具体描述
Visualizing Modern China: Image, History, and Memory, 1750–Present offers a sophisticated yet accessible interpretation of modern Chinese history through visual imagery. With rich illustrations and a companion website, it is an ideal textbook for college-level courses on modern Chinese history and on modern visual culture. The introduction provides a methodological framework and historical overview, while the chronologically arranged chapters use engaging case studies to explore important themes. Topics include: Qing court ritual, rebellion and war, urban/rural relations, art and architecture, sports, the Chinese diaspora, state politics, film propaganda and censorship, youth in the Cultural Revolution, environmentalism, and Internet culture.
作者简介
James A. Cook is associate director of the Asian Studies Center at the University of Pittsburgh.
Joshua Goldstein is associate professor of history at University of Southern California.
Matthew D. Johnson is assistant professor of East Asian history at Grinnell College.
Sigrid Schmalzer is associate professor of history at UMass Amherst.
目录信息
James Cook, Joshua Goldstein, Matthew Johnson, Sigrid Schmalzer
Chapter 2: Envisioning the Spectacles of Emperor Qianlong’s Tours of Southern China
Michael G. Chang
Chapter 3: In the Eyes of the Beholder: Rebellion as Visual Experience
Cecily McCaffrey
Chapter 4: Yangliuqing New Year’s Pictures: The Fortune of a Folk Tradition
Madeleine Yue Dong
Chapter 5: Monumentality in Nationalist Nanjing: Purple Mountain’s Changing Views
Charles D. Musgrove
Chapter 6: “The Me in the Mirror”: Voyeurism and Discipline in Women’s Physical Culture, 1921-1937
Andrew D. Morris
Chapter 7: Rethinking ”China”: Overseas Chinese and China’s Modernity
Jame A. Cook
Chapter 8: The Myth about Chinese Leftist Cinema
Zhiwei Xiao
Chapter 9: Imagining the Refugee: The Emergence of a State Welfare System in the War of Resistance
Lu Liu
Chapter 10: Revolutionary Real Estate: Envisioning Space in Communist Dalian
Christian Hess
Chapter 11: Spatial Profiling: Seeing Rural and Urban in Mao’s China
Jeremy Brown
Chapter 12: Cinema and Propaganda during the Great Leap Forward
Matthew Johnson
Chapter 13: Images, Memories and Lives, of Sent-down Youth in Yunnan
Zheng Xiaowei
Chapter 14: Wild Pandas, Wild People: Two Views of Wilderness in Deng-Era China
Elena Songster, Sigrid Schmalzer
Chapter 15: Contextualizing the Visual (and Virtual) Realities of Expo 2010
Susan Fernsebner
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读后感
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用户评价
時間主題皆跨度極大，有教材意圖，故討論不深可理解，可找作者們博論/專書/論文。但硬傷：「視覺」或「圖像」分析明顯沒達到intro預想，雖各篇有別，但總體未超出「插圖」意義，圖文結合貧乏，圖像的社會史分析稀缺。同期葉文心等主編的History in Images和Visualising China, 1845-1965論文集更佳。該書附設網站http://visualizingmodernchina.org/content/。
评分以此书代替James A. Cook1998年的博士论文，Bridges to Modernity, 华侨与近代厦门的发展。
评分以此书代替James A. Cook1998年的博士论文，Bridges to Modernity, 华侨与近代厦门的发展。
评分非常一般，没有购买价值。论文水平参差不齐。因为一方面被要求围绕“视觉材料”，然而有些历史学家其实并不习惯或根本不想用视觉材料，导致很多视觉材料的使用非常牵强、片面。既削弱了历史学家本来对于文字材料和文档的掌控能力，又展示了对视觉材料运用的薄弱点。有些选题其实很有意思，但是受篇幅和大标题（“视觉”）束缚，没有发挥完全。
评分以此书代替James A. Cook1998年的博士论文，Bridges to Modernity, 华侨与近代厦门的发展。
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