A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable. As K. tries to gain control, he succeeds only in accelerating his own excruciating downward spiral.
Franz Kafka[a] (3 July 1883 – 3 June 1924) was a German-speaking Bohemian Jewish novelist and short story writer, widely regarded as one of the major figures of 20th-century literature. His work, which fuses elements of realism and the fantastic,[3] typically features isolated protagonists faced by bizarre or surrealistic predicaments and incomprehensible social-bureaucratic powers, and has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity.[4] His best known works include "Die Verwandlung" ("The Metamorphosis"), Der Process (The Trial), and Das Schloss (The Castle). The term Kafkaesque has entered the English language to describe situations like those in his writing.[5]
Kafka was born into a middle-class, German-speaking Jewish family in Prague, the capital of the Kingdom of Bohemia, then part of the Austro-Hungarian Empire, today part of the Czech Republic. He trained as a lawyer, and after completing his legal education he was employed by an insurance company, forcing him to relegate writing to his spare time. Over the course of his life, Kafka wrote hundreds of letters to family and close friends, including his father, with whom he had a strained and formal relationship. He became engaged to several women but never married. He died in 1924 at the age of 40 from tuberculosis.
Few of Kafka's works were published during his lifetime: the story collections Betrachtung (Contemplation) and Ein Landarzt (A Country Doctor), and individual stories (such as "Die Verwandlung") were published in literary magazines but received little public attention. Kafka's unfinished works, including his novels Der Process, Das Schloss and Amerika (also known as Der Verschollene, The Man Who Disappeared), were ordered by Kafka to be destroyed by his friend Max Brod, who nonetheless ignored his friend's direction and published them after Kafka's death. His work went on to influence a vast range of writers, critics, artists, and philosophers during the 20th century.
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这本书最让我震撼的,是它对“无力感”的终极探讨。主人公的抗争,与其说是争取胜利,不如说是一种对自身存在价值的确认仪式。在面对一个庞大、非个人化且目的不明的官僚机器时,个体所有的常识、道德感和逻辑推理都失去了效力。作者毫不留情地剥去了所有温情和安慰的表层,将人类在绝对权力面前的脆弱暴露无遗。我读到主人公在不同阶段表现出的态度变化,从最初的困惑不解,到后来的麻木顺从,再到最后近乎宗教式的接受,这个心路历程的刻画极其真实和残酷。这种对人类精神韧性和极限的探索,远远超出了简单的社会批判范畴。它探讨的是哲学层面的困境:当规则本身就是一种压迫时,遵循规则与反抗规则的界限在哪里?每一次读到他试图通过合乎“程序”的方式解决问题时,我都感到一种巨大的悲哀,因为你知道,那所谓的程序,早已被异化成了束缚他的枷锁。
评分如果要用一个词来概括这部作品带给我的感受,那一定是“幽闭恐惧”。尽管故事的场景不断变换——从公寓到法院,再到各种办公室——但始终笼罩着一种挥之不去、如同沼泽般的粘稠感。这种感觉并非来自外部的物理限制,而是源于内心深处的认知被不断地重塑和颠覆。作者似乎故意模糊了现实与非现实的边界,让你永远无法确定眼前的场景是否符合“客观事实”,或是仅仅是系统强加于主人公意识形态的投射。这种不确定性,使得每一次期待“转机”的心理都以更深的失望告终。我曾试图在书中寻找一点人性的光芒,一些可以作为锚点的支持力量,但很快发现,即便是那些看似提供帮助的人,也只是这庞大系统中的一个微小齿轮,他们自身也身不由己。这种对普遍性孤独的描绘,尖锐得令人难以招架,它强迫读者跳出自身的舒适区,去直面那种冰冷的、逻辑自洽却反人性的结构性存在。
评分不得不说,这本书的语言风格极其独特,它采用了一种近乎冰冷、疏离的笔调来叙述一场极度个人化的悲剧。这种反差制造了一种奇特的张力,让读者在保持一定距离感的同时,又能深刻地感受到那种深入骨髓的荒诞感。我注意到作者大量使用了一种看似客观陈述,实则暗藏讽刺的修辞手法,使得每一个场景的描述都充满了隐喻。那些冗长而繁复的法律程序,那些模棱两可的陈述,无不指向一种权力运作的本质——它不需要逻辑,只需要服从。初读时,我甚至有些跟不上作者的思路,总想找到一个明确的“是什么”和“为什么”,但随着阅读的深入,我逐渐明白,这部作品的精髓恰恰在于“没有答案”。它挑战了我们对正义、真相这些概念的既有认知。那些在走廊里、在办公室里,那些发生在光天化日之下的不公,被描绘得如此日常化,以至于让人不寒而栗。这不仅仅是一个人的故事,更像是一面镜子,映照出我们所生活的世界中那些难以名状的、却又真实存在的系统性弊病。
评分这部作品的叙事结构简直像一张错综复杂的蛛网,将读者牢牢地困在其中,无法逃脱。作者对于环境和氛围的描绘达到了令人窒息的程度,那种弥漫在字里行间的压抑感,仿佛能透过纸张渗透到读者的皮肤上。故事的主人公,一个看似平凡的个体,却被卷入了一场巨大而荒谬的司法迷宫,他的每一次挣扎,每一次试图理解规则的努力,都显得那么徒劳无功。我尤其欣赏作者在刻画人物内心挣扎时所展现出的细腻笔触,那些细微的心理活动,那些在理性与绝望之间摇摆不定的瞬间,被捕捉得淋漓尽致。阅读过程中,我常常会忍不住停下来,深吸一口气,因为那种无休止的追问和不确定性,实在是对精神的一种巨大考验。那些形形色色的配角,即便出场不多,也个个鲜活得如同真实存在一般,他们或冷漠,或狡黠,共同构筑了这个冰冷而无情的体系。整本书读完后,留下的不是一个清晰的答案,而是一连串更深层次的疑问,迫使我们反思自身的处境和所处的社会结构。这种回味无穷的力量,才是真正伟大的文学作品所具备的特质。
评分从文学技巧的角度来看,这部小说的叙事节奏控制得非常高明。它并非那种一气呵成的快节奏故事,而是充满了冗长的等待、无谓的周旋和突如其来的转折。这种节奏上的不均匀感,完美地模拟了主人公在漫长诉讼过程中所经历的时间拉伸和扭曲。比如,某段情节明明只描述了一次会面,却占据了大量的篇幅,但当你细读时,会发现那寥寥数语的对话中蕴含了多少试探、威胁与妥协。作者对细节的痴迷令人印象深刻,无论是对某个房间陈设的描绘,还是对某个官员服饰的描述,都透露出一种象征性的重量。它使得读者仿佛置身于一个由特定规则和符号构成的封闭生态系统之中,任何微小的偏差都可能引发巨大的后果。这种沉浸式的体验,使得阅读过程本身变成了一种挑战耐力和专注力的训练。我特别喜欢其中几处梦境片段的处理,它们像一把锋利的刀,瞬间割裂了白日的荒谬,却又在清醒后留下了更深的迷惘。
评分(根据priest的case)前几章是想进第一扇门的时候(根据case这里完全是k的自由意志),k不能理解law怎么运作不知道为什么被accuse;bribe和seduction,印象是体制瘫痪腐败,每个人都paranoid。最后几章(Advocate - Manufacturer - Painter)开始,发现其实所有人都是a part of the court,没有自由意志(所以subordinate to K(?)),每个个体在体制里运转但从来看不见体制结构本身。每个人都不反常也不paranoid,只是fulfilling the duty til the day not them but someone dies。mechanical and not alive.
评分其实卡夫卡真的.....不读德语原著 都是白费力
评分(根据priest的case)前几章是想进第一扇门的时候(根据case这里完全是k的自由意志),k不能理解law怎么运作不知道为什么被accuse;bribe和seduction,印象是体制瘫痪腐败,每个人都paranoid。最后几章(Advocate - Manufacturer - Painter)开始,发现其实所有人都是a part of the court,没有自由意志(所以subordinate to K(?)),每个个体在体制里运转但从来看不见体制结构本身。每个人都不反常也不paranoid,只是fulfilling the duty til the day not them but someone dies。mechanical and not alive.
评分其实卡夫卡真的.....不读德语原著 都是白费力
评分其实卡夫卡真的.....不读德语原著 都是白费力
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