“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” (Salman Rushdie)
“David Salle’s brilliant canvases changed everything, and now his luminescent eye and voice have married in a book that is destined to alter not only how we look at art, but the language we use to describe it. His essays are a gift that, in addition to feeding one’s process of intellection, nourishes one’s art loving soul. Transcendent.” (Hilton Als)
“David Salle is widely known as one of our most daring and intelligent painters, but he is also an eloquent critic. How to See is a marvel of incisive and intimate observation. For all his audacity as a painter, Salle seems touchingly proud to be a part of the family of art and to derive his pictorial forms from what he calls the ‘the shared DNA of art,’ raising the possibility that all masterworks are in fact a group project.” (Deborah Solomon)
“David Salle’s thoughtful, intelligent, beautifully written essays inspire us to think about, and look at, art in wholly new ways. He makes difficult subjects (and artists) seem effortless, transparent, and he wears the depth and breadth of his knowledge of art and art history so lightly that we hardly notice how much we are learning. How to See is a pure pleasure to read.” (Francine Prose)
“David Salle writes about art with a joyous lucidity that is both bracing―nothing, absolutely nothing, escapes his notice―and utterly disarming. He guides his readers through the complex world of contemporary art with a rare generosity of spirit, a dazzling skill at description, and a radiant honesty that are as challenging as they are irresistible.” (Ingrid Rowland)
“David Salle asks of other art not, where does this belong? but, what does this make me feel and think about? Salle subtly and persuasively reminds us that all art, even the most seemingly recalcitrant, is there to be looked at, and that what artists do is, exactly, teach us how to see.” (Adam Gopnik)
“David Salle has a sharp, thrilling eye and an uncanny ability to reorder and make new the act of seeing. These perceptive, far-ranging essays are drawn from deep knowledge and experience―reading this book feels like having a conversation about art with the smartest person in the room.” (Emma Cline)
“Lovely to read… [How to See] is serious but never solemn, alert to pleasure, a boulevardier’s crisp stroll through the visual world.” (Dwight Garner - New York Times)
“A trenchant and light-on-its-feet collection of critical essays... about art, artists, fame, and, if you read it closely enough, what it’s like to have been David Salle for all these years.”” (Carl Swanson - New York Magazine)
“A remarkable painter whose writing is as fresh, vital, and startling as his canvases, Salle… talks about artists and their work in witty, jargon-free, and eminently accessible prose.” (Tirdad Derakhshani - Philadelphia Inquirer)
“How to See is an exhilarating and cathartic experience… an offering of passion and generosity, and a pulsing invitation to the reader to find the same in the act of seeing.” (Simone Grace Seol - The National Book Review)
“[A] breath of fresh air… Salle is the perfect art tour guide: literate, thoroughly entertaining, and insightful.” (Kirkus)
“Sharp insights and an affable tone make this collection equivalent to a hearty discussion with a mentor―recommended for anyone interested in visual arts.” (Publishers Weekly)
David Salle’s paintings are in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Metropolitan Museum of Art, the National Gallery in Washington, DC, the Los Angeles County Art Museum, Tate Modern, the National Galerie Berlin, and many others. He lives in New York City.
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这本书的扉页,设计得十分别致,不是那种千篇一律的枯燥文字,而是留白与精美的插画相结合,营造出一种宁静而引人深思的氛围。字体的大小和行距也恰到好处,即使长时间阅读,眼睛也不会感到疲劳。第一章的开篇,语言就有一种独特的韵律感,像是在娓娓道来一个古老的故事,又像是开启了一场全新的对话。我特别喜欢作者在描述一些抽象概念时,所使用的那些形象的比喻,它们像一把把钥匙,瞬间打开了我理解世界的全新视角。我发现在阅读过程中,我的思绪会被不断地引导,从一个点连接到另一个点,形成一种流畅的思维链条。书中的论述,虽然深入浅出,但又绝不流于表面,它鼓励读者去质疑,去反思,去构建自己的理解框架。我常常在读到精彩之处,会忍不住停下来,反复咀嚼作者的文字,并结合自己的生活经历去体会。有时候,一个看似简单的句子,背后却蕴藏着作者深厚的学识和独到的见解。这种智识上的碰撞,让我感到非常愉悦。
评分这本书的内容,完全超出了我最初的预期,它展现了一种极为宏大的视角,将看似无关的领域巧妙地联系在一起,构建出一个精妙绝伦的思想体系。作者的知识储备令人惊叹,他能够游刃有余地穿梭于历史、科学、艺术、哲学等多个学科之间,并将它们融会贯通,形成一种独树一帜的见解。我尤其被书中那些关于“连接”的论述所吸引,它让我意识到,我们所处的这个世界,并非是孤立的片段,而是由无数复杂的因果关系相互交织而成。作者的论证逻辑严密,层层递进,即使是初学者,也能在其中找到清晰的脉络。读这本书,就像是在攀登一座知识的山峰,每一步都充满挑战,但也每一步都能收获更广阔的视野。我常常会因为书中某个观点而恍然大悟,那种醍醐灌顶的感觉,是阅读一本好书最令人欣喜的体验。它不仅拓宽了我的认知边界,更重要的是,它教会了我如何去思考,如何去构建自己的知识体系。
评分这本书的装帧设计,可以说是艺术品级别的。烫金的书名在深邃的封面上熠熠生辉,配以素雅的暗纹,散发出一种低调而奢华的气息。打开书页,纸张的触感温润,仿佛握着一块温热的玉石,墨水的颜色纯正浓郁,即使长时间阅读,也不会感到刺眼。书中的排版设计,也极具匠心,章节的划分清晰明了,段落之间的留白恰到好处,让阅读过程充满了呼吸感。我尤其欣赏作者在叙述方式上的变化,时而如同一位睿智的长者,娓娓道来;时而又像一位充满激情的探索者,带领读者深入未知。书中的语言,凝练而富有表现力,每一个词语都经过了精雕细琢,精准地传达出作者想要表达的思想。我发现,这本书不仅仅是知识的载体,它本身就是一件精美的艺术品,从内到外,都散发着独特的魅力。拥有一本这样的书,本身就是一种享受。
评分拿到这本书的时候,我正经历着一段有些迷茫的时期,感觉生活似乎缺少了点什么,却又说不清具体是什么。翻开这本书,与其说是在阅读,不如说是一种灵魂的慰藉。作者的文字有一种奇特的治愈力,它不像市面上那些心灵鸡汤,空洞地许诺快乐,而是通过一种非常温和、却又极其深刻的方式,去触碰读者内心最柔软的地方。它并没有直接告诉你“应该怎么做”,而是通过引导你重新审视自己,审视周围的世界,从而让你自己找到答案。我发现,在阅读的过程中,我那些杂乱无章的思绪,似乎也渐渐变得清晰起来。那些曾经困扰我的问题,也好像有了新的解读角度。书里的一些小故事,虽然篇幅不长,却充满了智慧的光芒,它们像一面镜子,映照出我内心的真实想法,也让我看到了自己身上被忽略的闪光点。这本书,更像是一位循循善诱的朋友,陪伴我走过一段自我探索的旅程。
评分这本书的封面设计真的让人眼前一亮,一种低调却极具吸引力的风格,让我忍不住在书架上多停留了几秒。拿到手里,纸张的质感也相当不错,厚实而有韧性,翻页的时候能感受到一种温和的阻力,这种细微的触感,对于一个喜欢纸质书的读者来说,是相当重要的。包装也很严谨,没有丝毫磕碰的痕迹,这点让我非常满意。在开始阅读之前,我花了些时间去揣测书名“How to See”所暗示的含义,它究竟是指生理上的视觉,还是更深层次的洞察力?亦或是对某种事物全新的感知方式?这种悬念感,无疑增加了我对内容的期待。包装上的设计元素,虽然简洁,却又似乎蕴含着某种哲学意味,色彩的搭配、字体的选择,都经过了深思熟虑。我甚至开始想象,作者在构思这本书时,是否也在视觉和认知上进行了一场怎样的探索。总而言之,从拿到书的那一刻起,它就已经成功地在我的心中建立起了一种期待感,一种想要立刻打开它,去探寻其中奥秘的冲动。这种初见的良好印象,很大程度上决定了我后续的阅读体验,它让我感到,这不仅仅是一本书,更是一次精心准备的邀请。
评分Idea, form, zeitgeist 写法够coffee table平易近人了 但不认识的人还是读起来隔层纸/隔座山 #不装b的读intro就够了
评分Idea, form, zeitgeist 写法够coffee table平易近人了 但不认识的人还是读起来隔层纸/隔座山 #不装b的读intro就够了
评分Idea, form, zeitgeist 写法够coffee table平易近人了 但不认识的人还是读起来隔层纸/隔座山 #不装b的读intro就够了
评分Idea, form, zeitgeist 写法够coffee table平易近人了 但不认识的人还是读起来隔层纸/隔座山 #不装b的读intro就够了
评分Idea, form, zeitgeist 写法够coffee table平易近人了 但不认识的人还是读起来隔层纸/隔座山 #不装b的读intro就够了
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