Praise for Discontent and its Civilizations
"Smart doesn’t begin to describe Hamid; he is the sort of thinker that could change hearts and minds."—Booklist
“Honest and candid…Passion and hope infuse Hamid's most incisive dispatches.”—Kirkus Reviews
“[Discontent] give[s] a vivid sense of life lived close to the headlines…the recurring theme — that individuals matter more than the groups we try to assign them to — is as relevant as ever. And…the writing… is as simple, immediate and moving as any of Hamid’s fiction.” —Financial Times
"Electric." —The Guardian
“In contrast with the debased language of extremism, militarism and nationalism, [Hamid’s] is a humane and rational voice demanding a better future.” —Sunday Telegraph (UK)
“Vivid touches…elevate Hamid’s intelligent… commentaries above the commonplace…Discontent suggests Mohsin Hamid is reasonable, intelligent….and humble. In short, just the sort of commentator the world could do with right now.” —The Independent (UK)
“Lucid, informative and drily funny, these essays show that Hamid is one of the most perceptive commentators on contemporary global politics” —The Sunday Times (UK)
“Elegantly crafted essays confront everything from the future of Pakistan and the death of Osama bin Laden to fatherhood and falling in love. The insights into Hamid’s literary style and influence will delight devotees of his work and intrigue newcomers…Hamid makes a compelling case for pushing back against the mono-identities of religion, nationality and race and for embracing the things that all human beings share” —The Prospect (UK)
“Accessible, wise and beautifully clear.” —Metro (UK)
Mohsin Hamid is the internationally bestselling author of Moth Smoke, The Reluctant Fundamentalist, and How to Get Filthy Rich in Rising Asia. His award-winning novels have been adapted for the cinema, shortlisted for the Man Booker Prize, and translated into more than thirty languages. His essays and short stories have appeared in The New York Times, The Washington Post, and The New Yorker, among many other publications. Hamid now resides in Lahore, his birthplace, after living for a number of years in New York and London.
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《Discontent and its Civilizations》这个名字,像是一首沉郁的诗,又像是一个宏大的命题,在我拿起它时,就激起了我无数的遐想。我仿佛能看到,在人类文明的漫长画卷中,无数次因为“不满”而激起的波澜壮阔。或许,书中会讲述那些伟大的思想家,他们如何用笔尖戳破现实的虚伪,如何用理念点燃变革的火种。又或许,它会聚焦于那些被历史洪流淹没的普通人,他们的每一次抗争,每一次对不公的呐喊,是如何汇聚成改变世界的巨大力量。我设想着,作者是否会对比不同文明在面对“不满”时的不同反应:有的选择了压制,最终走向衰败;有的则选择了对话与变革,最终迎来了新的生机。这本书的名字本身就带有一种普适性,它不仅仅指向某一个特定的历史时期或文化,而是试图触及人类共通的情感体验。我好奇,作者将如何描绘这种“不满”与“文明”之间错综复杂、相互塑造的关系,它们是宿敌,还是共生?
评分当我拿起《Discontent and its Civilizations》时,我首先被其标题所吸引,它仿佛一道门,通往一个充满反思与洞察的世界。我猜想,这本书或许会深入探讨人类社会中普遍存在的“不满”情绪,以及这种情绪如何成为推动文明发展、塑造社会形态的关键动力。我期待作者能以一种宏大而细腻的视角,去剖析不同时代、不同文化背景下的“不满”是如何具体呈现的,它们又是如何催生出新的思想、新的制度,乃至全新的社会结构。我脑海中闪过无数历史画面:古老的奴隶制下,被压迫者的无声抗议;文艺复兴时期,对宗教束缚的质疑与对人文精神的追求;工业革命带来的社会变革与阶级冲突;甚至是当代社会中,人们在物质丰裕之下依然存在的精神空虚。这本书或许会试图回答,那些被视为“混乱”或“动荡”的时期,是否恰恰是文明孕育新生的土壤。它是否会揭示,正是那些不甘于现状的灵魂,才不断挑战既有的秩序,从而推动着历史的车轮滚滚向前。
评分《Discontent and its Civilizations》这个书名,给我一种强烈的预感,这本书将是一次关于人类社会深层驱动力的探索。我期待它能像一位辛勤的考古学家,层层剥开历史的尘埃,去挖掘那些塑造我们文明的隐秘力量。我猜想,作者或许会从个体层面的“不满”出发,探讨这种情绪如何演变成集体意识,又如何最终引发社会层面的巨大变革。我脑海中浮现出那些历史上的重要节点,例如启蒙运动时期对理性与自由的渴望,法国大革命对平等与博爱的追求,又或者是近现代社会中,对环境、对公平的持续呼唤。这本书是否会通过具体的历史案例,来阐释“不满”是如何激发创新,又是如何促使社会结构不断调整和演进的?我希望它能提供一种全新的视角,让我们重新审视那些我们习以为常的社会现象,理解那些我们所处的文明,究竟是如何在一次次“不满”的洗礼中,不断重塑自身的。
评分这本《Discontent and its Civilizations》的书名,就像一个引子,把我带入了一个充满思辨的领域。我猜想,这本书或许会深入探讨“不满”作为一种普遍存在的人类情感,它如何在不同的历史时期、不同的文化语境下,扮演着塑造文明的关键角色。我期待作者能以一种非线性的叙事方式,将个体的失落与集体的呐喊交织在一起,展现“不满”如何从私人的情绪,演变为推动历史变革的强大动力。我设想,书中可能会出现对那些被遗忘的社会运动的重新审视,对那些被掩盖的社会矛盾的深刻揭示,以及对那些催生出伟大思想和艺术作品的内心挣扎的描绘。这本书的名字本身就充满了辩证的张力,“Discontent”与“Civilizations”,一个看似负面的情绪,与一个看似积极的成就,两者之间必然存在着某种深刻而隐秘的联系。我好奇,作者将如何揭示这种联系,如何让我们理解,正是那些看似扰乱秩序的“不满”,恰恰是文明得以突破僵局、不断前进的内在驱动力。
评分这本书的封面设计就足够吸引人,深沉的蓝色调,中间隐约可见古老的建筑轮廓,仿佛在诉说着历史的重量。我拿到书的那天,正是阴雨绵绵的午后,窗外滴滴答答的雨声,配合着书名《Discontent and its Civilizations》,立刻营造出一种深邃的氛围。我迫不及待地翻开第一页,文字的排版疏朗有致,字体也选择得恰到好处,读起来一点也不费力。我尝试着去理解封面上那种难以言喻的情绪,似乎是一种对现状的不满,一种对过往文明的回溯,又似乎是对未来走向的迷茫。这本书的名字本身就充满了哲学意味,让我联想到无数关于人类社会演变、关于内心挣扎的讨论。我脑海中浮现出各种历史上的不平等、革命的火光,以及那些在不安之中诞生的辉煌。这本书会带我走向何方?是去探究那些被遗忘的角落,还是去审视我们所处的时代?我感到一种莫名的期待,仿佛即将踏上一段未知的旅程,去发现那些隐藏在“Discontent”背后的,形塑了我们文明的种种线索。
评分Part3很多共鳴 (In Cold War)We are with the good guys.None of the Ams considered us allies,they turned their back on us and declared war-準備移民的家庭看電視裡講對自己國家的作戰計劃&boycott Youtube的部分/Our civilisations do not cause us to clash, our clashing allows us to pretend like we belong in civilisations.(女兒晚一天出生的話就是印度的獨立日for a novelist the symbolism'd be tricky hh (再讀
评分和他的小说一样,这些评论性、回忆性的散文亦多短小精悍,平易近人,阅读起来无压迫感,浅白却不失细腻微妙,不时透出哈米德作为小说家一面的含蓄善感。
评分Part3很多共鳴 (In Cold War)We are with the good guys.None of the Ams considered us allies,they turned their back on us and declared war-準備移民的家庭看電視裡講對自己國家的作戰計劃&boycott Youtube的部分/Our civilisations do not cause us to clash, our clashing allows us to pretend like we belong in civilisations.(女兒晚一天出生的話就是印度的獨立日for a novelist the symbolism'd be tricky hh (再讀
评分和他的小说一样,这些评论性、回忆性的散文亦多短小精悍,平易近人,阅读起来无压迫感,浅白却不失细腻微妙,不时透出哈米德作为小说家一面的含蓄善感。
评分P. 44 I landed in London, like so many foreigners, looking for a London that did not exist. Or rather, I was looking for London to express in its whole something that was true only if tiny parts of it. p. 45 This was my first experience of what I would come to recognize as growing American self-censorship. It was also the first time I became aw
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