The city and the cinema have become inextricably intertwined over the last century, with the identities of places becoming bound up in their cinematic portrayals. We have seen the landmarks of New York, London, Tokyo and a thousand others turn into iconic symbols of wealth, power, status, style and culture, and for the majority of people the images and sounds of movies form the only experience they will ever have of distant cities. Alsayyad here argues that our understanding of the city cannot be viewed independently of cinematic experience. Films do not only capture the depiction of a society; they influence the way we construct images of the world and, as a result, how we operate within it. Inexorably, we are coming to blur the distinction between what is real in the everyday and how we imagine the everyday. "Cinematic Urbanism" explores this dynamic, bringing together insights from urban and film studies to illuminate current architectural debate.
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能說算是比較係統的瞭，卻還是很淺，目前這方麵研究還是太少
评分能說算是比較係統的瞭，卻還是很淺，目前這方麵研究還是太少
评分太以建築學的discourse為中心瞭，隻能當作一個簡單的梳理，即使在06年都顯得陳舊
评分能說算是比較係統的瞭，卻還是很淺，目前這方麵研究還是太少
评分能說算是比較係統的瞭，卻還是很淺，目前這方麵研究還是太少
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