By any measure, Seneca (?4-65AD) is one of the most important figures in both Roman literature and ancient philosophy. He was the most popular writer of his day, and his writings are voluminous and diverse, ranging from satire to philosophical "consolations" against grief, from metaphysical theory to moral and political discussions of virtue and anger. He was also the author of disturbing, violent tragedies, which present monstrous characters in a world gone wrong. But Seneca was also deeply engaged with the turbulent political events of his time. Exiled by the emperor Claudius for supposed involvement in a sex scandal, he was eventually brought back to Rome to become tutor and, later, speech-writer and advisor to Nero. He was an important eyewitness to one of the most interesting periods of Roman history, living under the rule of five of the most famous--and infamous--emperors (Augustus, Tiberius, Caligula, Claudius, and Nero), through the Great Fire of Rome (64AD), and at a time of expansion and consolidation of Roman imperial power throughout the Mediterranean world, as well as various foreign and internal conflicts. Suspected of plotting against Nero, Seneca was condemned and ultimately took his own life in what became one of the most iconic suicides in Western history.
The life and works of Seneca pose a number of fascinating challenges. How can we reconcile his bloody, passionate tragedies with his prose works advocating a life of Stoic tranquility? Furthermore, how are we to reconcile Seneca the Stoic philosopher, the man of principle, who advocated a life of calm and simplicity, with Seneca the man of the moment, who amassed a vast personal fortune in the service of an emperor seen by many, at the time and afterwards, as an insane tyrant? In this vivid biography, Emily Wilson presents Seneca as a man under enormous pressure, struggling for compromise in a world of absolutism. The Greatest Empire: A Life of Seneca thusoffers us, in fascinating ways, the portrait of a man with all the fissures and cracks formed by the clash of the ideal and the real: the gulf between political hopes and fears, and philosophical ideals; the gap between what we want to be, and what we are.
Emily Wilson is a Professor in the Department of Classical Studies and Chair of the Program in Comparative Literature and Literary Theory. She has a BA from Oxford in Classics, an M. Phil., also from Oxford, in English Literature (1500-1660), and a Ph.D. from Yale in Classics and Comparative Literature. Her first book was Mocked with Death: Tragic overliving from Sophocles to Milton (Johns Hopkins, 2004). Her second book was The Death of Socrates: Hero, Villain, Chatterbox, Saint (Harvard UP 2007). Her third was "Seneca: A Life" (also published in the US as "The Greatest Empire": Penguin/ OUP USA, 2015). She has published verse translations of Seneca's tragedies (Oxford World's Classics), Euripides ("The Greek Plays", Modern Library Random House), and The Odyssey (Norton, fall 2017). Other publications include various chapters and articles on the reception of classical literature in English literature, and reviews in the TLS and LRB. She is the classics editor for the revised Norton Anthology of World Literature, and Western Literature.
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这本书的语言风格极其多变,像一位技艺精湛的音乐家在演奏不同的乐章。有些章节的对话,简洁有力,充满了戏剧性的张力,字里行间都是刀光剑影,充满了机锋和试探;而另一些段落,特别是描绘角色内心独白时,则变得极其抒情和富有诗意,那种对逝去美好时光的追忆,或对未来迷茫的叹息,读起来有一种古典的韵味和厚重感。我尤其喜欢作者在描述自然景物时所采用的意象,它们往往不只是简单的背景板,而是深刻地烘托了当时角色的心境,达到了情景交融的境界。这种对语言驾驭的自由度,使得阅读过程充满了惊喜,你永远不知道下一页会迎来的是一场激烈的辩论,还是一段宁静而充满哲思的沉思。这种文字上的探索精神,极大地提升了作品的艺术价值。
评分这本书的叙事手法简直是教科书级别的,作者对于人物内心的刻画入木三分,每一个选择、每一次犹豫都充满了张力。我尤其欣赏他构建世界观的方式,那种宏大叙事下的细腻情感处理,让人仿佛身临其境,与角色一同经历了时代的变迁与命运的沉浮。故事节奏的把控也极为老道,时而娓娓道来,细致描摹日常生活的琐碎与温情,时而笔锋突转,引爆高潮冲突,这种抑扬顿挫,牢牢抓住了读者的注意力。特别是书中关于权力更迭和道德困境的探讨,绝非简单的黑白分明,而是将人性的复杂性展现得淋漓尽致,让人在阅读后久久不能释怀,甚至会反思自身在面对相似抉择时的立场。 尽管篇幅宏大,但作者依然能确保每一个支线情节都与主线紧密交织,没有一丝赘余,显示出高超的结构控制能力。这种层次丰富的阅读体验,是近年来少有的佳作。
评分这部作品的成功,很大程度上归功于它对“人性”这一永恒主题的深刻挖掘。它不是在歌颂或批判某一种意识形态,而是在探讨“人”在极端压力和巨大诱惑面前会做出何种选择。书中的反派角色绝非扁平化的恶魔,他们的每一步“堕落”都有其内在的逻辑和无可奈何的驱动力,让你在痛恨他们的同时,又隐隐约约地理解了他们扭曲的动机。而那些传统意义上的“英雄”,也展现出了令人意想不到的弱点和凡俗的挣扎。这种对人性灰度的坦诚书写,使得故事极具穿透力。它迫使读者跳出简单的道德框架去审视角色,也让我们不得不去直面自身性格中那些不愿承认的阴暗面。这种深刻的共情和自我反思的触发点,才是真正伟大的文学作品所应具备的特质。
评分从结构上来看,这本书的布局犹如一张精心编织的复杂挂毯,看似松散的无数丝线,最终却汇聚成一幅气势恢宏的整体图景。作者巧妙地运用了时间线的跳跃和多重视角的切换,来展现一个庞大帝国从兴起到衰落的完整周期。每一次视角的转换,不仅仅是换了一个讲故事的人,更是为读者提供了观察同一事件的不同侧面和动机的可能性,极大地丰富了故事的解读空间。这种碎片化的信息逐渐拼凑出完整历史画面的过程,本身就是一种引人入胜的解谜体验。而且,作者在叙事高潮处,总能精准地将所有看似无关的线索收拢到一起,引发令人拍案叫绝的连锁反应,这种“原来如此”的顿悟感,是阅读此书时最令人满足的体验之一。这不仅仅是一个故事,更像是一部结构严谨的史诗。
评分读完后我最大的感受是,作者对历史细节的考据达到了令人发指的地步,但高明之处在于,这些详实的背景资料绝非生硬的堆砌,而是如同血液一样融入了人物的言行举止和环境的描绘之中。你会真切地感受到那个特定时代独特的氛围、阶层的隔阂以及无处不在的仪式感。开篇不久,一段关于宫廷宴会的描写,光是器皿的材质、食物的烹饪方法、座次的高低,就足以构建起一个错综复杂的权力网络,而这一切都在不动声色之间完成了。这种沉浸式的体验,让我感觉自己像是穿越回了那个时代,亲身参与了那些重要的会议和私下的密谋。对于历史爱好者而言,这无疑是一场盛宴,但即便是对历史不甚了解的读者,也能被这种极具画面感的笔触所深深吸引,因为一切都是如此真实可信,仿佛触手可及。
评分The literary analyses are fun to read, but the rest is afsdfd;skgjsafjsa WTH adagas;gdsa;fj;sdfs *bangs head against desk*
评分The literary analyses are fun to read, but the rest is afsdfd;skgjsafjsa WTH adagas;gdsa;fj;sdfs *bangs head against desk*
评分The literary analyses are fun to read, but the rest is afsdfd;skgjsafjsa WTH adagas;gdsa;fj;sdfs *bangs head against desk*
评分The literary analyses are fun to read, but the rest is afsdfd;skgjsafjsa WTH adagas;gdsa;fj;sdfs *bangs head against desk*
评分The literary analyses are fun to read, but the rest is afsdfd;skgjsafjsa WTH adagas;gdsa;fj;sdfs *bangs head against desk*
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