Is philosophy obsolete? Are the ancient questions still relevant in the age of cosmology and neuroscience, not to mention crowd-sourcing and cable news? The acclaimed philosopher and novelist Rebecca Newberger Goldstein provides a dazzlingly original plunge into the drama of philosophy, revealing its hidden role in today’s debates on religion, morality, politics, and science.
At the origin of Western philosophy stands Plato, who got about as much wrong as one would expect from a thinker who lived 2,400 years ago. But Plato’s role in shaping philosophy was pivotal. On her way to considering the place of philosophy in our ongoing intellectual life, Goldstein tells a new story of its origin, re-envisioning the extraordinary culture that produced the man who produced philosophy.
But it is primarily the fate of philosophy that concerns her. Is the discipline no more than a way of biding our time until the scientists arrive on the scene? Have they already arrived? Does philosophy itself ever make progress? And if it does, why is so ancient a figure as Plato of any continuing relevance? Plato at the Googleplex is Goldstein’s startling investigation of these conundra. She interweaves her narrative with Plato’s own choice for bringing ideas to life—the dialogue.
Imagine that Plato came to life in the twenty-first century and embarked on a multicity speaking tour. How would he handle the host of a cable news program who denies there can be morality without religion? How would he mediate a debate between a Freudian psychoanalyst and a tiger mom on how to raise the perfect child? How would he answer a neuroscientist who, about to scan Plato’s brain, argues that science has definitively answered the questions of free will and moral agency? What would Plato make of Google, and of the idea that knowledge can be crowd-sourced rather than reasoned out by experts? With a philosopher’s depth and a novelist’s imagination and wit, Goldstein probes the deepest issues confronting us by allowing us to eavesdrop on Plato as he takes on the modern world.
Rebecca Newberger Goldstein grew up in White Plains, New York, and graduated summa cum laude from Barnard College, receiving the Montague Prize for Excellence in Philosophy, and immediately went on to graduate work at Princeton University, receiving her Ph.D. in philosophy. While in graduate school she was awarded a National Science Foundation Fellowship and a Whiting Foundation Fellowship.
After earning her Ph.D. she returned to her alma mater, where she taught courses in philosophy of science, philosophy of mind, philosophy of psychology, the rationalists, the empiricists, and the ancient Greeks. It was some time during her tenure at Barnard that, quite to her own surprise, she used a summer vacation to write her first novel, The Mind-Body Problem. As she described it,
"To me the process is still mysterious. I had just come through a very emotional time, having not only become a mother but having also lost my father, whom I adored. In the course of grieving for my father and glorying in my daughter, I found that the very formal, very precise questions I had been trained to analyze weren’t gripping me the way they once had. Suddenly, I was asking the most `unprofessional’ sorts of questions (I would have snickered at them as a graduate student), such as how does all this philosophy I’ve studied help me to deal with the brute contingencies of life? How does it relate to life as it’s really lived? I wanted to confront such questions in my writing, and I wanted to confront them in a way that would insert `real life’ intimately into the intellectual struggle. In short I wanted to write a philosophically motivated novel."
The Mind-Body Problem was published by Random House and went on to become a critical and popular success.
More novels followed: The Late-Summer Passion of a Woman of Mind; The Dark Sister, which received the Whiting Writer’s Award, Mazel, which received the 1995 National Jewish Book Award and the 1995 Edward Lewis Wallant Award; and Properties of Light: A Novel of Love, Betrayal, and Quantum Physics. Her book of short stories, Strange Attractors, received a National Jewish Book Honor Award. Her 2005 book Incompleteness: The Proof and Paradox of Kurt Gödel, was featured in articles in The New Yorker and The New York Times, received numerous favorable reviews, and was named one of the best books of the year by Discover magazine, the Chicago Tribune, and the New York Sun. Goldstein’s most recent published book is, Betraying Spinoza: The Renegade Jew who Gave Us Modernity, published in May 2006, and winner of the 2006 Koret International Jewish Book Award in Jewish Thought. Her new novel, Thirty-Six Arguments for the Existence of God: A Work of Fiction, will be published by Pantheon Books.
In 1996 Goldstein became a MacArthur Fellow, receiving the prize which is popularly known as the “Genius Award.” In awarding her the prize, the MacArthur Foundation described her work in the following words:
"Rebecca Goldstein is a writer whose novels and short stories dramatize the concerns of philosophy without sacrificing the demands of imaginative storytelling. Her books tell a compelling story as they describe with wit, compassion and originality the interaction of mind and heart. In her fiction her characters confront problems of faith: religious faith and faith in an ability to comprehend the mysteries of the physical world as complementary to moral and emotional states of being. Goldstein’s writings emerge as brilliant arguments for the belief that fiction in our time may be the best vehicle for involving readers in questions of morality and existence."
Goldstein is married to linguist and author Steven Pinker. She lives in Boston and in Truro, Massachusetts.
This is a book that I have made many notes. The author has employed a imaginative way to bring Plato and even Socrates to life. Never have I come so close to them and understood their ideas. It is also amazing how much we have achieved in these thousands ye...
评分This is a book that I have made many notes. The author has employed a imaginative way to bring Plato and even Socrates to life. Never have I come so close to them and understood their ideas. It is also amazing how much we have achieved in these thousands ye...
评分This is a book that I have made many notes. The author has employed a imaginative way to bring Plato and even Socrates to life. Never have I come so close to them and understood their ideas. It is also amazing how much we have achieved in these thousands ye...
评分This is a book that I have made many notes. The author has employed a imaginative way to bring Plato and even Socrates to life. Never have I come so close to them and understood their ideas. It is also amazing how much we have achieved in these thousands ye...
评分This is a book that I have made many notes. The author has employed a imaginative way to bring Plato and even Socrates to life. Never have I come so close to them and understood their ideas. It is also amazing how much we have achieved in these thousands ye...
阅读完最后一页,我感觉自己像是经历了一场马拉松式的智力攀登,但内心却充满了平静和满足。这本书成功地做到了在不提供简单答案的前提下,激发读者进行最深层次的自我审视。它不是一本提供指导方针的书,而是一面镜子,映照出我们自身认知结构的局限和可能性。其中关于“确定性”的讨论尤其发人深省,作者反复质问我们所依赖的那些看似坚不可摧的知识基础,是否仅仅是构建在更脆弱的假设之上。这种持续的、温和的颠覆感,迫使我不得不重新审视日常生活中那些习以为常的判断标准。合上书的那一刻,我明白,这本书的影响不会随着合页而停止,它会潜移默化地改变我对未来信息洪流的解读方式。
评分这本书的叙事节奏把握得极其精准,让人难以停下笔来。起初,我以为会是一部晦涩难懂的哲学思辨录,毕竟涉及到如此宏大的主题,但作者的笔触却是出奇的轻盈和流畅。他擅长的就是那种“润物细无声”的铺垫,前三分之一的部分,角色之间的对话和日常场景的描绘,看似松散,实则步步为营,为后面猛烈的思想冲击埋下了无数的伏笔。这种渐进式的张力构建,高明之处在于,它没有一开始就抛出沉重的理论,而是让读者在不知不觉中,被情节和人物的情感所牵引,等你意识到你已经被带入了一个复杂的思想迷宫时,已经走得很深了。尤其是在处理那些关键的转折点时,作者常常会使用一个看似无关紧要的细节进行强有力的切入,那种“原来如此”的顿悟感,是阅读过程中最令人兴奋的部分。
评分这本书最让我感到惊喜的是它跨学科的对话能力,简直像是一个知识的万花筒。我读到一些关于早期计算机科学的伦理困境的讨论,那种深度简直可以媲美专业的学术论文,但作者的阐述方式却完全避免了枯燥的术语堆砌。紧接着,它又会巧妙地穿插进对古代修辞学的分析,将现代科技伦理与亚里士多德的逻辑推理联系起来。这种跨越数千年的对话,非但没有显得突兀或牵强,反而揭示了人类在面对“知识”与“权力”时的永恒困境。它不满足于仅仅停留在单一领域进行探讨,而是试图搭建一座桥梁,让不同学科的思考者都能找到与之对话的切入点,这无疑拓宽了我的思维边界。
评分从文学角度审视,这本书的语言风格是一种近乎完美的融合体——既有学院派的严谨逻辑,又充满了散文诗般的灵动与张力。它的句子结构变化多端,有时是短促有力的断句,仿佛在进行某种快速的辩论,充满了哲学家式的犀利;而另一些段落,则会突然转向那种悠长、婉转的复句,如同巴洛克式的乐章,充满了对存在本质的沉思与哀叹。我尤其欣赏作者在描述人物内心挣扎时所采用的意象,那些反复出现的关于“光影”、“界限”和“回响”的比喻,构建了一个非常稳定且富有感染力的象征体系。这使得即使是再抽象的概念,也能在读者的脑海中形成清晰、可感知的画面,这对于一部探讨深刻议题的作品来说,是极其难得的品质。
评分这本书的装帧设计简直是艺术品,封面那种复古的羊皮纸质感,配上现代感的霓虹灯字体,瞬间抓住了我的眼球。我记得第一次在书店看到它时,就是被这个强烈的视觉对比所吸引。内页的排版也相当考究,字体选择和行距都让人读起来非常舒适,仿佛作者在引导你进入一个既古老又前卫的时空隧道。拿到手里沉甸甸的感觉,也让人觉得物有所值,绝对是那种愿意放在客厅书架上展示的书籍。特别是作者在章节开头引用的那些小小的、几乎难以察觉的插画或者符号,每次翻阅都会带来新的发现,这细节处理简直是大师级别的。而且,这本书的装帧细节,比如书脊上的烫金工艺,即便是放在光线下看,那种低调的奢华感也让人爱不释手,完全体现了出版方对内容本身的尊重和重视。这本书的物理形态,本身就是一次阅读体验的延伸,而非仅仅是内容的载体。
评分啰哩啰嗦不知道讲些什么东西,看了两章直接给退了
评分想给她加7星,一星给柏圣,一星给作者。适应了她那略微奇怪的语言风格以后,整本书还是蛮好读的,间隔的梳理了柏圣的各个主题的著作要点,穿插柏圣和现代的对话。苏哥之死那里很有意思啊,以前没有意识到他所处的政治环境究竟是咋样,现在看有点看像是被占领的解放区回归以后苏哥要求解放者们免费供养他……苏哥真是真·行为艺术家!
评分Didn’t finish the book
评分啰哩啰嗦不知道讲些什么东西,看了两章直接给退了
评分想给她加7星,一星给柏圣,一星给作者。适应了她那略微奇怪的语言风格以后,整本书还是蛮好读的,间隔的梳理了柏圣的各个主题的著作要点,穿插柏圣和现代的对话。苏哥之死那里很有意思啊,以前没有意识到他所处的政治环境究竟是咋样,现在看有点看像是被占领的解放区回归以后苏哥要求解放者们免费供养他……苏哥真是真·行为艺术家!
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