Introduction; Damien Mahiet, Mark Ferraguto, and Rebekah Ahrendt
PART I: REPRESENTATION
1. Concealed Music in Early Modern Diplomatic Ceremonial; Arne Spohr
2. Serenatas in the Service of Diplomacy in Baroque Venice; Giulia Giovani
3. The Leipzig Gewandhaus Orchestra and the Wages of Diplomatic Service; Jonathan Yaeger
4. Conflicting Dreams of Global Harmony in US-PRC Silk Road Diplomacy; Harm Langenkamp
PART II: MEDIATION
5. Constructing Universality in Early Modern French Treatises on Music and Dance; Ellen R. Welch
6. Perpetual Peace and the Idea of "Concert" in Eighteenth-Century Thought; Frédéric Ramel
7. "Jazz—Made in Germany" and the Transatlantic Beginnings of Jazz Diplomacy; Mario Dunkel
8. Music from the Embassy to the Underground in a Post-Soviet Belarus; M. Paula Survilla
PART III: NEGOTIATION
9. The Princesse des Ursins, Loyal Subject of the King of France and Foreign Princess in Rome; Anne-Madeleine Goulet (translated by Rebekah Ahrendt)
10. Haitian Djaz Diplomacy and the Cultural Politics of Musical Collaboration; Melvin L. Butler
11. The US Department of State's "Hip Hop Diplomacy" in Morocco; Kendra Salois
12. Opening up Thinking Space for Improvised Collaborative Public Diplomacy; Willow Williamson
Afterword: Music's Powers; Danielle Fosler-Lussier
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