Venice between the wars, a Hungarian couple on their honeymoon. But “Venice is where the trouble began”—where Mihály finds that he prefers wandering backalleys to the company of his bride, Erzsi. In Ravenna they are interrupted at an outdoor café by a man who zooms up on a motorcycle. It is a man from Mihály’s past, with a mysterious grudge and an inexplicable demand: that Mihály seek out a friend of their childhood who had been spotted in a procession of monks. Outside of Florence, Mihály fails to board the train that is to carry him and Erzsi to Rome. Thus begins Mihály’s odyssey through the cities and countryside of Italy and back through the youth that haunts him. Here he is reunited with a charismatic sister and brother, Éva and Tamás, whose strange amateur theatricals have left sex and death forever linked in Mihály’s mind; Ervin, a rival for Éva’s love and a Jew turned Catholic monk; and the man on the motorcycle, János.
Antal Szerb’s dreamlike story is a reckoning with freedom and responsibility, the pulls of love and destruction, and the ways that the past returns to be relived or rejected.
Antal Szerb (1901-1945) was a writer, scholar, critic and translator born to Jewish parents but baptized Catholic. Multilingual, he lived in Hungary, France, Italy and England, and after graduating in German and English he rapidly established himself as a prolific scholar, publishing books on drama and poetry, studies of Ibsen and Blake, and histories of English and Hungarian literature.
At the age of 39, Szerb wrote an authoritative History of World Literature. He wrote his first novel, The Pendragon Legend, in 1934, followed by Journey by Moonlight in 1937 and The Queen's Necklace in 1943. These, and a collection of his short stories, Love in a Bottle, are also published in English by Pushkin Press. Szerb was killed in a concentration camp in January 1945.
读完以后觉得和月亮与六便士有异曲同工之妙。都是讲中产阶级去寻找自己的过程,不过这本书带有一丝魔幻,故事结构也很独特!最喜欢的是大学同学讲死亡的部分,死亡是迷人的,死亡是性行为,对死亡有多惧怕就有多渴望死亡。是否很多人都在接近死亡,去寻求快感呢? 另外总感觉作...
评分莫里斯·马丁·杜加尔曾评价让·科克托在《可怕的孩子》终幕献给读者的是“文学中最美的自杀之一”,这死亡继承了莎士比亚那史诗般的美感,在武器与毒药各自所代表的命运与偶然中,走向离别的终极悖论。当孩子们的灵魂相拥着进入悲剧天国,死亡被赋予了一种近乎神迹的色彩。 长...
评分任何时代都不缺少伟大的作家。然而吊诡的是,有很多伟大作家只存在于文学史的教科书中,他们的文学史地位显然高于文学本身,倒是有些“不那么”伟大的作家,常常能够走进千万个普通读者的阅读视野和内心世界。瑟尔伯·昂托就是这样一位作家,至少匈牙利读者一直没有忘记他。 瑟...
评分 评分读完我有一阵精神上的恍惚,一边看到两年前的自己;一边又觉得这是神谕:昂托的这本书于我就是那位乳房圆满的意大利占卜少女,温柔又残忍地提醒我一个难以避免的未来。 最近常常听到神秘的声音,犹豫的时候恰好读到悉达多,获得了勇气;在决绝和懦弱之间徘徊的时候又读到了昂托...
A blind purchase, but a melancholy gem.
评分A blind purchase, but a melancholy gem.
评分A blind purchase, but a melancholy gem.
评分A blind purchase, but a melancholy gem.
评分A blind purchase, but a melancholy gem.
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