidence, seeks to “establish a typology for the horses of the ancient world”. Willekes prefers the term “type” to the more familiar “breed” as specialized breeding occurred infrequently in antiquity. Horse types developed from adaptation to the environment, rather than artificial selection by humans.
Willekes begins the book by examining the evolution and behavioral characteristics of the horse. The horse is a prey animal with a strong flight response. As Willekes demonstrates, an understanding of these characteristics elucidates the behaviors of horses in ancient literature. The unusual, aggressive behavior of Alexander the Great’s famous horse Bucephalus is more understandable when we view this aggression as a response to fear (of his shadow) and inability to flee this fear. The natural equine response is to flee from danger and so aggression must be trained in a horse. The rest of the chapter describes the ideal horse from literature. Five Greek and Roman authors supply a description of the ideal horse: Xenophon, Varro, Virgil, Oppian, and Columella. Willekes notes that these descriptions are strikingly similar. At this point, it would have been useful to discuss whether the later authors were influenced by Xenophon or another author like Simon of Athens, whose work is mentioned in Xenophon. This portion of the book is the most useful for a classical and, in particular, philological audience. Scholars working on the aforementioned authors may find it useful to compare those works to Willekes’ explication and discussion of the parts of the horse. The author includes details from her experience as an equestrian, which aid in clarifying the passages of literature.
Chapter Three, “Prehistoric Horses” is less useful for the non-specialist. Here, Willekes discusses previous classifications of early or “ancestral” equines, from which domestic horses developed. Among the various classification hypotheses, Willekes settles on four main types, which resulted from adaptation to environmental conditions: the Northern European pony, the Northern Steppe horse, the Southern Steppe horse, and the Iberian/Mediterranean horse. She then discusses each ancestral type through case studies of modern horse breeds (Exmoor pony, Przewalski’s Horse, Akhal Teke, and Asturian and Sorraia). She comprehensively discusses the conformation, history, and physical characteristics of each modern breed and connection to its ancestral equivalent. This chapter needs a conclusion, especially to emphasize the development of these modern breeds from the ancestral types. One wonders, for example, what intermediary steps there were between the ancestral horse type and the modern breed.
The next chapter, “The Ancient Horse Types,” describes horse types from several regions of the world (Central Asian Horse, Near Eastern Horse, Mediterranean Horse). However, no introduction makes clear the relationship between the ancestral types and these regional “ancient horse types.” Are these “ancient types” an intermediate step between the ancestral types and modern equine breeds? Here, the author discusses the environment, lifestyle conditions, and appearance of each horse type and, in doing so, clearly explains ancient practices for non-equestrians. For example, the author considers the practice of castration of Scythian and Sarmatian horses, as cited by Strabo. She cites supporting archaeological evidence and then discusses this practice from the view of animal husbandry. These horses were kept in large herds on the grassland, so castration made the herd more manageable. Willekes’ experience conducting experimental archaeology is very helpful in this regard. Her understanding of modern practices enables her to explicate ancient ones. She continues each section with a discussion of the appearance of the ancient horse type by body part (head, shoulder, hindquarters, etc.). This section seems to be based on a combination of evidence from ancient literature and deduction from modern counterparts, but this is not made clear. It would be useful for the author to cite the passages of ancient literature that inform her understanding of the appearance of each horse type. Furthermore, this section could be bolstered by more evidence from artistic depictions. Only two artistic examples (both vase painting) are included as illustrations of the Mediterranean Horse type. Given the ubiquity of the horse in ancient art, as the author emphasizes in the introduction, more examples should have been included here.
The next chapter’s focus is on the horse in the military. This chapter is substantial (55 pages), providing a sense of the importance of this equine function in antiquity. Given the strong flight response of the horse, extensive training was required to prepare the animal to face battle. Willekes discusses the training of the horse, primarily using Xenophon, and explains his precepts using her equestrian experience. She then considers the horse’s role in warfare of three areas (Central Asia, Near East, Mediterranean) in accordance with the tactics used by groups in that region. For example, in Central Asia mounted archers proved very difficult for Macedonian and Roman troops. The Steppe horse is small, which enabled the rider to control him easily while shooting a bow. This small size, though, made them impractical for close combat. The environmental conditions (rocky, harsh terrain) produced a small and sure-footed horse, which was then used for a particular type of combat by the groups of this region. This chapter is bolstered by the frequent inclusions of passages of literature, chiefly of Greek and Roman authors. The sound grounding in (classical) literary passages makes this chapter useful reading for anyone working on horses in Greek or Roman warfare. It could be strengthened by the inclusion of passages from sources other than Greek and Roman authors and by additional archaeological and artistic evidence.
Chapter Six, “The Sport Horse,” takes a similar tactic. Willekes discusses various horse sports and relevant passages of Greek and Roman literature. After a discussion of training goals this chapter is broken into sports of the Greek world and the Roman world. She begins with the Olympic sports, including the tethrippon (four-horse chariot), keles (ridden horse race) and the kalpe (ridden race for mares in which the rider would dismount and run besides the horse), among others. Willekes stresses the connection between each athletic event and related warfare tasks. This was not sport for sport’s sake, but to prepare horses and riders for the challenges of war. Discussion of the Roman world focuses on chariot racing. Epigraphic evidence is used to describe the types of races that occurred, racing tactics, and careers of some charioteers. As in the previous chapter, this chapter is exclusively about the Greek and Roman worlds. It provides a good summary of the use of horse in sport and the relevant sources. One wishes, though, given the title of the book, that the chapter had been expanded to consider equine sports such as polo in other areas of the world.
The book’s greatest strength is the author’s experience as an equestrian as well as classicist and the nuanced analysis this background enables. The author travelled around the world to meet and ride horses from each region and has included this practical experience in her discussion of the function of each type. The author deftly explicates literary passages to explain the context they describe.
This book could be strengthened by the inclusion of more archaeological and artistic evidence. It also could use many more and better quality illustrations. Several figures are difficult to see.1 In other cases images are needed, especially of archaeological materials. For example, Willekes makes the point that the Alexander Mosaic from the House of the Faun in Pompeii depicts the Italian/Greek horse type pulling Darius’ chariot rather than the Nesaean horse as described in literature. Without illustration, this point is difficult to evaluate. The color plates are of good quality, but are not mentioned in the body of the text, so they cannot be incorporated into one’s reading.
In conclusion, this book is a sound typology of horses in antiquity. The unique environmental challenges in several areas of the ancient world created horses suited to these conditions. Ancient peoples used these unique traits to their advantage, especially in war.
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这本书的结构安排,让我觉得作者是一位极其严谨的历史学者,但又有着非凡的叙事才能。他并没有按照时间顺序一股脑地讲述,而是根据马匹在古代社会中扮演的不同功能,将其划分成若干个主题章节,这样做的好处是,我可以根据自己的兴趣点,更灵活地阅读。我最先被吸引的是关于“马匹与战争”的章节,作者从骑兵的起源讲起,一直延伸到马匹在古代大型战役中的战略意义。他并没有回避战争的残酷,而是将马匹置于其中,展现了它们是如何成为改变战场局势的关键因素。书中对不同时期、不同地域骑兵战术的对比分析,让我大开眼界,比如波斯弓骑兵的灵活机动,与罗马重骑兵的强大冲击力,这种鲜明的对比,让我对古代军事史有了更直观的认识。我特别欣赏作者在描述战争场景时,那种身临其境的笔触,仿佛我能听到战马的嘶鸣,感受到战场的尘土飞扬。除了战争,他对马匹在“仪式与庆典”中的作用的阐述也同样精彩。他描绘了古代国王、贵族以及宗教领袖如何通过使用华丽的马匹和马车来彰显自己的地位和权威,这种视觉上的呈现,让我对古代社会的等级制度有了更深刻的理解。书中对古代奥运会中马术比赛的描述,更是让我感受到了古代人对马匹的崇拜和对速度与力量的追求。
评分我对这本书的评价,可以用“宏大叙事与细腻描绘并存”来概括。作者并没有拘泥于某个特定地区或某个特定时期,而是以一种全球性的视角,探讨了马匹在整个古代世界的影响力。他非常巧妙地在不同文明之间建立联系,比如通过丝绸之路,马匹是如何在东方和西方之间传播,又带来了哪些相互的影响。我特别喜欢他对马匹在不同文化中的“神话叙事”的梳理,比如希腊神话中的飞马珀伽索斯,以及北欧神话中奥丁的八足神马斯莱普尼尔,这些故事不仅富有想象力,更反映了马匹在人类精神世界中的特殊地位。作者对于马匹在古代医学和占卜中的作用的探讨,也让我感到非常新奇,比如马匹的骨骼、血液甚至排泄物,在古代被认为具有药用价值,而马匹的奔跑姿态和嘶鸣声,也被用于占卜吉凶。这种对古代医学和宗教习俗的深入挖掘,为我们了解古代人的世界观提供了宝贵的线索。书中对马匹在古代教育和娱乐中的角色的描写,也为这本书增添了不少趣味性。比如古代贵族子弟的骑术训练,以及马匹在古代节庆中的表演,这些都展现了马匹在古代社会生活的多样性。整本书充满了知识性,但又不乏趣味性,阅读起来一点也不枯燥,反而像是在参加一场穿越时空的盛宴。
评分读完《The Horse in the Ancient World》,我感觉自己像穿越回了那个充满马蹄声的古老时代。这本书最大的魅力在于,它不仅仅是在讲述马匹的历史,更是在讲述马匹如何塑造了人类的历史。作者以一种非常人性化的视角,描绘了人类与马匹之间那种深厚而复杂的关系。他探讨了马匹在古代家庭生活中的地位,尤其是在一些农耕和游牧民族中,马匹往往是家庭重要的财产,甚至是成员。书中关于马匹在长途旅行和迁徙中的重要性,让我对古代人的生存智慧有了新的认识,那种依赖马匹跨越山河、寻找新家园的勇气和韧性,令人钦佩。我非常喜欢作者对古代艺术中马匹形象的解读,他通过分析雕塑、壁画和陶器上的马匹图案,揭示了马匹在不同文化中的象征意义,比如力量、速度、自由,甚至是死亡与重生。这种艺术史与动物史的结合,让整本书的内容更加丰富和立体。让我感到惊喜的是,作者还探讨了马匹在古代法律和经济体系中的地位,比如关于马匹的交易、估值以及因马匹引发的纠纷,这些细节都反映了马匹在古代社会经济生活中不可或缺的地位。这本书让我对“文明”的定义有了更广阔的理解,因为它清晰地展示了,一个物种的引进和利用,是如何能够引发如此深远的社会变革。
评分这本书的封面设计就足够引人入胜了,古铜色调的马匹剪影,背景模糊的古代建筑,一下子就把我拉回了那个遥远的年代。翻开扉页,作者的开篇语让我对接下来的阅读充满了期待,他用一种非常直观和略带诗意的方式,描绘了马匹在人类早期文明中所扮演的非凡角色,那种“沉默的革命者”的比喻,深刻地触动了我。我特别喜欢书中对马匹引入不同地区带来的社会经济变革的阐述,比如在草原文化中,马不仅仅是交通工具,更是身份、财富和战争力量的象征。作者花了大量篇幅探讨了马匹在军事上的演变,从早期的战车到后来的骑兵,这种军事上的进步是如何改变战争的面貌,甚至影响了文明的疆域扩张。他引用了许多古代文献的片段,比如荷马史诗中的英雄骑马征战的场景,以及希腊和罗马史学家关于骑兵战术的记录。这些引文并非枯燥的罗列,而是被巧妙地融入到叙事中,让历史变得鲜活起来。我尤其对作者分析马匹在宗教和神话中的地位感到好奇,因为通常我们更多地关注马匹的实际功用,而忽略了它在精神层面的影响。书中关于马匹作为神圣坐骑、甚至是神祇本身的解读,为我打开了一个新的视角。同时,作者对马匹驯化过程的细致描写,以及不同品种马匹的特点分析,也让我对这些高贵生灵有了更深入的了解。这本书的语言流畅而富有感染力,仿佛作者正坐在你身边,娓娓道来一段段尘封的历史。
评分我一直对古代文明中的动物扮演的角色抱有浓厚的兴趣,而《The Horse in the Ancient World》这本书,简直是满足了我对马匹在那个时代所有想象的集合体。它并非是那种泛泛而谈的通史,而是通过一个个具体的、生动的故事,展现了马匹是如何从一种野生的生灵,逐渐渗透到人类社会的方方面面。我特别被书中关于马匹在农业发展中的作用的章节所打动,作者深入浅出地解释了马匹作为拉力和运输工具,是如何极大地提高了生产力,解放了劳动力,从而为城市和国家的形成奠定了物质基础。他甚至追溯了犁耕技术的发展与马匹使用的关系,这种跨学科的视角非常新颖。书中对马匹在贸易和交通网络中的角色也进行了细致的描绘,比如商队如何依靠马匹穿越广袤的地域,连接起不同的文明,促进了商品、技术和思想的交流。这种“连接”的力量,在作者的笔下得到了生动的诠释。我印象深刻的是他对古代城市规划中与马匹相关的设施的描写,比如马厩、赛马场以及用于军事训练的场地,这些都印证了马匹在古代城市生活中的重要性。作者在叙述中穿插了许多考古发现的细节,比如在墓葬中发现的马匹遗骸,以及描绘马匹的古代艺术品,这些实物证据为他的论述增添了无可辩驳的说服力。这本书让我对“技术进步”有了更深的理解,因为马匹的引入,本身就是一项革命性的技术。
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