What does it mean to lead a moral life?In her first extended study of moral philosophy, Judith Butler offers a provocative outline for a new ethical practice-one responsive to the need for critical autonomy and grounded in a new sense of the human subject.Butler takes as her starting point one's ability to answer the questions What have I done?and What ought I to do?She shows that these question can be answered only by asking a prior question, Who is this 'I' who is under an obligation to give an account of itself and to act in certain ways?Because I find that I cannot give an account of myself without accounting for the social conditions under which I emerge, ethical reflection requires a turn to social theory.In three powerfully crafted and lucidly written chapters, Butler demonstrates how difficult it is to give an account of oneself, and how this lack of self-transparency and narratibility is crucial to an ethical understanding of the human. In brilliant dialogue with Adorno, Levinas, Foucault, and other thinkers, she eloquently argues the limits, possibilities, and dangers of contemporary ethical thought.Butler offers a critique of the moral self, arguing that the transparent, rational, and continuous ethical subject is an impossible construct that seeks to deny the specificity of what it is to be human. We can know ourselves only incompletely, and only in relation to a broader social world that has always preceded us and already shaped us in ways we cannot grasp. If inevitably we are partially opaque to ourselves, how can giving an account of ourselves define the ethical act? And doesn't an ethical system that holds us impossibly accountable for full self-knowledge and self-consistency inflict a kind of psychic violence, leading to a culture of self-beratement and cruelty? How does the turn to social theory offer us a chance to understand the specifically social character of our own unknowingness about ourselves?In this invaluable book, by recasting ethics as a project in which being ethical means becoming critical of norms under which we are asked to act, but which we can never fully choose, Butler illuminates what it means for us as fallible creaturesto create and share an ethics of vulnerability, humility, and ethical responsiveness. Judtith Butler is the Maxine Elliot Professor of Rhetoric and Comparative Literature at the University of California, Berkeley. The most recent of her books are Precarious Life: The Power of Mourning and Violence and Undoing Gender.
It would be a more accurate summary of the first chapter of Given an Account of Oneself, if Butler changed the chapter title to “Impossibility of an account of oneself”, or “Limits on an account of oneself”. In this book, she critically examined the ans...
评分It would be a more accurate summary of the first chapter of Given an Account of Oneself, if Butler changed the chapter title to “Impossibility of an account of oneself”, or “Limits on an account of oneself”. In this book, she critically examined the ans...
评分It would be a more accurate summary of the first chapter of Given an Account of Oneself, if Butler changed the chapter title to “Impossibility of an account of oneself”, or “Limits on an account of oneself”. In this book, she critically examined the ans...
评分It would be a more accurate summary of the first chapter of Given an Account of Oneself, if Butler changed the chapter title to “Impossibility of an account of oneself”, or “Limits on an account of oneself”. In this book, she critically examined the ans...
评分It would be a more accurate summary of the first chapter of Given an Account of Oneself, if Butler changed the chapter title to “Impossibility of an account of oneself”, or “Limits on an account of oneself”. In this book, she critically examined the ans...
说实话,一开始我抱着试一试的心态开始阅读的,毕竟现在市面上充斥着太多同质化的作品。然而,这本书很快就用它那股强劲的、几乎可以说是野性的创造力抓住了我。它的语言风格大胆而奔放,充满了爆炸性的张力。作者似乎毫不畏惧地打破常规的语法和叙事逻辑,创造出一种既陌生又无比熟悉的美学体验。读起来就像是在看一幅后现代主义的巨幅画作,你可能需要花点时间去适应那种不规则的笔触和跳跃的色彩,但一旦你进入了那个频率,你会发现其中蕴含着巨大的能量和深刻的洞察力。它探讨的主题是如此宏大而复杂,涉及存在的本质、记忆的可靠性,以及我们如何试图在混沌中建立意义。这本书的价值不在于提供简单的答案,而在于它提供了一种挑战思维的全新框架,迫使你重新审视那些你习以为常的概念。这绝不是一本轻松读物,它需要你投入全部的注意力,但回报是巨大的——一种思维被彻底拓宽的快感。
评分天呐,我刚读完这本书,简直不敢相信自己的眼睛。这本书的叙事结构简直是教科书级别的典范,作者在构建故事时那种对节奏的精准把控,让人忍不住一页接一页地往下翻。它巧妙地将两条看似毫无关联的线索编织在一起,直到最后才展现出它们之间深刻的内在联系。这种布局让整个阅读体验充满了惊喜,每一次“原来如此”的顿悟都让人拍案叫绝。更值得称道的是,作者在人物塑造上的细腻程度令人叹服。那些活生生的人物,他们的每一个微小的犹豫、每一次不经意的眼神交流,都被捕捉得淋漓尽致。你仿佛能直接走进他们的内心世界,去感受他们真实的情感波动,那种沉浸感是很多作品难以企及的。我尤其欣赏作者对环境描写的运用,那些场景不仅仅是背景板,它们本身就是故事的一部分,烘托着角色的心境,甚至预示着即将发生的转折。这种对文学技巧的纯熟运用,使得这本书不仅仅是一个故事,更像是一场精心编排的艺术展览,每一个细节都值得反复玩味和推敲。
评分这本书最让我惊艳的一点是它对“沉默”的运用。在大量充满思辨的对话和内心独白中,作者懂得何时该按下静音键。那些精心设计的空白、那些未被言说的对白,其重量往往超过了千言万语。这种留白不是因为作者词穷,而是因为他深知有些感受是语言无法抵达的,只能通过感官的缺失来传达。因此,这本书的阅读体验是动态的——时而密集如暴雨,时而稀疏如薄雾。此外,书中隐含的对文学传统的致敬和戏仿,也为这本书增添了一层知识分子式的趣味。它在与前辈作家的对话中,确立了自己的独特声音,既有历史的厚重感,又不失当代的锐利。这绝对是一部需要耐心和回味的佳作,它不会在第一印象上就完全征服你,但它会像一颗种子一样,在你心中生根发芽,并在未来的日子里,以你未曾预料的方式,开出思想的花朵。
评分我必须承认,这本书在某些段落的密度极高,需要我频繁地停下来,拿起笔在旁边的空白处做笔记,或者干脆放下书,走到窗边去消化刚刚读到的东西。它对“身份”的探讨极其深入和尖锐,没有给出任何舒适的定论。作者仿佛是一位无情的解剖学家,一层层剥开我们试图包裹自己的社会外壳,直抵核心的脆弱与矛盾。书中描绘的那些人与人之间微妙的权力动态和情感拉锯战,真实得让人感到一丝痛楚,但正是这种真实感,让这本书具有无可替代的力量。它不讨好读者,不迎合主流的感官刺激,它只专注于挖掘人类经验中最真实、最难堪、也最光辉的侧面。对于那些厌倦了平庸叙事,渴望在文字中寻找真正智力刺激的读者来说,这本书简直是一剂猛药,虽然过程可能有些辛苦,但最终会让你感到灵魂被洗涤和重塑。
评分这本书的阅读体验更像是跟随一位经验老到的哲人进行了一场漫长而深入的对话。它没有冗长晦涩的理论堆砌,而是通过一系列精巧的寓言和场景设置,将那些抽象的概念具体化、可感化。我特别喜欢作者处理“时间”的方式。时间在这里不再是线性的流逝,而是像一个多维度的空间,过去、现在和潜在的未来交织缠绕。跟随角色的思绪在不同的时间切片中穿梭,那种感觉既迷失又充满探索的乐趣。作者的文字冷静而克制,却蕴含着一股强大的情感洪流。他从不直接告诉你该感受什么,而是通过对细节的精确捕捉,让你自己去体会那种难以言喻的忧伤或者突如其来的领悟。这本书的魅力在于它的留白,它给了读者足够的空间去填补那些未尽之言,每一次重读都会因为心境的变化而发现新的含义。它不是读完就束之高阁的书,而是那种会时常被翻开,去对照生活中的某些瞬间的书。
评分基本以一个消极的观念来研究个人行为的外来性。
评分基本以一个消极的观念来研究个人行为的外来性。
评分基本以一个消极的观念来研究个人行为的外来性。
评分基本以一个消极的观念来研究个人行为的外来性。
评分基本以一个消极的观念来研究个人行为的外来性。
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