具体描述
Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it.
Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”
作者简介
Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University and a 2014–15 fellow at the Cullman Center for S cholars and Writers at the New York Public Library. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic and the author of Design and Crime, Recording, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex.
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真挚诚恳。一代艺术史评论学究对于当代的不放弃和严父似的爱护，令人感慨哦。全书直到最后一两章前满是或阴或明的褒奖，能再花些篇幅批判就好了。
评分@2018-02-13 20:55:50
评分The art world today is institutionalised; formulas are set at the control panel (the curation), different symbols give a different statement. Hal shows the relationship btw the audience, the artist and the critics, how they preoccupied. I like how he mentioned about undone artworks, how they prompt the audience the participation of ppl.????????Foster
评分Foster還是很能寫
评分@2018-02-13 20:55:50
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